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Me and the Moon © Felix Bartlett
Music, PremieresMay 3, 2022<May 3, 2022

Premiere: London’s Me and the Moon Slow Down & Soak Up Life’s Beauty in Radiant “Fast Lane”

by Mitch Mosk
Rowan © Nicholas O'Donnell
Interviews, MusicMay 3, 2022<May 4, 2022

Interview: Irish Indie Rockers Rowan Embrace “Honesty” Ahead of Debut Album ‘Does It Make You Happy?’

by Chloe Robinson
The Good Love © 2022
Music, PremieresMay 2, 2022<May 2, 2022

Premiere: The Good Love’s Radiant “Sunshine Sometime” Is a Sweet, Seductive Love Song for All

by Mitch Mosk
Memorial © Sequoia Ziff
Debut, Features, Track-by-TrackMay 2, 2022<May 2, 2022

“Hopeful, Honest & Warm”: Brighton’s Memorial Dive Inside Their Heartfelt, Stirring Debut Album

by Mitch Mosk
Alex Porat © Patrick Ryder
Columns, Music, Today's SongMay 2, 2022<May 2, 2022

Today’s Song: Alex Porat’s “Pity Party” Is an Unapologetic Anthem of Release & Self-Empowerment

by Mitch Mosk
Calvin Langman © Rahil Ashruff
Asian American and Pacific Islander Heritage Month, Columns, MusicMay 2, 2022<May 2, 2022

“Finding My Identity & Voice Through Rock N’ Roll”: An Essay by The Happy Fits’ Calvin Langman

by Guest Writer
Atwood Magazine's Weekly Roundup | April 29, 2022
Columns, Features, Music, Weekly RoundupApril 29, 2022<April 29, 2022

Atwood Magazine’s Weekly Roundup: April 29, 2022

by Atwood Magazine Staff
Frontperson © Steve Calder & Eva Blue
Features, Interviews, Music, Track-by-TrackApril 29, 2022<April 29, 2022

Feature: Frontperson Revel in the Springy, Chaotic, & Vibrant Wonder of Sophomore LP ‘Parade’

by Mitch Mosk
Blossoms © Madeleine Penfold
Features, Interviews, MusicApril 29, 2022<April 29, 2022

Feature: Blossoms’ ‘Ribbon Around the Bomb’, a Characterization of the Personal

by Lilly Eason
Market © Ebru Yildiz
Debut, Features, Interviews, Music, Track-by-TrackApril 29, 2022<April 29, 2022

“Anxiety, Comedy, & Family”: Market’s Charged & Charming New Album, ‘The Consistent Brutal Bullshit Gong’

by Mitch Mosk
Treefort Music Fest team © Matthew Wordell
Festival, Music, ReviewsApril 28, 2022<April 28, 2022

Out of the Wilderness: Treefort After Covid-19

by Ben Niesen
sister. © Jon Merlino
Columns, Music, Today's SongApril 28, 2022<April 28, 2022

Brooklyn Band sister.’s Visceral “Space Force” Is a Beautiful Crashing Satellite in Song

by Mitch Mosk
Gabríel Ólafs © Vidar Logi
Music, PremieresApril 28, 2022<April 28, 2022

Premiere: Icelandic Composer Gabríel Ólafs Stirs the Soul with Achingly Beautiful “The Drifter”

by Mitch Mosk
artemis orion "marooned on the moon" © Ronnie Loyd
Music, PremieresApril 28, 2022<April 28, 2022

Watching from Above: artemis orion Offers a Life Raft in Stirring New Song “marooned on the moon”

by Emily Frances Algar
Atwood Magazine Editor's Picks 61
Columns, Editor's Picks, Features, MusicApril 27, 2022<September 29, 2022

Editor’s Picks 61: Jemima Coulter, Been Stellar, Rosie Carney, Carmody, She Her Her Hers, & dayaway!

by Mitch Mosk
Posts pagination
1 … 252 253 254 255 256 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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