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In The Aftermath - Hollis Brown
Music, PremieresJanuary 12, 2022<January 12, 2022

Premiere: Hollis Brown Honor The Rolling Stones’ Raw, Bluesy Jam “Don’tcha Bother Me” Ahead of ‘In the Aftermath’ Covers Album

by Mitch Mosk
Cy Dune © 2022
Music, ReviewsJanuary 11, 2022<January 11, 2022

Review: Cy Dune Kicks 2022 Off Right with Raucous, Explosive Release “Against Face”

by Mitch Mosk
Pegasus Warning © Mary Rozzi
Music, PremieresJanuary 11, 2022<January 11, 2022

Video Premiere: Wrestling Reality with Pegasus Warning’s Glitchy, Groovy “Alllove”

by Mitch Mosk
Music, Reviews, Track-by-TrackJanuary 11, 2022<January 11, 2022

A Deep Dive into Another Dimension: A Track-by-Track Review of Ebony Buckle’s ‘Disco Lasers’

by Joe Beer
Victoria Dodson © 2022
Columns, Music, Today's SongJanuary 11, 2022<January 11, 2022

Today’s Song: Victoria Dodson’s “Goodnight” Is Buoyant, Bittersweet Bliss

by Mitch Mosk
Milan Ring © James Evans
Features, Music, Reviews, Track-by-TrackJanuary 11, 2022<January 11, 2022

“Love, Forgiveness, & Hope”: Inside Milan Ring’s Smoldering Debut Album ‘I’m Feeling Hopeful’

by Mitch Mosk
Not From England © Athena Merry
Interviews, MusicJanuary 10, 2022<January 10, 2022

Interview: LA’s Not From England Get Personal with Song Inspirations, Artists They Love, & New EP ‘for the second time’

by Chloe Robinson
Larkin Poe © Bree Marie Fish
Features, Interviews, MusicJanuary 10, 2022<January 7, 2022

Self-Made (Wo)Men: A Conversation with Larkin Poe

by Ben Niesen
Hippo Campus © Tonje Thilesen
Columns, Music, Today's SongJanuary 10, 2022<January 7, 2022

Today’s Song: Hippo Campus Celebrate Rebirth with “Semi Pro”

by Nasim Elyasi
ella jane © @rlyblonde
Columns, Music, Today's SongJanuary 7, 2022<January 7, 2022

Today’s Song: ella jane Indulges in Suspense & Seduction on Indie Pop Anthem “Calling Card”

by Mitch Mosk
Atwood Magazine's Artist Discoveries of 2021
Features, Lists, MusicJanuary 5, 2022<February 7, 2022

Atwood Magazine’s Top Artist Discoveries of 2021

by Atwood Magazine Staff
Atwood Magazine's 2021 Songs of the Year
Features, Lists, MusicDecember 31, 2021<February 7, 2022

Atwood Magazine’s 2021 Songs of the Year

by Atwood Magazine Staff
Atwood Magazine's 2021 Albums of the Year
Features, Lists, MusicDecember 30, 2021<January 4, 2024

Atwood Magazine’s 2021 Albums of the Year

by Atwood Magazine Staff
Foxtrails
Features, Music, Reviews, Track-by-TrackDecember 22, 2021<December 23, 2021

“Reflective, Meandering & Honest”: Inside Foxtrails’ Sun-Soaked & Cinematic Sophomore LP ‘Kaweah’

by Mitch Mosk
Atwood Magazine's Mistletones: Best New Holiday Music 2021
Features, Interviews, Lists, Mistletones, MusicDecember 21, 2021<November 30, 2022

Atwood Magazine Presents Mistletones: 2021’s Best New Holiday Songs

by Atwood Magazine Staff
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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