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Under the Rug © 2022
Features, Music, Reviews, Track-by-TrackFebruary 25, 2022<February 25, 2022

“Salty, Colorful, & Intricate”: Under the Rug’s Aching ‘Dear Adeline’ Is a Record of Reckoning & Perseverance

by Mitch Mosk
Harry Katz & The Pistachios © Lee Citron
Interviews, MusicFebruary 25, 2022<February 25, 2022

Interview: Harry Katz and the Pistachios Open Up About Sonic Evolution & Learning to Say “Oh Yes!”

by Chloe Robinson
Atwood Magazine's Weekly Roundup | February 25, 2022
Columns, Features, Music, Weekly RoundupFebruary 25, 2022<February 25, 2022

Atwood Magazine’s Weekly Roundup: February 25, 2022

by Atwood Magazine Staff
Miles Francis © Shervin Lainez
Music, Music Videos, PremieresFebruary 25, 2022<February 25, 2022

Premiere: Miles Francis Parts the Clouds with “Rainjacket”

by Nasim Elyasi
June Road © Charlene van Hall
Columns, Debut, Music, Today's SongFebruary 25, 2022<February 25, 2022

Today’s Song: June Road “Seize the Day” on Captivating, Spirited Indie Folk Debut

by Mitch Mosk
Liam Benzvi © 2022
Debut, Features, Music, Reviews, Track-by-TrackFebruary 24, 2022<February 24, 2022

“Swell, Hum, & Oops”: Liam Benzvi Charms with Dynamic & Dazzling Debut Album ‘Acts of Service’

by Mitch Mosk
Molly Burman © Sarah Beshiri
Music, PremieresFebruary 24, 2022<February 24, 2022

Premiere: Molly Burman Confronts Perfection on Beautiful, Empowered & Liberating “Pretty Girl”

by Mitch Mosk
Andy Zipf © Shervin Lainez
Music, PremieresFebruary 24, 2022<February 24, 2022

Premiere: Inside Andy Zipf’s Tranquil & Stirring New Single, “Did You Know I Was A Ghost?”

by Mitch Mosk
riela © Daniel Sanjur
Interviews, MusicFebruary 24, 2022<February 23, 2022

From Rags to Riches to Wand Swishes: Riela Channels Tarot Magic Themes In New Trilogy of EPs

by Josh Weiner
Earl Sweatshirt © Lindsay Ellary
Music, ReviewsFebruary 24, 2022<February 24, 2022

Reflection and Evolution: Earl Sweatshirt’s ‘SICK!’ Looks to the Future by Taking Stock of the Past

by Adam Davidson
Grow This Garden - For Tuesday, Emorie
Columns, Music, Today's SongFebruary 23, 2022<February 23, 2022

Today’s Song: For Tuesday & Emorie Evoke Quiet Indie Folk Wonder in “Grow This Garden”

by Mitch Mosk
Lawrence live in NYC © Deanie Chen
Features, Music, Reviews, Track-by-TrackFebruary 23, 2022<February 23, 2022

Track-by-Track: Lawrence’s ‘Hotel TV’ Is an Epic, Quirky & Soulful Soundtrack to Everyday Living

by Mitch Mosk
Zander Schloss © Geoff Moore
Features, MusicFebruary 23, 2022<October 12, 2022

Feature: The Story of Zander Schloss’ Life

by Lilly Eason
Melody Federer © 2022
Music, PremieresFebruary 23, 2022<February 23, 2022

Premiere: The Tender, Heartwrenching Ache of Melody Federer’s “Sometimes I Cry”

by Mitch Mosk
Erisy Watt © Hannah Garrett
Music, PremieresFebruary 22, 2022<February 22, 2022

Premiere: Singer/Songwriter Erisy Watt’s “Big Sky” Relishes the Warm Bliss of Freedom

by Mitch Mosk
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Brand New

  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”

:: discover something new ::

Recent Posts

  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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