Features, Interviews, Music, Track-by-TrackMay 12, 2022<June 29, 2022 “Electric Love Nostalgia”: Max Frost Dreams Big & Soars on Irresistible, Free-Spirited ‘Flying Machines’ EP by Mitch Mosk
Debut, Features, Interviews, MusicMay 12, 2022<May 16, 2023 Interview: Pictoria Vark Opens Up a World of Possibility with Debut ‘The Parts I Dread’ by Sophie Prettyman-Beauchamp
Columns, Music, Today's SongMay 12, 2022<May 12, 2022 Today’s Song: Valley’s Buoyant & Bubbly “CHAMPAGNE” Is the Anthem We All Need Right Now by Mitch Mosk
Music, PremieresMay 12, 2022<May 12, 2022 Premiere: Maeve Steele’s Sun-Kissed “slow down” Shines Like a Soft Summer Breeze by Mitch Mosk
7.6 Music, Our Take, ReviewsMay 12, 2022<May 11, 2022 Our Take: Rapper Pusha T Scores Another Success with 4th LP ‘It’s Almost Dry’ by Josh Weiner
Features, Interviews, Music, Track-by-TrackMay 11, 2022<June 12, 2022 “Snap, Crackle, Pop”: Chelsea Jade Dives Inside Her Stunningly Vulnerable ‘Soft Spot’ by Mitch Mosk
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Features, Interviews, Music, Track-by-TrackMay 11, 2022<November 1, 2022 “Psychedelic Social Commentary”: Inside Jermiside & The Expert’s Urgent & Impassioned ‘The Overview Effect’ by Mitch Mosk
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Features, Interviews, MusicMay 10, 2022<September 29, 2022 “The right kind of crazy”: Sunflower Bean’s Third Album ‘Headful of Sugar’ Is a Wellspring of Impassioned, Eclectic Individuality by Lilly Eason
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Columns, Features, Music, Weekly RoundupMay 6, 2022<May 6, 2022 Atwood Magazine’s Weekly Roundup: May 6, 2022 by Atwood Magazine Staff
For the Love of Music
For the Love of Music
