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Wila Frank © David Piñeros
Debut, Features, Interviews, Music, Premieres, Track-by-TrackMay 11, 2023<May 11, 2023

Cathartic, Cinematic, & Honest: Wila Frank Premieres Her Soul-Stirring Debut Album ‘Black Cloud’

by Mitch Mosk
Hangout Music Festival © Alive Coverage
Festival, Music, PreviewsMay 11, 2023<May 11, 2023

2023 Hangout Music Festival Preview: Party on the Beach with SZA, Calvin Harris, Lil Nas X, & Skrillex!

by Nick Polak
Dead & Co at Cornell's Barton Hall © Jay Blakesberg 2023
Concerts, Music, ReviewsMay 11, 2023<June 20, 2024

Dead & Company Honor 46th Anniversary of Cornell ’77 With Barn Burning Show

by Max Kalnitz
Elephante © 2023
Asian American and Pacific Islander Heritage Month, Columns, Essays, MusicMay 11, 2023<May 11, 2023

“Being Realistic About Life as an AAPI Artist”: An Essay by Elephante for AAPI Heritage Month

by Guest Writer
LA Priest © Matilda Hill-Jenkins
Features, Interviews, MusicMay 10, 2023<May 10, 2023

‘Fase Luna’: An Album Made in the Jungle by LA Priest, Telling Stories of Paradise, Snorkeling, & Malevolent Spirits

by Adam Davidson
Sofia Machray © Olivia Melhop
Music, Music Videos, PremieresMay 10, 2023<May 8, 2023

“Petals in the Rain”: Sofia Machray Premieres Her Liberating Coming-of-Age Anthem & First Look at Debut EP ‘Language of Flowers’

by Mitch Mosk
Sam Singer © Kevin Tabachnik
Music, Music Videos, Today's SongMay 10, 2023<May 7, 2023

Today’s Song: The Childhood Innocence of Sam Singer’s “Sunny”

by Frankie Rose
Dean Lewis © Kent Tarver
Features, Interviews, MusicMay 9, 2023<May 7, 2023

Interview: Dean Lewis Returns With a Heartbreaking Hit Song and an Emotional New Album, ‘The Hardest Love’

by Lauren Turner
The Beths © Amanda Cheng 2020
Columns, Music, Music You Should Know, ReviewsMay 9, 2023<May 8, 2023

Music You Should Know: The Beths’ “Jump Rope Gazers” Might Be the Best Love Song… Ever?

by Julia Dzurillay
Mandi Crimmins © Nic Wheat
Music, Reviews, Track-by-TrackMay 9, 2023<May 9, 2023

Track-By-Track: Mandi Crimmins Opens Up About Her Journey With BPD in New EP ‘BORDERLINE’

by Joe Beer
Annika Bennett © Ashley Crichton
Features, Interviews, MusicMay 9, 2023<May 9, 2023

Interview: Annika Bennett Reclaims Her Power with ‘madwoman’ EP

by Kelly McCafferty Dorogy
The Backseat Lovers' "Snowbank Blues" music video still
Columns, Music Videos, Today's SongMay 9, 2023<May 9, 2023

The Backseat Lovers’ “Snowbank Blues” Is a Heavy Farewell to Childhood in the Process of Greeting Adulthood

by Claire Meyer
Jasmine Thakral © Hemant Thakral
MusicMay 8, 2023<May 8, 2023

An Indie Pop Horror Movie: Jasmine Thakral’s “Vampire” Is an Energizing Critique of Real-Life Soul-Suckers

by Mitch Mosk
Isabella Le
Columns, Meet Our WritersMay 6, 2023<May 20, 2023

Meet Our Writers: Orange County’s Isabella Le!

by Isabella Le
Nanna © Angela Ricciardi
Debut, Features, Interviews, Music, Track-by-TrackMay 5, 2023<May 10, 2023

Track-by-Track: Of Monsters and Men’s Nanna Spills Her Soul on Debut Solo Album, ‘How to Start a Garden’

by Mitch Mosk
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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