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Savannah Conley © Sophia Matinazad
Debut, Features, Interviews, MusicJune 13, 2023<June 14, 2023

“I’m a Romantic Nihilist”: Savannah Conley Discusses Songwriting, Mental Health, & Her Breathtakingly Vulnerable Debut Album

by Mitch Mosk
BTS © BIGHIT MUSIC
Features, MusicJune 13, 2023<June 13, 2023

Despite All Odds: BTS, the Underdogs Turned Biggest Boy Band in the World, Celebrate Their 10-Year Anniversary

by Freya Rinaldi
Mermaid Blues V1 - LAPêCHE
Columns, Music, Today's SongJune 13, 2023<June 13, 2023

Today’s Song: The Raw Verve & Vulnerability of LAPêCHE’s Seasonally-Charged “Mermaid Blues (V1)”

by Mitch Mosk
Christine and the Queens © Jasa Muller 8
Music, Our Take, ReviewsJune 13, 2023<June 13, 2023

Our Take: Christine and the Queens’ ‘ PARANOÏA, ANGELS, TRUE LOVE’ Tackles Self-Discovery, Love, & ‘Angels in America’

by Julia Dzurillay
Small Shake © Brady Harvey
Debut, Music, PremieresJune 13, 2023<June 13, 2023

Premiere: Seattle’s Small Shake Debuts with “Imposter,” a Grunge-Pop Anthem for the Uncool

by Mitch Mosk
Almost Sex © 2023
Features, Interviews, Music, Premieres, Track-by-TrackJune 12, 2023<June 12, 2023

EP Premiere: ‘Ever Better’ Is a Cathartic Indie Folk Triumph for Brooklyn’s almost sex

by Mitch Mosk
Dance Lessons © Craig Benson
Columns, Music, Today's SongJune 12, 2023<June 12, 2023

Today’s Song: London Trio Dance Lessons Seduce the Senses on Soul-Stirring “Good Enough”

by Mitch Mosk
Mainland Break © 2023
Music, PremieresJune 12, 2023<June 12, 2023

Premiere: Denver’s Mainland Break Deliver a Jangle-Pop Anthem of Star-Crossed Summer Love in “Calling After”

by Mitch Mosk
Rina Sawayama © Paigge Warton
Concerts, Music, ReviewsJune 12, 2023<June 12, 2023

Review: Rina Sawayama Moseys “Hold the Girl: Reloaded” Tour to New York City’s Governors Ball Music Festival

by Julia Dzurillay
Michael Greco
Columns, Meet Our WritersJune 11, 2023<June 11, 2023

Meet Our Writers: Philadelphia’s Michael Greco!

by Michael Greco
Lauren Turner
Columns, Meet Our WritersJune 10, 2023<June 10, 2023

Meet Our Writers: Los Angeles’ Lauren Turner!

by Lauren Turner
BTS © BIGHIT MUSIC
Music, ReviewsJune 10, 2023<June 13, 2023

Forever 7: BTS Release Single “Take Two” As a Full Group for Their 10-Year Anniversary

by Freya Rinaldi
Joshua Idehen 'Learn To Swim' © Agatha Powa
Debut, Features, Interviews, Music, Track-by-TrackJune 9, 2023<July 21, 2023

“The ways and hows of healing”: Inside Joshua Idehen’s Spoken Word Dance Album, ‘Learn To Swim, A Mixtape’

by Mitch Mosk
Joya © Stephanie Teng
Columns, Music, Today's SongJune 9, 2023<June 9, 2023

Today’s Song: Joya’s “If Ever She Goes” Aches with the Heartrending Beauty & Power of Love

by Mitch Mosk
DOV © Oscar Ouk
Columns, Essays, Music, Pride MonthJune 9, 2023<June 9, 2023

“Toxic Masculinity in the Queer Community, Our Own Worst Enemies”: A Pride Month Essay by DOV

by Guest Writer
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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© Atwood Magazine 2024 For the Love of Music
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