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Jack Carty © Natasha Saba
Music, Premieres, Track-by-TrackMarch 9, 2022<June 13, 2022

“My Whole Heart”: Jack Carty Shines Like the Sun on ‘Wake to a Bright Morning’, His Intimate & Radiant 6th LP

by Mitch Mosk
Music, ReviewsMarch 9, 2022<March 9, 2022

Album Review: The Pure Love & Existential Fear of Big Thief’s Magical ‘Dragon New Warm Mountain I Believe in You’

by Nasim Elyasi
Farees © Raffaele Serra
Music, PremieresMarch 9, 2022<April 3, 2022

Premiere: Farees Brings the Melody and the Message on Funk Banger “Bad Apples”

by Oliver Crook
ANIQO © Matthias Pfeiffer
Columns, Music, Today's SongMarch 8, 2022<March 8, 2022

Today’s Song: ANIQO’s Visceral “Vivre Libre” Basks in a Hard-Won Sense of Freedom & Redemption

by Mitch Mosk
For You - RVHEEM
Music, PremieresMarch 8, 2022<March 8, 2022

Premiere: Liverpool’s RVHEEM Embraces Vulnerability in Achingly Intimate “For You”

by Mitch Mosk
Casi Joy
Columns, Music, Women's History MonthMarch 8, 2022<March 8, 2022

Essay: Country Singer/Songwriter Casi Joy on Women’s History Month

by Guest Writer
Clea Anais © Heather Saitz
Columns, Music, Today's SongMarch 7, 2022<March 7, 2022

Today’s Song: Clea Anaïs Explores Grief & Love in Beautifully Bittersweet “Stars Still Dying”

by Mitch Mosk
Interviews, MusicMarch 7, 2022<March 6, 2022

Interview: Ryan Meeking Speaks About Aussie Life, New Roots in London & New Music

by Joe Beer
Rona Mac © 2022
Features, Music, Reviews, Track-by-TrackMarch 4, 2022<March 9, 2022

“Deep, Raw, & Rural”: Inside Rona Mac’s Intimately Enchanting ‘Shades of Ham’ EP

by Mitch Mosk
LÉON © Sandra Thorsson
Features, Interviews, MusicMarch 4, 2022<March 8, 2022

Third Time’s the Charm: LÉON Triumphs with Daringly Vulnerable Third Album ‘Circles’

by Coco Rich
Noah Reid © Dane Clark
Columns, Music, Today's SongMarch 4, 2022<March 4, 2022

Today’s Song: Noah Reid’s Dreamy “Everyday” Dwells in Raw Moments of Instability & Imbalance

by Mitch Mosk
Atwood Magazine's Weekly Roundup March 4, 2022
Columns, Features, Music, Weekly RoundupMarch 4, 2022<March 4, 2022

Atwood Magazine’s Weekly Roundup: March 4, 2022

by Atwood Magazine Staff
Love Sux - Avril Lavigne 7.7
Music, Our Take, ReviewsMarch 3, 2022<March 3, 2022

Album Review: ‘Love Sux,’ But Avril Lavigne Still Rox

by Josh Weiner
Peach Luffe Beyond
Features, Music, Reviews, Track-by-TrackMarch 3, 2022<March 3, 2022

Track-by-Track: Peach Luffe Breaks Down His Intimately Sun-Soaked ‘Beyond’ EP

by Mitch Mosk
Thehiz © 2022
Columns, Debut, Music, Today's SongMarch 3, 2022<March 3, 2022

Today’s Song: Thehiz Debuts with Epic Underdog Anthem “SUBMARINE”

by Mitch Mosk
Posts pagination
1 … 261 262 263 264 265 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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