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Bob Vylan © Esmé Surfleet
Columns, Music, Today's SongMarch 22, 2022<June 17, 2023

Today’s Song: Bob Vylan Change Up the Sound But Not Their Message on “Health Is Wealth”

by Oliver Crook
Royal Blood © Dean Martindale
Concerts, Music, PreviewsMarch 21, 2022<March 23, 2022

Royal Blood 2022 UK Tour Preview

by Bethan Harper
Interviews, MusicMarch 18, 2022<March 18, 2022

Interview: Sea Glass Speaks About New Music, Dream Collaborations, & Being a Dad

by Joe Beer
Megan Winsor © 2022
Columns, Music, Women's History MonthMarch 18, 2022<March 18, 2022

Trying Twice As Hard: Megan Winsor on Speaking Up As an Independent Artist in a Male-Driven Music Industry

by Guest Writer
Atwood Magazine's Weekly Roundup | Women's History Month 2022
Columns, Features, Music, Weekly Roundup, Women's History MonthMarch 18, 2022<March 18, 2022

Atwood Magazine’s Weekly Roundup: Women’s History Month 2022

by Atwood Magazine Staff
Little Boots © 2022
Features, Music, Reviews, Track-by-TrackMarch 18, 2022<March 18, 2022

“DIY Disco Pop”: Little Boots Dives Inside Her Groovy & Glistening 4th LP ‘Tomorrow’s Yesterdays’

by Mitch Mosk
Ken Yates © Jen Squires
Columns, Music, Today's SongMarch 18, 2022<March 18, 2022

Today’s Song: Ken Yates’ Soothing & Stirring Apocalyptic Lullaby “The Big One”

by Mitch Mosk
Danielle Ponder © Hannah Betts
Columns, Music, Today's SongMarch 17, 2022<March 17, 2022

Today’s Song: Rochester’s Danielle Ponder Channels Resilience & Renewal in Soul-Stirring “So Long”

by Mitch Mosk
Michael Baker © Alice Humphreys
Music, PremieresMarch 17, 2022<March 17, 2022

Premiere: Embracing Connection in Michael Baker’s Intimately Ethereal & Softly Cinematic “Until the End”

by Mitch Mosk
Rudy Touzet © 2022
Music, PremieresMarch 17, 2022<March 17, 2022

Premiere: Escaping Reality with Rudy Touzet’s Party Anthem “Goodnight Moon”

by Mitch Mosk
Tears for Fears © Frank W. Ockenfels
Features, Music, ReviewsMarch 17, 2022<March 17, 2022

Illustrious Youth & Depths of Experience: A Review of Tears for Fears’ ‘The Tipping Point’

by David Buyze
Atwood Magazine Editor's Picks 58
Columns, Editor's Picks, Features, MusicMarch 16, 2022<September 29, 2022

Editor’s Picks 58: Rachel Chinouriri, Shannen James, merci, mercy, riela, mxmtoon, & Jenny Berkel

by Mitch Mosk
Maya Abee © Margaret Leyva
Debut, Features, Music, Reviews, Track-by-TrackMarch 16, 2022<March 23, 2022

Finding Power in Our Wreckage: Maya Abee Dives into Her “Exhaling, Honest, & Confessional” ‘Divine’ EP

by Mitch Mosk
Amber Lewis © David Kaminsky
Columns, Music, Today's SongMarch 16, 2022<March 16, 2022

“They Sold You Away, and They Sold Me Away”: Singer/Songwriter Amber Lewis’ Hauntingly Beautiful Love Letter, “Clotel”

by Mitch Mosk
Liddy Clark © 2022
Columns, Music, Women's History MonthMarch 16, 2022<March 16, 2022

Essay: Singer/Songwriter Liddy Clark on Women’s History Month

by Guest Writer
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Brand New

  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”

:: discover something new ::

Recent Posts

  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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