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Hovvdy © Pooneh Ghana
Features, Interviews, MusicNovember 9, 2021<February 7, 2022

“An Emotional Guidebook”: Hovvdy Dwell in the Depths of ‘True Love’ on Intimate & Vulnerable 4th Album

by Mitch Mosk
The Jaws of Brooklyn © Abraham Rowe
Music, PremieresNovember 9, 2021<November 9, 2021

Premiere: The Jaws of Brooklyn Unleash Their “Fever” with Hot Soul & Heated Passion

by Mitch Mosk
Music, ReviewsNovember 9, 2021<November 9, 2021

Review: Brother. Take Time to Reflect in Their Contemplative Album ‘Volume III’

by Joe Beer
Dan Ozzi © Anthony Dixon
Books, Interviews, MusicNovember 9, 2021<November 9, 2021

Static Prevails: A Conversation with Dan Ozzi About His New Book ‘Sellout’

by James Crowley
Worthitpurchase © Marlon Mara LeNoble
Columns, Music, Today's SongNovember 9, 2021<November 9, 2021

Today’s Song: Worthitpurchase Weave Dreamy, Delicate Wonders on “Inbetween”

by Mitch Mosk
Saint Joshua © Alexandre Beer
Columns, Music, Today's SongNovember 8, 2021<November 9, 2021

Today’s Song: Saint Joshua Continues to Burn Bright in Soulful & Searing “Fake Friends”

by Mitch Mosk
Habibi © Bailey Robb
Features, Interviews, MusicNovember 8, 2021<February 7, 2022

“Come My Habibi”: A Conversation with Habibi’s Rahill Jamalifard & Lenny Lynch

by Ben Niesen
Jackie Kay x Bessie Smith © Mary McCartney
Books, ReviewsNovember 8, 2021<November 8, 2021

Book Review: Jackie Kay Gives the Empress of the Blues Her Flowers in Reissue of ‘Bessie Smith: A Poet’s Biography of a Blues Legend’

by Oliver Crook
AHI © Caitlin Cronenberg
Features, Music, Reviews, Track-by-TrackNovember 5, 2021<February 7, 2022

“Reassuring, Honest, & Powerful”: AHI Goes Track-by-Track Through ‘Prospect,’ a Work of Human Depth & Spiritual Wonder

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 5, 2021
Columns, Features, Music, Weekly RoundupNovember 5, 2021<November 5, 2021

Atwood Magazine’s Weekly Roundup: November 5, 2021

by Atwood Magazine Staff
Lucy Park © Lena Noguchi
Columns, Music, Today's SongNovember 5, 2021<November 5, 2021

Today’s Song: Lucy Park Basks in the Good on Warm & Wondrous “Brighter Days”

by Mitch Mosk
Sloppy Jane © Sara Cath
Features, Interviews, MusicNovember 5, 2021<February 7, 2022

Interview: Sloppy Jane Erects a Monument of Emotion with ‘Madison’

by Sophie Prettyman-Beauchamp
Neev © 2021
Music, ReviewsNovember 5, 2021<November 5, 2021

There’s Only Love to Come: Neev Releases Wholehearted Sophomore EP ‘Currants’

by Coco Rich
This Here Feels Good - Kay Young
Artist to Watch, Features, Music, Reviews, Track-by-TrackNovember 4, 2021<November 4, 2021

“This Here Feels Good”: Kay Young Delves into Her Intimate, Vulnerable, & Inspiring Third EP

by Mitch Mosk
Birdtalker © Jeremy Cowart
Features, Music, Reviews, Track-by-TrackNovember 4, 2021<November 4, 2021

Track-by-Track: Inside Birdtalker’s Radiant & Irresistible Self-Titled Sophomore Album

by Mitch Mosk
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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