Interviews, MusicNovember 15, 2021<November 15, 2021 Interview: Squirrel Flower Brings Her “Red Storm Cloud” to Life on Stirring Sophomore Album ‘Planet (i)’ by Mitch Mosk
Interviews, Music, PremieresNovember 15, 2021<November 15, 2021 Interview: zzzahara’s Feverish Single “they don’t know” Debuts with Frenetic Energy & Visceral Emotion by Mitch Mosk
Columns, Music, Today's SongNovember 15, 2021<November 15, 2021 Today’s Song: Quelle Rox Finally Escapes a Toxic, Vicious Cycle in “i only want you when i’m f***ed up” by Dimitra Gurduiala
Features, Music, Reviews, Track-by-TrackNovember 12, 2021<November 15, 2021 Track-by-Track: Austin’s Honest Men Soar on Their Vibrant, “Warm & Intentional” Sophomore LP ‘Field of Vision’ by Mitch Mosk
Debut, Features, Music, Reviews, Track-by-TrackNovember 12, 2021<January 18, 2024 “Sour for Millennials”: Katelyn Tarver Dives Inside Her Brutally Honest Debut Album, ‘Subject to Change’ by Mitch Mosk
Columns, Music, Today's SongNovember 12, 2021<November 12, 2021 Today’s Song: Cedric Noel’s Gentle, Intimate, & Vulnerable “Bass Song” (ft. Squirrel Flower) by Mitch Mosk
Columns, Features, Music, Weekly RoundupNovember 12, 2021<February 15, 2022 Atwood Magazine’s Weekly Roundup: November 12, 2021 by Atwood Magazine Staff
MusicNovember 11, 2021<November 11, 2021 Premiere: Grace Kay Bottles the Intimacy of Friendship on “Here” by Anthony Kozlowski
Features, Music, Reviews, Track-by-TrackNovember 11, 2021<November 11, 2021 “Angsty, Boisterous, & Cathartic”: Greer Dive Inside Their Sweet, Spirited ‘Happy People’ EP by Mitch Mosk
Columns, Music, Today's SongNovember 11, 2021<November 11, 2021 Today’s Song: London’s Echo Hotel Release a Warm Wash of Beautiful Sadness in “Hives” by Mitch Mosk
Features, Interviews, MusicNovember 11, 2021<November 16, 2021 Interview: Houndmouth Return to Their Roots with Rich, Rustic Storytelling on New Album ‘Good for You’ by Beau Hayhoe
Features, Music, Reviews, Track-by-TrackNovember 10, 2021<January 20, 2025 “Long. Range. Bomb.”: Mega Ran Shoots and Scores on Basketball-Inspired ‘Live ’95’ by Mitch Mosk
Columns, Music, Today's SongNovember 10, 2021<November 10, 2021 Today’s Song: Dancing & Death Embrace in Pom Pom Squad’s Intoxicating Singalong “Until It Stops” by Mitch Mosk
Festival, Music, ReviewsNovember 10, 2021<November 10, 2021 Review: Treefort, A Music Festival That Feels Like Home by Atwood Magazine Staff
Essays, MusicNovember 10, 2021<November 10, 2021 Permission to Be: Korean-American Artist SOHMI on Reclaiming Space by Breaking Barriers by Guest Writer
For the Love of Music
For the Love of Music
