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Julia Jacklin © Nick Mckk
Columns, Music, Today's SongJune 28, 2022<June 28, 2022

Today’s Song: Julia Jacklin Adds a Splash of Color into Our Lives with “I Was Neon”

by Sophie Severs
Honeyglaze © Holly Whitaker
Debut, Features, Interviews, Music, Track-by-TrackJune 27, 2022<June 27, 2022

“A Spiraling Breakfast”: Inside Honeyglaze’s Raw, Honest, & Vulnerable Self-Titled Debut Album

by Mitch Mosk
Chinwe © Jess Mogli
Music, PremieresJune 27, 2022<March 15, 2024

Embracing “Something Beautiful”: East London’s Chinwe Premieres Her Sweet, Summery Seduction

by Mitch Mosk
Lola Kirke © Zack Michael
Features, Interviews, MusicJune 27, 2022<July 2, 2022

Portrait of a ‘Lady for Sale’: Lola Kirke on Her ’80s Inspired Second Album

by Guest Writer
FVNERAL (clockwise from top left): Carlo Hilton (guitar/bass), Zac Olsen (keys/saxophone), Jay Wennington (creative direction), Jackson Kent (guitar/bass), Tim Blunt (vocals/guitar), Jess Hope (content/creative strategy), Ally Turner (vocals/guitar) © Jay Wennington
Columns, Essays, Music, Pride MonthJune 27, 2022<June 27, 2022

Pride Month Essay: FVNERAL’s Tim Blunt on Putting Up a White Flag in the War Against Yourself

by Guest Writer
Joji © Forrest Grenfell
Columns, Music, Today's SongJune 27, 2022<February 3, 2023

Today’s Song: Joji’s Transparent Contemplation of Vacant and Ill-Fated Love in “Glimpse of Us”

by Isabella Le
Atwood Magazine's Weekly Roundup | June 24, 2022
Columns, Features, Music, Weekly RoundupJune 24, 2022<June 29, 2022

Atwood Magazine’s Weekly Roundup: June 24, 2022

by Atwood Magazine Staff
Muna © Isaac Schneider
Features, Interviews, MusicJune 24, 2022<May 13, 2026

“All Killer, No Filler”: MUNA Discuss Joy & Desire on Their Self-Titled Third Album

by Nasim Elyasi
WANT - Johnny Hunter 10
Debut, Features, Interviews, Music, Track-by-TrackJune 24, 2022<July 2, 2022

“Welcome to your existence”: Johnny Hunter Triumph with Debut ‘WANT’, a Cinematic Post-Punk Masterpiece

by Mitch Mosk
OSKA © Hanna Fasching
Features, Interviews, Music, Track-by-TrackJune 24, 2022<June 28, 2022

“My world, My love, Paris”: Vienna’s OSKA Shines on Her Beautifully Warm & Wondrous Debut Album

by Mitch Mosk
Spacey Jane © Sam Hendel
Features, Interviews, Music, Track-by-TrackJune 24, 2022<August 14, 2022

‘Here Comes Everybody’: Inside Spacey Jane’s Spirited, Resilient, & Triumphant Sophomore Album

by Mitch Mosk
Quinn Christopherson © Emma Shaffer
Columns, Essays, Music, Pride MonthJune 24, 2022<June 23, 2022

“Family Gifts”: A Pride Month Essay by Quinn Christopherson

by Guest Writer
Like I Used To - Sharon Van Etten x Angel Olsen © Dana Trippe
Columns, Music, Today's SongJune 24, 2022<June 24, 2022

Today’s Song: Sharon Van Etten and Angel Olsen’s “Like I Used To” Is a Beacon of Hope

by Sophie Prettyman-Beauchamp
Soccer Mommy © Sophie Hur
Music, ReviewsJune 24, 2022<June 24, 2022

Review: Soccer Mommy Quivers Unapologetically in Third Album ‘Sometimes, Forever’

by Rachel Leong
The Peach Music Festival 2022
Festival, Music, ReviewsJune 23, 2022<June 23, 2022

Preview: The Peach Music Festival Returns to Scranton for Its 10th Anniversary

by Christopher Snyder
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Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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