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Michael J Woodard © Breyona Holt
Features, Interviews, MusicDecember 15, 2021<December 15, 2021

Interview: The Joy of Michael J Woodard

by Lilly Eason
rocco, © courtesy of the artist
Columns, Music, Today's SongDecember 15, 2021<December 15, 2021

Today’s Song: rocco, Takes on the Topic of Race & Our Unnecessary Divisions in “grey theory”

by Chloe Robinson
Mackin Carroll © @kugelmama
Debut, Features, Music, Reviews, Track-by-TrackDecember 14, 2021<December 14, 2021

“Contemplative, Eclectic, & Cerulean”: Inside Mackin Carroll’s Debut Album ‘Learning How to Swim’

by Mitch Mosk
Formula of Love - TWICE 8
Music, Our Take, ReviewsDecember 14, 2021<December 14, 2021

‘Formula of Love: O+T=<3’ Presents TWICE’s Most Progressive Release Yet

by Danny Vagnoni
'Rock Concert' book - Marc Myers
Books, Columns, MusicDecember 14, 2021<December 14, 2021

Book Review: Marc Myers Pulls the Curtain Back on the Live Music We Love So Much in ‘Rock Concert’

by Oliver Crook
mason jar / wannabe - BEL
Artist to Watch, Columns, Music, Today's SongDecember 14, 2021<December 14, 2021

Artist to Watch: BEL’s “mason jar” Dwells in a Moment of Reckoning & Vulnerability

by Mitch Mosk
Get Your Feet Wet - MAUMAUMAU © Jack Dytrych
Columns, Music, Today's SongDecember 13, 2021<December 13, 2021

Today’s Song: MAUMAUMAU’s Bold Try-New-Things Anthem, “Get Your Feet Wet”

by Mitch Mosk
Johnny Ashby © 2021
Music, Reviews, Track-by-TrackDecember 13, 2021<December 13, 2021

Pure, Genuine, and Authentic: A Track-by-Track Review of Johnny Ashby’s ‘Time of Our Lives’

by Joe Beer
Bear's Den © Bennie Curnow
Columns, Music, Today's SongDecember 11, 2021<December 10, 2021

Today’s Song: Bear’s Den Tap into Love’s Bittersweet Depths in “All That You Are”

by Mitch Mosk
Companion © Chiara Garland
Columns, Debut, Music, Today's SongDecember 10, 2021<December 10, 2021

Fort Collins Sister Duo Companion Debut with Warm, Intimate & Ethereal “How Could I Have Known”

by Mitch Mosk
Aisha Badru © Jeffery Trapani
Features, Music, Reviews, Track-by-TrackDecember 10, 2021<December 10, 2021

“Grounding, Affirming, & Honest”: Aisha Badru Embraces Life and Love in ‘The Way Back Home’

by Mitch Mosk
Neil Young and Crazy Horse © dhlovelife
Columns, Music, ReviewsDecember 10, 2021<December 10, 2021

Neil Young and Crazy Horse Show They’re Nowhere Near Finished on ‘Barn’

by Oliver Crook
American Sigh © Margaret Wheatley
Debut, Features, Music, Reviews, Track-by-TrackDecember 10, 2021<December 9, 2021

Respectful Emotional Spelunking: Inside American Sigh’s Coming-of-Age Debut Album ‘Honor System’

by Mitch Mosk
Churches - LP
Features, Interviews, MusicDecember 10, 2021<February 26, 2022

On Love, Songwriting, Spirituality & ‘Churches’: An Interview with LP

by Mitch Mosk
Atwood Magazine's Weekly Roundup | December 9, 2021
Columns, Features, Music, Weekly RoundupDecember 10, 2021<December 17, 2021

Atwood Magazine’s Weekly Roundup: December 10, 2021

by Atwood Magazine Staff
Posts pagination
1 … 273 274 275 276 277 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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