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Haley Johnsen © 2021
Music, PremieresSeptember 15, 2021<September 15, 2021

Premiere: Haley Johnsen Returns with Intimate & Enchanting “Goner,” a Song of Loss, Longing, & Hope

by Mitch Mosk
Casey Dubie © 2021
Music, PremieresSeptember 15, 2021<September 15, 2021

Premiere: Casey Dubie’s Sweet “Limbo” Paints a World of Wonder & Suspense

by Mitch Mosk
Tertia May
Columns, Music, Today's SongSeptember 15, 2021<September 15, 2021

Today’s Song: London’s Tertia May Lights “The Fire” with Smoldering Hot & Soulful Passion

by Mitch Mosk
Naomi Kimpenu © 2021
Debut, Features, Music, Reviews, Track-by-TrackSeptember 14, 2021<April 1, 2024

“Dark, Emotive, & Timeless”: Naomi Kimpenu’s ‘Prelude’ EP Is a Striking, Stirring Entrance

by Mitch Mosk
Charlie Hickey x MUNA © Jannick Frampton
Columns, Music, Today's SongSeptember 14, 2021<September 14, 2021

Today’s Song: Charlie Hickey and MUNA Join Forces with “Seeing Things”

by Nasim Elyasi
Lilly Hiatt © Daniel Reyes
Concerts, Music, ReviewsSeptember 14, 2021<September 14, 2021

Live Review: Lilly Hiatt Reaps What She Rocks at Harvest Music Festival 2021

by Oliver Crook
Features, Interviews, MusicSeptember 14, 2021<September 14, 2021

Interview: Glassio Discusses Pensive Sound, Thoughts on Perfection, and the Talents He Respects

by Chloe Robinson
Rett Madison © 2021
Columns, Music, Today's SongSeptember 13, 2021<September 13, 2021

Today’s Song: Rett Madison’s Stunning “Emily” Is a Gut-Punch of Eruptive, Soulful Passion

by Mitch Mosk
SHAED © Jared Zagha
Debut, Interviews, MusicSeptember 13, 2021<September 13, 2021

Interview: A Conversation with SHAED, a Pop Trio Full of Capital Pride

by Josh Weiner
Geographer © Monica Reyes
Music, Music Videos, PremieresSeptember 13, 2021<November 16, 2021

Premiere: Geographer’s Exhilarating, Cinematic “Alibi” and the Wonder of Love

by Mitch Mosk
Features, Interviews, MusicSeptember 13, 2021<September 15, 2021

“The Ridiculousness of Feelings”: A Conversation with Sloppy Jane

by Nasim Elyasi
ella jane © 2021
Features, Music, Reviews, Track-by-TrackSeptember 10, 2021<September 10, 2021

“Nostalgic, Visceral, & Electric”: Inside ella jane’s Stunning Debut EP ‘THIS IS NOT WHAT IT LOOKS LIKE!’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | September 10, 2021
Columns, Features, Music, Weekly RoundupSeptember 10, 2021<September 10, 2021

Atwood Magazine’s Weekly Roundup: September 10, 2021

by Atwood Magazine Staff
Be - Common
Columns, Music, The Collab ColumnSeptember 10, 2021<September 10, 2021

The Collab Column: Common and Kanye West’s ‘Be’

by Leo Culp
Foy Vance © Babysweet
Features, Interviews, MusicSeptember 10, 2021<October 5, 2021

Interview: Foy Vance Breaks Out of the Quiet with New Album ‘Signs of Life’ and Little, Soft Revolutions

by Erica Danielle Garcia
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Brand New

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

:: discover something new ::

Recent Posts

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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