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The Last Broadcast © Victoria Dalston 1
Columns, Music, Today's SongMay 3, 2022<May 3, 2022

Today’s Song: The Last Broadcast “Dissolve” into Nature’s Wonder on Stunning Sophomore Single

by Mitch Mosk
Cashma © 2022
Interviews, MusicMay 3, 2022<May 3, 2022

Interview: Cashma Paints the World Purple with the Final Installment of Her Trilogy

by Joe Beer
Night Palace © Maggy Swain
Debut, Features, Interviews, Music, Track-by-TrackMay 3, 2022<May 5, 2022

“Mythical Ocean Music”: Inside Night Palace’s Captivating Debut Album ‘Diving Rings’

by Mitch Mosk
Me and the Moon © Felix Bartlett
Music, PremieresMay 3, 2022<May 3, 2022

Premiere: London’s Me and the Moon Slow Down & Soak Up Life’s Beauty in Radiant “Fast Lane”

by Mitch Mosk
Rowan © Nicholas O'Donnell
Interviews, MusicMay 3, 2022<May 4, 2022

Interview: Irish Indie Rockers Rowan Embrace “Honesty” Ahead of Debut Album ‘Does It Make You Happy?’

by Chloe Robinson
The Good Love © 2022
Music, PremieresMay 2, 2022<May 2, 2022

Premiere: The Good Love’s Radiant “Sunshine Sometime” Is a Sweet, Seductive Love Song for All

by Mitch Mosk
Memorial © Sequoia Ziff
Debut, Features, Track-by-TrackMay 2, 2022<May 2, 2022

“Hopeful, Honest & Warm”: Brighton’s Memorial Dive Inside Their Heartfelt, Stirring Debut Album

by Mitch Mosk
Alex Porat © Patrick Ryder
Columns, Music, Today's SongMay 2, 2022<May 2, 2022

Today’s Song: Alex Porat’s “Pity Party” Is an Unapologetic Anthem of Release & Self-Empowerment

by Mitch Mosk
Calvin Langman © Rahil Ashruff
Asian American and Pacific Islander Heritage Month, Columns, MusicMay 2, 2022<May 2, 2022

“Finding My Identity & Voice Through Rock N’ Roll”: An Essay by The Happy Fits’ Calvin Langman

by Guest Writer
Atwood Magazine's Weekly Roundup | April 29, 2022
Columns, Features, Music, Weekly RoundupApril 29, 2022<April 29, 2022

Atwood Magazine’s Weekly Roundup: April 29, 2022

by Atwood Magazine Staff
Frontperson © Steve Calder & Eva Blue
Features, Interviews, Music, Track-by-TrackApril 29, 2022<April 29, 2022

Feature: Frontperson Revel in the Springy, Chaotic, & Vibrant Wonder of Sophomore LP ‘Parade’

by Mitch Mosk
Blossoms © Madeleine Penfold
Features, Interviews, MusicApril 29, 2022<April 29, 2022

Feature: Blossoms’ ‘Ribbon Around the Bomb’, a Characterization of the Personal

by Lilly Eason
Market © Ebru Yildiz
Debut, Features, Interviews, Music, Track-by-TrackApril 29, 2022<April 29, 2022

“Anxiety, Comedy, & Family”: Market’s Charged & Charming New Album, ‘The Consistent Brutal Bullshit Gong’

by Mitch Mosk
Treefort Music Fest team © Matthew Wordell
Festival, Music, ReviewsApril 28, 2022<April 28, 2022

Out of the Wilderness: Treefort After Covid-19

by Ben Niesen
sister. © Jon Merlino
Columns, Music, Today's SongApril 28, 2022<April 28, 2022

Brooklyn Band sister.’s Visceral “Space Force” Is a Beautiful Crashing Satellite in Song

by Mitch Mosk
Posts pagination
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Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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