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Durand Jones & The Indications © Ebru Yildiz
Features, Interviews, MusicSeptember 22, 2021<September 26, 2021

Interview: We Can Dance Together Once More with Durand Jones & The Indications’ ‘Private Space’

by Sophie Prettyman-Beauchamp
Sean Medlin © Nina Paz
Books, Columns, Music, ReviewsSeptember 22, 2021<September 22, 2021

Book Review: Sean Avery Medlin Creates a New Universe Begging to be Explored in ‘808s & Otherworlds’

by Oliver Crook
Victoria Bigelow © 2021
Music, PremieresSeptember 22, 2021<September 22, 2021

Premiere: Victoria Bigelow’s Gut-Wrenchingly Intimate & Breathtakingly Raw ‘waves’ EP

by Mitch Mosk
Columns, Music, Today's SongSeptember 22, 2021<September 22, 2021

Today’s Song: Alice Pisano Eases Us into Autumn with the Golden “September”

by Joe Beer
The Slang © 2021
Debut, Features, Music, Premieres, Track-by-TrackSeptember 22, 2021<September 22, 2021

Expressive, Moody, & Cathartic: DC’s The Slang Premiere Their Cinematic Debut Album, ‘Divide’

by Mitch Mosk
Distractions - Kelsey Abbott
Music, PremieresSeptember 21, 2021<September 21, 2021

Premiere: Nashville’s Kelsey Abbott Finds Release in Impassioned Alt-Rock Anthem “Distractions”

by Mitch Mosk
elkyn © 2021
Music, Music Videos, PremieresSeptember 21, 2021<September 21, 2021

Premiere: The Blur, Loss, & Warmth of elkyn’s Heartfelt Single “found the back of the tv remote”

by Mitch Mosk
Priya Ragu © Amir Hossain
Features, Interviews, MusicSeptember 21, 2021<October 5, 2021

Damn She’s Tamil: Priya Ragu on Debut Mixtape, Spirituality, & Culture

by Mariel Fechik
LOVE BY NUMB3RS © Cam Jones
Music, Music Videos, PremieresSeptember 21, 2021<September 21, 2021

Premiere: LOVE BY NUMB3RS’ Soulful Single “Colours” Captures a Stunning Spectrum of Feeling

by Mitch Mosk
Katelyn Tarver © Ethan Gulley
Music, Music Videos, PremieresSeptember 21, 2021<September 21, 2021

Premiere: Katelyn Tarver Shines on Radiant & Intimately Unapologetic New Single “Nicer”

by Mitch Mosk
Daisy Abrams © 2021
Music, PremieresSeptember 21, 2021<November 16, 2021

Premiere: Daisy Abrams Tackles Depression & Purpose on “The Early Riser”

by Beau Hayhoe
You, Me, And Everyone We Know © Connor Feimster
Music, Reviews, Today's SongSeptember 21, 2021<September 22, 2021

Today’s Song: You, Me, And Everyone We Know Pack an Existential Punch with “We’re Not Like That!”

by James Crowley
Interviews, Music, PremieresSeptember 21, 2021<July 17, 2023

Premiere: Andrea Tomasi’s Meditative, Spiritual Album ‘Into the Mystery’

by Mariel Fechik
Kaley Rutledge © Monica Murray
Columns, Music, Today's SongSeptember 20, 2021<September 20, 2021

Today’s Song: Kaley Rutledge’s Tranquil, Warm, & Wondrous “Corduroy Coat”

by Mitch Mosk
Caroline & Claude © Andrew Fawcett
Features, Interviews, MusicSeptember 20, 2021<September 20, 2021

Sibling Effervescence and Originality: A Conversation with Caroline & Claude

by Nicole Almeida
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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