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Tadhg Daly
Music, ReviewsJune 23, 2021<June 23, 2021

Trauma & Passion Radiate in Tadhg Daly’s Intimate Outpouring “Your Heart’s Not In It”

by Mitch Mosk
Pixie's Parasol - Smith & Thell
Features, Music, Reviews, Track-by-TrackJune 23, 2021<June 23, 2021

“Lost in space”: Smith & Thell Stun, Stir, & Soar in Sophomore LP ‘Pixie’s Parasol’

by Mitch Mosk
Features, Interviews, Music, ReviewsJune 23, 2021<February 7, 2022

Borrowed Time Machine: Fousheé on Time Travel, Genre Bending, & Debut Project ‘time machine’

by Mariel Fechik
Declan Welsh & The Decadent West © Sedona May
Music, ReviewsJune 23, 2021<June 23, 2021

Declan Welsh & The Decadent West’s Raw, Wry, & Roaring Anthem “Parisian Friends”

by Mitch Mosk
Tim Atlas © Maya Fuhr
Music, ReviewsJune 23, 2021<June 23, 2021

Review: Tim Atlas’ Love-Soaked “Courtside” Is an Enchanting Sonic Daydream

by Mitch Mosk
Deafheaven © George Clarke
Columns, Music, Today's SongJune 23, 2021<June 21, 2021

Today’s Song: Deafheaven Turn a New Leaf with ‘Great Mass of Color’

by James Crowley
Porlolo © Irvin Coffee
Features, Music, Reviews, Track-by-TrackJune 22, 2021<June 22, 2021

“Melodic, Authentic, Relatable”: Denver’s Porlolo Shines on Radiant ‘No Praise, No Blame’ EP

by Mitch Mosk
MISSIO © 2021
Features, Interviews, MusicJune 22, 2021<July 15, 2021

Interview: MISSIO’s ‘Skeletons: Part 3’ Takes You From a Whisper, to a Cackle, to a Scream

by Ilana Kalish
Blue - Joni Mitchell
Columns, Editorials, Music, Nostalgia TracksJune 22, 2021<June 22, 2021

Nostalgia Tracks: Celebrating 50 Years of Joni Mitchell’s ‘Blue’

by Nasim Elyasi
DEWAYNE © Jordan Knight
Debut, Features, Music, Reviews, Track-by-TrackJune 22, 2021<June 22, 2021

“Liberation, Raw, Urgent”: DE’WAYNE Goes Track-by-Track Through Unapologetic, Explosive Debut ‘STAINS’

by Mitch Mosk
Sons Of The East © Pat O’Hara
Music, PremieresJune 22, 2021<June 22, 2021

Premiere: Sydney’s Sons of the East Soar in “Fool Me,” a Sweet & Jangling Singalong

by Mitch Mosk
Giant Sky © Hot Vox
Debut, Features, Music, Premieres, ReviewsJune 22, 2021<June 22, 2021

“Anger, Love, Solidarity”: Giant Sky Fill the Airwaves on High-Octane Debut Album ‘Not Today’

by Mitch Mosk
Play With the Changes - Rochelle Jordan
Features, Interviews, MusicJune 22, 2021<June 21, 2021

Interview with Rochelle Jordan: A Toronto R&B Queen Re-Emerges in Stellar Style on ‘Play with the Changes’

by Josh Weiner
Max Leo by @ch32
Columns, Music, Today's SongJune 22, 2021<June 21, 2021

Today’s Song: Max Leo Basks in Honest Hopefulness on “Could Be Something”

by Lowndes Commander
Aly & AJ © Amanda Chachain
Features, Interviews, MusicJune 21, 2021<October 5, 2021

Getting Out into the Sun Again: A Conversation with Aly & AJ

by Nicole Almeida
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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