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Constant Smiles © Julian Master
Columns, Music, Today's SongNovember 4, 2021<November 4, 2021

Today’s Song: Constant Smiles Pick Up the Pieces in Poignant, Heavy “The Things I Miss”

by Mitch Mosk
Outside Lands 2021
Festival, Music, ReviewsNovember 4, 2021<November 16, 2021

Review: Outside Lands 2021 Delivers on the Hype as the Year’s Best Festival

by Beau Hayhoe
Well Kept © Kyler Vollmar
Music, PremieresNovember 4, 2021<November 4, 2021

Premiere: Well Kept’s Alternative Rom-Com Anthem “Hammerhead Corvette”

by Mitch Mosk
ForEver - Joshua Crumbly
Features, Music, Reviews, Track-by-TrackNovember 3, 2021<November 3, 2021

“A Warm Hug”: Joshua Crumbly Embraces Space, Stillness & Solitude in ‘ForEver’

by Mitch Mosk
Columns, Music, Today's SongNovember 3, 2021<November 3, 2021

Today’s Song: Diving Into the Folly of the High Life with Ellie Bleach’s “Doing Really Well Thanks”

by Adrian Vargas
Year of the Locust - Elisa Nicolas
Debut, Music, Premieres, Reviews, Track-by-TrackNovember 3, 2021<November 3, 2021

Track-by-Track: Elisa Nicolas Premieres Her Warm & Wondrous Album ‘Year of the Locust’

by Mitch Mosk
Mumble Tide © 2021
Columns, Music, Today's SongNovember 2, 2021<November 2, 2021

Today’s Song: Mumble Tide’s Intimate & Grooving “On My Deathbed There’s a Full Page (You Don’t Get To Read It)”

by Mitch Mosk
Manuel the Band [L-R]: Matt Kalin, George Madrid, Brandon Charlesworth, Manuel Grajeda, Kevin Nowacki, Richard Fernandez © Cesar Sanchez
Music, PremieresNovember 2, 2021<November 2, 2021

Premiere: Manuel the Band’s “Love But Don’t Need You” Paints our Drives with a Folk Rock Brush

by Mitch Mosk
87 Nights
Interviews, MusicNovember 2, 2021<November 2, 2021

Interview: An Introduction to Charleston Band 87 Nights

by Lilly Eason
Yes © Gottlieb Bros
Features, Interviews, MusicNovember 2, 2021<November 1, 2021

“Music to My Ears”: A Conversation with Yes’ Alan White

by Ben Niesen
breaking point
Interviews, MusicNovember 1, 2021<November 1, 2021

Interview: Jackson+Sellers Talk About How Their Unique Chemistry Led to the Creation of Their New Album “Breaking Point”

by Dimitra Gurduiala
Atwood Magazine's Weekly Roundup | October 29, 2021
Columns, Features, Music, Weekly RoundupOctober 29, 2021<February 7, 2023

Atwood Magazine’s Weekly Roundup: October 29, 2021

by Atwood Magazine Staff
Hell Hath No Fury
Columns, Music, The Collab ColumnOctober 28, 2021<October 28, 2021

The Collab Column: Clipse and The Neptunes’ ‘Hell Hath No Fury’

by Leo Culp
ToBy © 2021
Debut, Features, Music, Reviews, Track-by-TrackOctober 28, 2021<February 7, 2022

“Vulnerable, Raw, Hopeful”: Inside ToBy’s Impassioned & Stirring Debut Album ‘L’esprit’

by Mitch Mosk
ROZET © 2021
Artist to Watch, Columns, Music, Today's SongOctober 28, 2021<October 28, 2021

Today’s Song: ROZET’s Wondrous “Cake Face” Is a Blueprint for a More Balanced Life

by Mitch Mosk
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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