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Christine and the Queens and SG Lewis © 2023
Columns, Music, Today's SongSeptember 11, 2023<September 11, 2023

Today’s Song: Christine and the Queens Takes “To be honest” to the Dance Floor with SG Lewis Remix

by Julia Dzurillay
corner club © Vincent Po
Columns, Music, Today's SongSeptember 9, 2023<September 11, 2023

Today’s Song: corner club Ponder Mortality and the Love We Leave Behind in “when i die”

by Sophie Severs
Atwood Magazine's Weekly Roundup | September 8, 2023
Columns, Features, Music, Weekly RoundupSeptember 8, 2023<September 11, 2023

Atwood Magazine’s Weekly Roundup: September 8, 2023

by Atwood Magazine Staff
Boyish © Stolen Besos (Maya)
Features, Interviews, Music, Track-by-TrackSeptember 8, 2023<September 8, 2023

Feature: Boyish Turn Teenage Trauma into Soul-Stirring Sound on ‘Little Demon Boy’

by Mitch Mosk
PRONOUN © Merissa Blitz
Columns, Music, Today's SongSeptember 8, 2023<September 8, 2023

THWACK! PRONOUN Takes the Hits in “SLAP ME IN THE FACE,” Reckoning with a Big, Ugly World

by Mitch Mosk
Sylvan Esso at Hinterland Music Festival © Andrea Escobar
Festival, Music, ReviewsSeptember 8, 2023<September 8, 2023

2023 Hinterland Music Festival: A Hidden Gem in the Midwest Festival Scene

by Nick Polak
Pearl - Bobby Bazini
Features, Interviews, Music, Track-by-TrackSeptember 7, 2023<September 7, 2023

Track-by-Track: Bobby Bazini Breaks Down ‘Pearl,’ His Cinematic, Cathartic, & Soul-Stirring Fifth LP

by Mitch Mosk
Barbaro © Wolfskull Creative
Columns, Music, Today's SongSeptember 7, 2023<September 7, 2023

Today’s Song: The Beauty & the Aching of Barbaro’s Evergreen “Gardens”

by Mitch Mosk
Another Door - maeve & quinn
Debut, Music, PremieresSeptember 7, 2023<September 7, 2023

Premiere: maeve & quinn Explore Dynamic Friendship & Selfhood in Debut Album ‘Another Door’

by Nic Nichols
Anna Rose "Last Girl of the Rodeo" © Alexa King
Features, Interviews, Music, Track-by-TrackSeptember 6, 2023<September 8, 2023

“Truth in Costume”: Anna Rose Is Unleashed & Empowered on ‘Last Girl of the Rodeo,’ Her Tragic, Soul-Stirring Reckoning

by Mitch Mosk
Tom Speight © Scarlet Page
Features, Interviews, Music, Track-by-TrackSeptember 6, 2023<September 14, 2023

‘Love & Light’: Tom Speight Goes Track-by-Track Through His Breathtakingly Beautiful Third Album

by Mitch Mosk
The Sometimes Island © 2023
Interviews, MusicSeptember 6, 2023<September 6, 2023

Interview: The Sometimes Island Inject Sunshine into Our Lives With “Neon Summer”

by Joe Beer
The Brook & The Bluff © Noah Tidmore
MusicSeptember 6, 2023<September 6, 2023

“A lighthouse out in the storm”: The Brook & The Bluff Dive “Headfirst” into a New Era As ‘Bluebeard’ Approaches

by Mitch Mosk
V of BTS © BIGHIT
Columns, Music, Today's SongSeptember 5, 2023<September 6, 2023

Today’s Song: BTS’ V Shows Us a New Side with “Rainy Days”

by Jada Moore
S. Carey & John Raymond © Kyle Lehman
Music, PremieresSeptember 5, 2023<September 5, 2023

Premiere: John Raymond & S. Carey Rise Up From the Shadowlands to Coalesce in “Chrysalis”

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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