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Noah Reid © Dane Clark
Columns, Music, Today's SongMarch 4, 2022<March 4, 2022

Today’s Song: Noah Reid’s Dreamy “Everyday” Dwells in Raw Moments of Instability & Imbalance

by Mitch Mosk
Atwood Magazine's Weekly Roundup March 4, 2022
Columns, Features, Music, Weekly RoundupMarch 4, 2022<March 4, 2022

Atwood Magazine’s Weekly Roundup: March 4, 2022

by Atwood Magazine Staff
Love Sux - Avril Lavigne 7.7
Music, Our Take, ReviewsMarch 3, 2022<March 3, 2022

Album Review: ‘Love Sux,’ But Avril Lavigne Still Rox

by Josh Weiner
Peach Luffe Beyond
Features, Music, Reviews, Track-by-TrackMarch 3, 2022<March 3, 2022

Track-by-Track: Peach Luffe Breaks Down His Intimately Sun-Soaked ‘Beyond’ EP

by Mitch Mosk
Thehiz © 2022
Columns, Debut, Music, Today's SongMarch 3, 2022<March 3, 2022

Today’s Song: Thehiz Debuts with Epic Underdog Anthem “SUBMARINE”

by Mitch Mosk
Atwood Magazine's Editor's Picks 56
Columns, Editor's Picks, Features, MusicMarch 3, 2022<September 29, 2022

Editor’s Picks 56: Primer, Monica Martin, Dehd, Riley Pearce, Blossoms, & GOON

by Mitch Mosk
BAYEM © Lissyelle
Features, Music, Reviews, Track-by-TrackMarch 2, 2022<March 2, 2022

“Post-Heartbreak Music”: BAYEM Basks in a Bold & Buoyant ‘AFTERGLOW’ on Debut EP

by Mitch Mosk
Wild Rivers © Samuel Kojo
Features, Music, Reviews, Track-by-TrackMarch 2, 2022<May 28, 2022

“Everything in Between”: Inside Wild Rivers’ Radiant & Stunning Sophomore LP ‘Sidelines’

by Mitch Mosk
Moonlight Shadow - W&W
Columns, Music, Today's SongMarch 2, 2022<March 31, 2023

Today’s Song: W&W Get Their ’80s Groove on with Futuristic Remix of “Moonlight Shadow”

by Josh Weiner
Shovels & Rope © Leslie Ryan McKellar
Features, Music, Reviews, Track-by-TrackMarch 1, 2022<March 1, 2022

Track-by-Track: Shovels & Rope Dive into the Raw Reeling of ‘Manticore’

by Mitch Mosk
The Sherlocks © 2022
Features, Music, Reviews, Track-by-TrackMarch 1, 2022<March 1, 2022

Track-by-Track: The Sherlocks Stun & Soar on Anthemic, Spirited LP ‘World I Understand’

by Mitch Mosk
Asha Maclean © Amadeus Purcell
Music, Music Videos, PremieresMarch 1, 2022<March 1, 2022

Video Premiere: NYC’s Asha Maclean Pours Her Heart Out in Empowering “Serial F Boy” (Acoustic Version)

by Mitch Mosk
Gang of Youths © Ed Cooke
Features, Interviews, MusicMarch 1, 2022<March 1, 2022

Interview: Gang of Youths Bassist Max Dunn Talks Love, Loss & the Aussie Rockers’ Stunning New Album ‘angel in realtime.’

by Beau Hayhoe
Esbie Fonte - Ducky
Columns, Music, Today's SongMarch 1, 2022<March 1, 2022

Today’s Song: Esbie Fonte Conveys Intense Heartbreak in Her Wistful “Ducky”

by Chloe Robinson
Similar Kind © Tom Stewart
Music, PremieresFebruary 28, 2022<February 28, 2022

Premiere: Dancing in the Beautiful Depths of Similar Kind’s Buoyant & Bold “I Don’t Wanna Fight Anymore”

by Mitch Mosk
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Brand New

  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release

:: discover something new ::

Recent Posts

  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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