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Maeve Steele © Swoon
Music, PremieresMay 12, 2022<May 12, 2022

Premiere: Maeve Steele’s Sun-Kissed “slow down” Shines Like a Soft Summer Breeze

by Mitch Mosk
Pusha T © Def Jam Recordings 7.6
Music, Our Take, ReviewsMay 12, 2022<May 11, 2022

Our Take: Rapper Pusha T Scores Another Success with 4th LP ‘It’s Almost Dry’

by Josh Weiner
Chelsea Jade © Oscar Keys
Features, Interviews, Music, Track-by-TrackMay 11, 2022<June 12, 2022

“Snap, Crackle, Pop”: Chelsea Jade Dives Inside Her Stunningly Vulnerable ‘Soft Spot’

by Mitch Mosk
Suki Waterhouse © Dana Trippe
Debut, Features, Interviews, MusicMay 11, 2022<September 29, 2022

“I Can’t Let Go”: Suki Waterhouse Talks Debut Album, Manifesting the Future, & Finding Peace Through Constant Motion

by Beau Hayhoe
The Overview Effect - Jermiside & The Expert
Features, Interviews, Music, Track-by-TrackMay 11, 2022<November 1, 2022

“Psychedelic Social Commentary”: Inside Jermiside & The Expert’s Urgent & Impassioned ‘The Overview Effect’

by Mitch Mosk
Nicky Youre & David Hugo © 2022
Columns, Music, Today's SongMay 11, 2022<May 11, 2022

Today’s Song: Nicky Youre & David Hugo’s Buoyant “Never Go Wrong” Beautifully Voice the Affection of New Love

by Chloe Robinson
Sunflower Bean © DrielyS
Features, Interviews, MusicMay 10, 2022<September 29, 2022

“The right kind of crazy”: Sunflower Bean’s Third Album ‘Headful of Sugar’ Is a Wellspring of Impassioned, Eclectic Individuality

by Lilly Eason
dani mack © 2022
Columns, Music, Premieres, Today's SongMay 10, 2022<May 10, 2022

Today’s Song: The Emotional Wreckage of dani mack’s Tender Tempest, “Someday”

by Mitch Mosk
LØLØ © Conner Sorensen
Columns, Music, Today's SongMay 9, 2022<May 9, 2022

Today’s Song: LØLØ’s Feverish “junkie” Is a Love-Fueled, Pop-Punk Reckoning

by Mitch Mosk
girlhouse © Alex Justice
Features, Interviews, MusicMay 9, 2022<May 10, 2022

Coming to Grips with Reality: girlhouse’s Lauren Luiz Shares the Influences & Inspirations Behind Unfiltered ‘the third ep’

by Mitch Mosk
Doug Gillard © Le Studio
Features, Interviews, MusicMay 9, 2022<May 10, 2022

Interview: Catching Up with Guided By Voices’ Doug Gillard

by Sophie Prettyman-Beauchamp
Atwood Magazine's Weekly Roundup | May 6, 2022
Columns, Features, Music, Weekly RoundupMay 6, 2022<May 6, 2022

Atwood Magazine’s Weekly Roundup: May 6, 2022

by Atwood Magazine Staff
Sadurn © 2022
Debut, Features, Interviews, Music, Track-by-TrackMay 6, 2022<May 6, 2022

Feature: Philly’s Sadurn Light an Indie Folk Fire on Intimate Debut Album ‘Radiator’

by Mitch Mosk
flor "Future Shine" © Ashley Osborn
Features, Music, Reviews, Track-by-TrackMay 6, 2022<September 29, 2022

“Staring into the Sun”: Inside flor’s Radiantly Bold & Buoyant Third Album ‘Future Shine’

by Mitch Mosk
Sabrina Song © Bao Ngo
Asian American and Pacific Islander Heritage Month, Columns, MusicMay 6, 2022<May 6, 2022

“Imposter Feelings”: An Essay by Sabrina Song

by Guest Writer
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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