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Kira McSpice © Mika Lungulov-Klotz
Columns, Music, Today's SongSeptember 2, 2022<September 1, 2022

Today’s Song: Kira McSpice Gives Herself Over to “Mirth”

by Sophie Prettyman-Beauchamp
Atwood Magazine's Weekly Roundup | September 2, 2022
Columns, Features, Music, Weekly RoundupSeptember 2, 2022<September 1, 2022

Atwood Magazine’s Weekly Roundup: September 2, 2022

by Atwood Magazine Staff
Älskar - Nina Nesbitt
Features, Interviews, MusicSeptember 2, 2022<March 11, 2023

Interview: Nina Nesbitt Finds Her Love Language on Third LP ‘Älskar’

by Mitch Mosk
Darcy Lane © Tara Johnson
Debut, Music, PremieresSeptember 1, 2022<September 1, 2022

EP Premiere: Sydney’s Darcy Lane Debuts with ‘Heartquakes,’ a Record of Young Love’s Turmoil

by Mitch Mosk
Editors © Rahi Rezvani
Columns, Music, Today's SongSeptember 1, 2022<September 1, 2022

Today’s Song: The Intense Empowerment of Editors’ “Kiss”

by David Buyze
Features, Interviews, Music, Track-by-TrackAugust 31, 2022<August 31, 2022

The Best She Can: Savannah Conley’s New EP is Eleven Minutes of Beautifully Charged Unapologetic Upheaval

by Mitch Mosk
SEVENTEEN © PLEDIS Entertainment
Concerts, Music, ReviewsAugust 31, 2022<August 31, 2022

Live Review: Rocking with SEVENTEEN at ‘BE THE SUN’ in Los Angeles

by Isabella Le
Motel Radio © Michael Tucker
Features, Interviews, MusicAugust 31, 2022<August 31, 2022

Feature: Coming Full Circle with Motel Radio

by Guest Writer
MisterWives © Matty Vogel
Columns, Music, Today's SongAugust 31, 2022<August 31, 2022

Today’s Song: Reveling in MisterWives’ Cathartic and Catchy “Wrongside”

by Kelly McCafferty Dorogy
Nataly Dawn © 2022
Features, Interviews, Music, Track-by-TrackAugust 30, 2022<August 31, 2022

“Pretty Damn Hopeful”: Pomplamoose’s Nataly Dawn Soars & Stirs on Beautifully Intimate ‘Gardenview’

by Mitch Mosk
2030 Revolution - Dylan Fraser © Ho Hai Tran
Features, Interviews, Music, Track-by-TrackAugust 30, 2022<August 30, 2022

“Swirly, Distorted, Ambience”: Basking in the Throes of Dylan Fraser’s Urgent & Unapologetic ‘2030 Revolution’

by Mitch Mosk
Christie Huff © Hazel Choo
Music, ReviewsAugust 30, 2022<August 30, 2022

Review: Christie Huff Peels Back Every Layer of Emotion in ‘Favorites Collection’

by Chloe Robinson
Freakscene - The Story of Dinosaur Jr.
A Casual Ramble, Columns, MusicAugust 30, 2022<March 2, 2025

A Casual Ramble: Mumbling Through a Freak Scene

by Ben Niesen
Indigo De Souza © Charlie Boss
Columns, Music, Today's SongAugust 30, 2022<August 30, 2022

Today’s Song: Indigo De Souza Finds Her Own Balance in “Hold U”

by Nic Nichols
Juliana Madrid © Benjamin Ruttner
Debut, Features, Interviews, Music, Track-by-TrackAugust 29, 2022<August 29, 2022

“A Giant Diary Entry”: Juliana Madrid’s Personal, Hot, & Exciting Coming-of-Age Debut EP

by Mitch Mosk
Posts pagination
1 … 217 218 219 220 221 … 712

Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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