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Justin Christopher © 2022
Music, Music Videos, PremieresMay 18, 2022<May 18, 2022

Premiere: Justin Christopher Erupts with “Say,” a Smoldering & Searing Outpouring of the Soul

by Mitch Mosk
Delfest 2022
Festival, Music, ReviewsMay 18, 2022<May 19, 2022

Festival Preview: DelFest ’22 Brings Bluegrass & Roots Music Back to Cumberland, Maryland

by Guest Writer
Phantom Isle © Katie Willoughby
Music, ReviewsMay 18, 2022<May 18, 2022

Review: London’s Phantom Isle Bring a Sparkling Nostalgia with New EP ‘Out of Blue’

by Chloe Robinson
Chemistry - Timi Afilaka
Music, PremieresMay 18, 2022<May 18, 2022

Premiere: Timi Afilaka Inspires Positive Vibes with Sunny, Seductive Single “Chemistry”

by Mitch Mosk
Prince Daddy & The Hyena © Brooke Marsh
Columns, Music, Today's SongMay 18, 2022<May 18, 2022

Today’s Song: Prince Daddy & The Hyena Bring Car Crash Intensity to Their Self-Titled Album

by James Crowley
Ellevator © Stephanie Montani
Debut, Features, Interviews, Music, Track-by-TrackMay 17, 2022<May 19, 2022

“World’s Hardest Soft Rock”: Ontario’s Ellevator Ignite on Debut ‘The Words You Spoke Still Move Me’

by Mitch Mosk
Wy © Lamia Karic
Columns, Music, Today's SongMay 17, 2022<May 17, 2022

“And it’s you who’s turning out the lights”: Wy’s Raw “Teeth” Is an Achingly Heartfelt & Helpless Reckoning

by Mitch Mosk
bedroom walls - November Ultra
Debut, Features, Interviews, Music, Track-by-TrackMay 16, 2022<May 16, 2022

“Ultra, Intimate, & Layered”: November Ultra Breaks Down Her Debut Album ‘bedroom walls’

by Mitch Mosk
Benjamin Carter © Abraham Azab
Music, Music Videos, PremieresMay 16, 2022<May 16, 2022

Video Premiere: “Lost Control” Is Benjamin Carter’s Feverish Cry for Help

by Mitch Mosk
Bears Den © Bennie Curnow
Features, Interviews, MusicMay 16, 2022<September 29, 2022

“Blue Hours felt like a name for my own depression”: An Interview with Bear’s Den’s Andrew Davie

by Mitch Mosk
My Chemical Romance © Devin Sarno
Columns, Music, Today's SongMay 16, 2022<May 16, 2022

Today’s Song: My Chemical Romance’s “The Foundations of Decay” Announces a Larger-Than-Life Rebirth

by Sophie Prettyman-Beauchamp
Mild West © Charlie Hardy
Debut, Features, Interviews, Music, Track-by-TrackMay 13, 2022<May 16, 2022

“Digital Age Ruminations”: Inside Mild West’s Dark & Cinematic Debut Album, ‘Machine Learning’

by Mitch Mosk
Charlie Collins © She Is Aphrodite
Features, Interviews, Music, Track-by-TrackMay 13, 2022<June 2, 2022

“Heartbreak in its purest form”: Charlie Collins Is ‘Undone’ But Triumphant in Unfiltered, Cathartic & Charged Sophomore LP

by Mitch Mosk
Superbloom © Nia Garza
Columns, Music, Today's SongMay 13, 2022<May 13, 2022

Today’s Song: Brooklyn’s Superbloom Release a Fast n’ Feverish Grunge Upheaval in “Falling Up”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | May 13, 2022
Columns, Features, Music, Weekly RoundupMay 13, 2022<May 13, 2022

Atwood Magazine’s Weekly Roundup: May 13, 2022

by Atwood Magazine Staff
Posts pagination
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Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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