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Interviews, Music, PremieresSeptember 21, 2021<July 17, 2023

Premiere: Andrea Tomasi’s Meditative, Spiritual Album ‘Into the Mystery’

by Mariel Fechik
Kaley Rutledge © Monica Murray
Columns, Music, Today's SongSeptember 20, 2021<September 20, 2021

Today’s Song: Kaley Rutledge’s Tranquil, Warm, & Wondrous “Corduroy Coat”

by Mitch Mosk
Caroline & Claude © Andrew Fawcett
Features, Interviews, MusicSeptember 20, 2021<September 20, 2021

Sibling Effervescence and Originality: A Conversation with Caroline & Claude

by Nicole Almeida
Features, Interviews, MusicSeptember 20, 2021<October 27, 2021

A Way to Harmonize: Becca Stevens & The Secret Trio on Fate and Expanding Tradition

by Mariel Fechik
Atwood Magazine's Weekly Roundup | September 17, 2021
Columns, Features, Music, Weekly RoundupSeptember 17, 2021<September 17, 2021

Atwood Magazine’s Weekly Roundup: September 17, 2021

by Atwood Magazine Staff
carwash © Athena Merry
Debut, Features, Music, Reviews, Track-by-TrackSeptember 17, 2021<September 17, 2021

“Friendship, Empathy, & Youth”: carwash’s Radiant Debut EP ‘soap water’ Captures the Wonder of Connection & Intimacy

by Mitch Mosk
Noah Kahan © Aysia Marotta
Features, Music, Reviews, Track-by-TrackSeptember 17, 2021<October 5, 2021

A Beautiful Inner Reckoning: Noah Kahan’s Stirring ‘I Was / I Am’ Plunges into the Deepest Depths of Self

by Mitch Mosk
Overcoats © Aysia Marotta
Features, Interviews, MusicSeptember 17, 2021<September 16, 2021

Not Scared Anymore: A Conversation with Overcoats

by Coco Rich
José González © Peter Toggeth / Mikel Cee Karlsson
Features, Interviews, MusicSeptember 16, 2021<September 29, 2022

Interview: José González Is Confident in Who He Is on Dynamic New Album ‘Local Valley’

by Kosiso Ugwueze
Timothy Edward Carpenter © Samuel Greenhill
Artist to Watch, Debut, Music, PremieresSeptember 16, 2021<September 16, 2021

Artist to Watch: Timothy Edward Carpenter’s Debut EP ‘the boy from ohio’ Is an Intimate & Beautifully Raw Upheaval

by Mitch Mosk
Art School Girlfriend © Jake Green
Debut, Features, Music, Reviews, Track-by-TrackSeptember 16, 2021<September 16, 2021

“Dark, Light, & Bloomy”: Art School Girlfriend’s Debut Album ‘Is It Light Where You Are’ and the Breathtaking Weight of Loss

by Mitch Mosk
Columns, Music, ReviewsSeptember 16, 2021<March 2, 2025

Album Review: Tyler, The Creator Opens Up His World & Reflects on Lost Love in ‘CALL ME IF YOU GET LOST’

by Adam Davidson
Hayden Calnin © Al Parkinson 9.4
Features, Music, Our Take, Reviews, Track-by-TrackSeptember 16, 2021<September 16, 2021

‘What It Means to Be Human’: Hayden Calnin Dives into the Beautiful Depths of His Cinematic & Stunning Third LP

by Mitch Mosk
Treefort Music Fest 2018 © Glenn Landberg
Features, Festival, Music, PreviewsSeptember 16, 2021<November 10, 2021

(Y)Our Guide to Treefort Music Fest 2021!

by Atwood Magazine Staff
Young Rising Sons © 2021
Music, Music Videos, PremieresSeptember 15, 2021<September 15, 2021

Premiere: Young Rising Sons Revel in Past Highs on Nostalgic Anthem “Good Days”

by Mitch Mosk
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Brand New

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

:: discover something new ::

Recent Posts

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
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