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Boogie Belgique © Monday Jr
Features, Interviews, MusicDecember 13, 2022<December 14, 2022

Interview with Boogie Belgique: A DJ Set Takes Orchestra Form, with Some Investigative Reporting Influence Tossed In

by Josh Weiner
Tones and I © Giulia McGauran
Columns, Music, Today's SongDecember 13, 2022<December 13, 2022

Today’s Song: Tones and I’s “Eyes Don’t Lie” Is a Powerful Ode to Moving On

by Lauren Turner
The Prescriptions © Noah Tidmore
MusicDecember 12, 2022<December 12, 2022

Enjoy Some ‘Time Apart’: The Prescriptions Soar with Heartland Passion & Honest Charm on Intimate, Smoldering Sophomore LP

by Mitch Mosk
Aidan Bissett © Brooke James
Debut, Features, Interviews, MusicDecember 12, 2022<December 12, 2022

Interview: Aidan Bissett Discusses His Fun, Fiery & Heartfelt Debut EP ‘I’m Alright If You’re OK’

by Kelly McCafferty Dorogy
Atwood Magazine's 2022 EPs of the Year
Features, Lists, MusicDecember 12, 2022<March 11, 2023

The 22 Best EPs of 2022

by Atwood Magazine Staff
Atwood Magazine's Editor's Picks 82
Columns, Editor's Picks, Features, MusicDecember 9, 2022<March 11, 2023

Editor’s Picks 82: Ethel Cain, Christian Kuria, Sable, Kathleen, The Greeting Committee, & Blitz Vega!

by Mitch Mosk
Atwood Magazine's Weekly Roundup | December 9, 2022
Columns, Features, Music, Weekly RoundupDecember 9, 2022<December 9, 2022

Atwood Magazine’s Weekly Roundup: December 9, 2022

by Atwood Magazine Staff
The Veils © Matt Hollyoak
Columns, Music, Today's SongDecember 9, 2022<December 9, 2022

Today’s Song: Inside The Veils’ Misty, Mesmerizing & Utterly Seductive “Undertow”

by Chloe Robinson
Peter Stone © Dani Fresh
Columns, Music, Today's SongDecember 8, 2022<December 8, 2022

Today’s Song: Basking in the Beautiful Light of Peter Stone’s Intimate “Cogs”

by Mitch Mosk
Astronaut - Bailey Tomkinson © Lewis King
Music, PremieresDecember 8, 2022<December 8, 2022

Premiere: Cornwall’s Bailey Tomkinson Aches with Raw, Intimate, & Impassioned Song “Astronaut”

by Mitch Mosk
Jenny Kern - Your Heart Knows
Music, Reviews, Track-by-TrackDecember 8, 2022<December 8, 2022

Track-by-Track: Jenny Kern’s Emotionally Encapsulated EP ‘Your Heart Knows’ Soars with Unparalleled Confessionalism & Creativity Alike

by Joe Beer
Smut © Jaycee Rockhold
Debut, Features, Interviews, Music, Track-by-TrackDecember 7, 2022<December 7, 2022

“How the Light Felt”: The Radiant, Raw Glow of Smut’s Hopeful, Cathartic, & Dynamic Debut Album

by Mitch Mosk
Victoria Bigelow © Devan Skaggs
Artist to Watch, Columns, Music, Today's SongDecember 7, 2022<December 7, 2022

“I’ll never open myself up like this again”: Victoria Bigelow’s Beautifully Devastating “Song for No One” Is a Dreamy, Raw Reckoning

by Mitch Mosk
Wilby © Christina Coleman
Artist to Watch, Music, PremieresDecember 7, 2022<December 7, 2022

Premiere: Wilby’s Beautifully Vulnerable & Radiantly Raw “reach u” Reckons with Accountability and Acceptance

by Mitch Mosk
The Burma @ Ciara O'Toole
Features, Interviews, Music, Track-by-TrackDecember 6, 2022<December 6, 2022

Sucker for Stars: Ireland’s The Burma Soar with Cinematic & Sweltering Indie Rock Debut

by Mitch Mosk
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Brand New

  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’

:: discover something new ::

Recent Posts

  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
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