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Maisie Peters © Erik Rojas
Columns, Music, Today's SongMay 6, 2022<May 6, 2022

Maisie Peters’ Song of the Summer, “Cate’s Brother”

by Kelly McCafferty Dorogy
brompton & Emilia Ali
Music, PremieresMay 5, 2022<May 6, 2022

Premiere: brompton & Emilia Ali Capture Intimacy’s Raw Intensity on “Empty,” an Emotionally Charged Eruption

by Mitch Mosk
Jacob Banks © Edward Cooke
Features, Interviews, MusicMay 5, 2022<October 5, 2022

Unity Through Music: A Conversation with Jacob Banks

by Adrian Vargas
John Mark Nelson © Molly Adams
Features, Interviews, Music, Track-by-TrackMay 5, 2022<May 5, 2022

“Reduce, Reuse, Recycle”: John Mark Nelson Inspires & Ignites on His Enchanting ‘Hideaway’ EP

by Mitch Mosk
Omnium Gatherum - King Gizzard & The Lizard Wizard 7
Music, Our Take, ReviewsMay 5, 2022<May 5, 2022

Our Take: King Gizzard & The Lizard Wizard Put on a Bazaar Consortium for ‘Omnium Gatherum’

by Ben Niesen
Letting Up Despite Great Faults © Elysia Perkins
Columns, Music, Today's SongMay 5, 2022<May 5, 2022

Today’s Song: Letting Up Despite Great Faults’ “She Spins” Shimmers with Dream Pop Charm

by Mitch Mosk
Last Dinosaurs © Luke Woodfield
Music, PremieresMay 5, 2022<May 5, 2022

Premiere: Last Dinosaurs’ Radiant “CDMX” Is a Loving Ode to Mexico City

by Mitch Mosk
Evan Veasey © Tori Essex
Debut, Features, Music, Premieres, Track-by-TrackMay 4, 2022<May 4, 2022

“Let Yourself Feel”: Singer/Songwriter Evan Veasey Premieres His Intimate & Vulnerable Debut Album, ‘Don’t Cry’

by Mitch Mosk
Atwood Magazine's Editor's Picks 62
Columns, Editor's Picks, Features, MusicMay 4, 2022<May 4, 2022

Editor’s Picks 62: Poppy Ajudha, Purr, beabadoobee, Maria Chiara Argirò, Joel Jerome, & Noah Slee!

by Mitch Mosk
POP ETC © Alex Welsh
Columns, Music, Today's SongMay 4, 2022<May 4, 2022

POP ETC Navigate the Past & Present on “Slips Away,” a Radiant Song of Reckoning & Reflection

by Mitch Mosk
Fortunate Ones © Adam Hefferman
Music, PremieresMay 4, 2022<May 4, 2022

“A four-minute lifetime”: Fortunate Ones’ Beautifully Tender Love Song, “Anchor”

by Mitch Mosk
Good Looks © John Bergin
Debut, Features, Interviews, Music, Track-by-TrackMay 4, 2022<May 5, 2022

Basking in ‘Bummer Year’: Austin’s Good Looks Dive into Their Honest & Spirited Debut Album

by Mitch Mosk
The Last Broadcast © Victoria Dalston 1
Columns, Music, Today's SongMay 3, 2022<May 3, 2022

Today’s Song: The Last Broadcast “Dissolve” into Nature’s Wonder on Stunning Sophomore Single

by Mitch Mosk
Cashma © 2022
Interviews, MusicMay 3, 2022<May 3, 2022

Interview: Cashma Paints the World Purple with the Final Installment of Her Trilogy

by Joe Beer
Night Palace © Maggy Swain
Debut, Features, Interviews, Music, Track-by-TrackMay 3, 2022<May 5, 2022

“Mythical Ocean Music”: Inside Night Palace’s Captivating Debut Album ‘Diving Rings’

by Mitch Mosk
Posts pagination
1 … 251 252 253 254 255 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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