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Two Feet & grandson © Austin Cieszko
Features, Interviews, MusicDecember 21, 2021<December 21, 2021

Feature: Two Feet Says Hello to the Next Chapter on “Until I Come Home”

by Anthony Kozlowski
Caamp © Elli Lauren
Features, Interviews, MusicDecember 20, 2021<December 20, 2021

5 Years and No Setlist: A Conversation with CAAMP’s Evan Westfall

by Coco Rich
Questlove "Music Is History" © Daniel Dorsa
Books, Columns, MusicDecember 20, 2021<December 20, 2021

Book Review: Questlove Rolls Back the Years & Adds Context in Riveting ‘Music Is History’

by Oliver Crook
MisterWives © 2021
Columns, Music, Today's SongDecember 20, 2021<August 31, 2022

Today’s Song: MisterWives Triumph with Resilient Independent Single “Stepped on a Bee” and The Best Live Show You’ll See

by Kelly McCafferty Dorogy
Atwood Magazine's Weekly Roundup | December 17, 2021
Columns, Features, Music, Weekly RoundupDecember 17, 2021<December 17, 2021

Atwood Magazine’s Weekly Roundup: 2021’s Hidden Gems

by Atwood Magazine Staff
The O'My's © René Marban
Columns, Music, Today's SongDecember 17, 2021<December 17, 2021

Today’s Song: The O’My’s & Alex Banin Capture the Heartache of Letting Go in Soulful “Realistic”

by Mitch Mosk
Skyler Locatelli © Sunita Martini
Features, Interviews, MusicDecember 17, 2021<January 10, 2022

Going to the Neurolux: A Conversation with Freakout Records’ Skyler Locatelli

by Ben Niesen
elbé © 2021
Features, Music, Reviews, Track-by-TrackDecember 16, 2021<December 16, 2021

“Impassioned, Authentic, & Fresh” Inside elbé’s Stirring & Sweet Sophomore EP ‘Sonder’

by Mitch Mosk
Steph Green
Music, PremieresDecember 16, 2021<December 16, 2021

Premiere: Steph Green Delivers a Country Noir Tearjerker on “Devotion”

by Guest Writer
Sarah and the Sundays © 2021
Features, Music, Reviews, Track-by-TrackDecember 16, 2021<December 16, 2021

“The Living End”: Inside Sarah and the Sundays’ Radiant & Soaring Sophomore Album

by Mitch Mosk
The Velveteins © Evangeline Belzile
Columns, Music, Today's SongDecember 16, 2021<December 16, 2021

Today’s Song: The Velveteins Paint Color and Light in Hopeful New Track “Make It Through”

by Joe Beer
Dylan Sinclair © Norman Wong
MusicDecember 15, 2021<December 15, 2021

Review: Dylan Sinclair Radiates Heartache and “Regrets” in Smoldering New Single

by Mitch Mosk
Florian Ehrmann © Felix Birkenseer
Music, ReviewsDecember 15, 2021<December 15, 2021

Review: Soaking in the Wonder of Florian Ehrmann’s “Beautiful Day”

by Mitch Mosk
Features, Interviews, MusicDecember 15, 2021<December 16, 2021

Reflections: A Conversation with Justin Stanton & Gisela Joāo of Mirrors

by Mariel Fechik
Battle Ave. © Molly Doherty
Features, Music, Reviews, Track-by-TrackDecember 15, 2021<December 15, 2021

“We’re back, baby!”: Hudson Valley’s Battle Ave. Return with Cinematic & Sweeping Self-Titled EP

by Mitch Mosk
Posts pagination
1 … 272 273 274 275 276 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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