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Katelyn Tarver © Irida Mete
Columns, Music, Today's SongJuly 31, 2023<July 31, 2023

Today’s Song: Katelyn Tarver Shines a Light in the Dark With “Starting to Scare Me”

by Kelly McCafferty Dorogy
Niia © Diego Vourakis
Columns, Music, Today's SongJuly 30, 2023<July 29, 2023

A License for Letting Go: Niia’s “Alfa Romeo” Sets the Stage for New Album, ‘Bobby Deerfield’

by Lauren Hicks
Danny Vagnoni © 2023
Columns, Meet Our WritersJuly 29, 2023<July 29, 2023

Meet Our Writers: Philadelphia’s Danny Vagnoni

by Danny Vagnoni
Beabadoobee "the way things go" © Antonius Cramer
Columns, Music, Today's SongJuly 29, 2023<July 29, 2023

Today’s Song: Beabadoobee Becomes a Ballerina With “the way things go”

by Julia Dzurillay
Darlingside © Shervin Lainez
Features, Interviews, Music, Track-by-TrackJuly 28, 2023<July 30, 2023

‘Everything Is Alive’: Inside Darlingside’s Vulnerable, Energizing & Soul-Stirring Fifth LP

by Mitch Mosk
I Wanna Spend It With You - The Satellite Station © 2023
Columns, Music, Today's SongJuly 28, 2023<July 28, 2023

Today’s Song: The Satellite Station’s Soulful Celebration of Love, “I Wanna Spend It With You”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | July 28, 2023
Columns, Features, Music, Weekly RoundupJuly 28, 2023<August 19, 2025

Atwood Magazine’s Weekly Roundup: July 28, 2023

by Atwood Magazine Staff
Milky Day © 2023
Features, Interviews, MusicJuly 28, 2023<July 28, 2023

Interview: Milky Day Discusses Inner Demons, Overcoming Burnout, & Breaking Genre Barriers in Light of New Single, “Losing My Grip”

by Freya Rinaldi
Atwood Magazine's Editor's Picks 105
Columns, Editor's Picks, Features, MusicJuly 27, 2023<August 24, 2023

Editor’s Picks 105: Soda Blonde, Bombay Bicycle Club, JayWood, The Slow Show, Sarah Crean, & S. Carey x John Raymond!

by Mitch Mosk
Bad Tiger © 2023
Music, PremieresJuly 27, 2023<July 28, 2023

Premiere: Bad Tiger’s “New Growth” Is a Charming and Churning Indie Pop Reverie

by Mitch Mosk
Paul Simon at the 2022 Newport Folk Festival © Rett Rogers
Festival, Music, PreviewsJuly 27, 2023<July 27, 2023

Preview: 2023’s Newport Folk Festival Promises a Legendary Celebration of Folk Music

by Nick Polak
Mad Cool 2023 © Michael Greco
Festival, Music, ReviewsJuly 27, 2023<July 27, 2023

Review: Madrid’s 2023 Mad Cool Festival Flourishes in a New Venue

by Michael Greco
Yoke Lore © Tanner Deutsch
Features, Interviews, MusicJuly 27, 2023<July 27, 2023

Interview: Yoke Lore’s Debut Album Is a Spiritual Guidebook on Evolving & Keeping Up With All Kinds of Change

by Nick Polak
Ty Dolla $ign "Motion" © Alex Bittan
Columns, Music, Today's SongJuly 27, 2023<July 26, 2023

Today’s Song: Ty Dolla $ign’s Irresistible “Motion” Captures the Kinetic Summer Heat

by Mitch Mosk
Hank © Carina Allen
Debut, Features, Interviews, Music, Track-by-TrackJuly 26, 2023<July 26, 2023

Feature: Hank’s ‘Call Me Hank’ (Deluxe) Is an Unfiltered & Uncompromising Coming-of-Age Debut

by Mitch Mosk
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Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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