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Parallel World - Cadence Weapon
Features, Interviews, MusicApril 30, 2021<October 5, 2021

Interview: Exploring Toronto Rapper Cadence Weapon’s ‘Parallel World’

by Oliver Crook
Del Water Gap © Angela Riccardi
Columns, Music, Today's SongApril 30, 2021<April 29, 2021

Today’s Song: Del Water Gap Turns the Unspoken into Art on “Sorry I Am”

by Jason Brillon
Atwood Magazine's Weekly Roundup April 30, 2021
Columns, Features, Music, Weekly RoundupApril 30, 2021<April 30, 2021

Atwood Magazine’s Weekly Roundup: April 30, 2021

by Atwood Magazine Staff
Total Brutal
Music, ReviewsApril 29, 2021<April 29, 2021

Review: Total Brutal’s Sun-Soaked “Had a Feeling” Is a Dazzling, Emotional Daydream

by Mitch Mosk
heka
Music, ReviewsApril 29, 2021<April 29, 2021

Review: London’s heka Weaves Intimate Indie Folk Wonders in “(a) dab”

by Mitch Mosk
Artist to Watch, Features, Music, ReviewsApril 29, 2021<February 24, 2025

“I Have Something to Live For”: A Conversation With Glüme

by Adrian Vargas
Sandro Manzon
Music, Reviews, Track-by-TrackApril 29, 2021<April 29, 2021

Solitude, Silence, & Connection: Sandro Manzon Weaves Little Wonders in ‘Mr. Nothing’ EP

by Mitch Mosk
aviv
Columns, Music, Today's SongApril 29, 2021<April 29, 2021

AVIV’s “Black Coffee” Is a Call to Reconcile with the Ones You Don’t Want to Lose

by Dimitra Gurduiala
Breaking The Record 2020
Breaking the Record, Columns, MusicApril 29, 2021<April 28, 2021

Breaking the Record with Roan Yellowthorn, Part 59: “Stranger”

by Guest Writer
Charlotte OC © Maximillian Hetherington
Music, ReviewsApril 28, 2021<April 28, 2021

Charlotte OC’s Bold Songs “Bad Bitch” & “Forest” Offer Stunning Preview of LP 2

by Mitch Mosk
Damen © Anna Mattsson
Music, PremieresApril 28, 2021<April 28, 2021

Premiere: Gothenburg’s Damen Light an Anthemic Fire in “Brightside” off New EP ‘Unemployment, Broken Bones, Death, Baby’

by Mitch Mosk
Gordi © Jess Gleeson
Features, Interviews, MusicApril 28, 2021<October 5, 2021

Reckoning, Identity, & Rediscovery: Gordi Plunges into Personal Depths on Breathtaking ‘Our Two Skins’

by Mitch Mosk
Briston Maroney © Angelina Castillo
Debut, Features, Interviews, MusicApril 28, 2021<April 27, 2021

“Undeniably Beautiful”: Briston Maroney Soars on Debut Album ‘Sunflower’

by Lowndes Commander
Ski Team © Savanna Ruedy
Music, PremieresApril 28, 2021<April 28, 2021

Premiere: Ski Team’s “Photos” Rework Enhances the Rawness Through a Powerful, Delicate Arrangement

by Alicia Bugallo
Regi Angelou
Columns, Music, Today's SongApril 28, 2021<April 27, 2021

Regi Angelou Illuminates Black Power & Eliminates Complacency on “We, the People”

by Ryan Feyre
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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