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Boslen © Cameron Corrado
Debut, Features, Music, Reviews, Track-by-TrackOctober 4, 2021<October 5, 2021

“Introspective, Cinematic, & Dark”: Boslen Dives into the Vulnerable Depths of Debut Album ‘DUSK to DAWN’

by Mitch Mosk
Maisyn © Rly Blonde
Debut, Features, Music, Reviews, Track-by-TrackOctober 4, 2021<October 4, 2021

“Earnest, Nostalgic, & Colorful”: Inside Maisyn’s Intimate & Catchy Coming-of-Age Debut EP ‘Cool Grl’

by Mitch Mosk
Columns, Music, Today's SongOctober 4, 2021<October 4, 2021

Today’s Song: Tommy Newport Goes Sweet as Hell With “Bubblegum”

by Joe Beer
Miles Marshall Lewis © Barron Claiborne
Books, Music, ReviewsOctober 4, 2021<October 4, 2021

Book Review: Miles Marshall Lewis Adjusts Kendrick Lamar’s Crown in ‘Promise That You Will Sing About Me’

by Oliver Crook
Shad © Justin Broadbent
Features, Interviews, MusicOctober 1, 2021<October 1, 2021

Interview: Shad Reimagines Human Connection on ‘Tao’

by Oliver Crook
B-Drop
Features, Music, PremieresOctober 1, 2021<October 1, 2021

Premiere: B-Drop Worldwide Showcases Cuffed Up, sorebae, Cheer Up Club, Jango Flash, & The Rare Occasions

by Mitch Mosk
Already, Always - Bess Atwell © Sequoia Ziff
Features, Music, Reviews, Track-by-TrackOctober 1, 2021<October 1, 2021

“Unapologetic, Evocative, & English”: Inside Bess Atwell’s Stirring Sophomore LP ‘Already, Always’

by Mitch Mosk
Peter Sandberg © Simeon Frohm
Music, Music Videos, PremieresOctober 1, 2021<October 2, 2021

Peter Sandberg’s Captivating “Wasted on You” ft. Aquilo Captures the Warmth & Wonder of the Midnight Sun

by Mitch Mosk
Columns, Music, Today's SongOctober 1, 2021<October 1, 2021

Today’s Song: Exploring the Ugly Truth of Fame on Number One Popstar’s “TV”

by Adrian Vargas
Atwood Magazine's Weekly Roundup | Hispanic Heritage Month 2021
Columns, Features, Music, Weekly RoundupOctober 1, 2021<October 1, 2021

Atwood Magazine’s Weekly Roundup: Hispanic Heritage Month 2021

by Atwood Magazine Staff
Wallows © Anthony Pham
Interviews, MusicOctober 1, 2021<September 30, 2021

Interview: Wallows Approach “I Don’t Want to Talk” Music Video with a Fresh Perspective

by Guest Writer
School of X © Jonas Bang
Features, Interviews, Music, ReviewsSeptember 30, 2021<September 30, 2021

“Free Your Spirit”: School of X’s Sophomore LP ‘Dancing Through the Void’ Is an Intimate, Heartfelt Reckoning

by Mitch Mosk
Annie Hamilton © Rosie Fitzgerald
Columns, Music, Today's SongSeptember 30, 2021<September 30, 2021

Today’s Song: Annie Hamilton’s Intimate & Empathic Indie Rock Anthem “Exist”

by Mitch Mosk
clide
Music, PremieresSeptember 30, 2021<September 30, 2021

Premiere: clide’s Intimate & Honest “come over” Is a Chilling Call for Connection

by Mitch Mosk
Features, Interviews, MusicSeptember 30, 2021<October 1, 2021

Interview: Nashville Artist Boon on Negative Relationships, His Striking Style, and His Father’s Influence

by Chloe Robinson
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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