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Water Your Garden – Magic City Hippies
Features, Music, Reviews, Track-by-TrackJanuary 21, 2022<February 7, 2022

“Water Your Garden”: Magic City Hippies Go Track-by-Track Through Buoyant, Seductive New Album

by Mitch Mosk
Atwood Magazine's Weekly Roundup | January 21, 2022
Columns, Features, Music, Weekly RoundupJanuary 21, 2022<January 21, 2022

Atwood Magazine’s Weekly Roundup: January 21, 2022

by Atwood Magazine Staff
TRISHES © Alejandra Ocampo
Debut, Features, Interviews, MusicJanuary 21, 2022<August 12, 2022

Exploring Our Primal Selves: TRISHES Dives into Her “Raw, Vivid, & Emotional” Debut Album ‘The Id’

by Mitch Mosk
Arooj Aftab © Vishesh Sharma
Features, Interviews, MusicJanuary 21, 2022<January 25, 2022

Transcending Your Instrument: A Conversation with Arooj Aftab

by Ben Niesen
Collapsing Scenery © Rick Rodney
Columns, Music, Today's SongJanuary 21, 2022<January 21, 2022

Today’s Song: Collapsing Scenery Blur the Lines Between Psychedelic Art & Music with “You Already Know”

by Beau Hayhoe
Atwood Magazine Editor's Picks 53
Columns, Editor's Picks, Features, MusicJanuary 20, 2022<January 20, 2022

Editor’s Picks 53: Metronomy, Daisy the Great, Hembree, Yumi Zouma, Michelles, & Empath

by Mitch Mosk
Stephanie Poetri © Casper Yen
Columns, Music, Today's SongJanuary 20, 2022<January 20, 2022

Today’s Song: Stephanie Poetri’s “Picture Myself” Dwells in the Longing of Long Distance

by Mitch Mosk
Frances Luke Accord © Podsongs
Music, PremieresJanuary 20, 2022<January 20, 2022

Premiere: Frances Luke Accord’s “Afterlife” Is a Soothing Ode to Everlasting Connection

by Mitch Mosk
A Casual Ramble: Albums of the Year 2021!
A Casual Ramble, Columns, MusicJanuary 20, 2022<February 1, 2022

A Casual Ramble: Albums of The Year 2021 Racket Edition

by Ben Niesen
Under the Rug © 2022
Music, PremieresJanuary 19, 2022<January 19, 2022

Premiere: Austin’s Under the Rug Reckon with Grief in Soothing “Go to Sleep” Off 2nd Album ‘Dear Adeline’

by Mitch Mosk
Magic - Nas 8.2
Music, Our Take, ReviewsJanuary 19, 2022<March 2, 2025

Our Take: Nas Has Plenty of ‘Magic’ Left to Spin on 15th LP

by Josh Weiner
Sgt Culpepper - Joel Culpepper
Debut, Features, Interviews, MusicJanuary 19, 2022<August 15, 2022

“Funk, Feeling, Future”: Joel Culpepper on His Soulful & Triumphant Debut ‘Sgt Culpepper’

by Mitch Mosk
Katie Tupper © Julian Lomaga
Columns, Music, Today's SongJanuary 19, 2022<January 19, 2022

Today’s Song: Seeking Closure on Katie Tupper’s Graceful & Gutting New Single “Danny”

by Mitch Mosk
Atwood Magazine's 2022 Artists to Watch
Features, Lists, MusicJanuary 18, 2022<September 29, 2022

Atwood Magazine’s 2022 Artists to Watch

by Atwood Magazine Staff
Evelyn Frances © 2022
Music, PremieresJanuary 18, 2022<January 18, 2022

Premiere: Evelyn Frances Awakens in Hushed & Raw New Single “Tired”

by Mitch Mosk
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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