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Jordan Lehning © Zac Farro
Features, Music, Reviews, Track-by-TrackAugust 19, 2021<March 2, 2025

“Technicolor Fantasy Pop”: The Depths of Jordan Lehning’s Cinematic 4th LP ‘Three Colored Wall’

by Mitch Mosk
Cape Weather © 2021
Music, Premieres, Track-by-TrackAugust 19, 2021<August 19, 2021

“Total Existential Dread”: Cape Weather Shine a Loving Light in ‘HUNNY Vol. 1’ EP

by Mitch Mosk
Kate Dinsmore © Kendall Rock
Music, Premieres, Track-by-TrackAugust 19, 2021<August 19, 2021

Premiere: Kate Dinsmore’s Cathartic New EP ‘Version of Me’

by Mariel Fechik
Eliza Shaddad © Jodie Canwell
Features, Interviews, Music, Reviews, Track-by-TrackAugust 18, 2021<March 2, 2025

Reflection & Rediscovery: Eliza Shaddad Dives into Her Stirring Sophomore LP ‘The Woman You Want’

by Mitch Mosk
Faae © Sydney McKenna
Columns, Music, Today's SongAugust 18, 2021<August 18, 2021

Today’s Song: Faae’s “marsupial” Explores Loss with Poignant, Reflective & Tender Folk

by Mitch Mosk
Little Fuss
Debut, Music, PremieresAugust 18, 2021<August 18, 2021

“A collection of introvert anthems”: Boston’s Little Fuss Premiere Their Debut EP ‘Hazy’

by Mitch Mosk
ZOO © Devyn Glista
Music, PremieresAugust 18, 2021<August 18, 2021

Premiere: Cincinnati’s ZOO Explores Our Irreconcilable Divisions in “Sleeping Dogs”

by Mitch Mosk
Danelle Sandoval © Anna Vorontsova
Interviews, MusicAugust 18, 2021<August 18, 2021

Interview: Los Angeles’ Danelle Sandoval on Not Being Defined by Others & New Single “Go”

by Chloe Robinson
The Steoples © Roman Koval
Interviews, Music, ReviewsAugust 17, 2021<August 18, 2021

“It’s those fleeting moments of transcendence”: Inside The Steoples’ Smoldering & Soulful LP ‘Wide Through The Eyes Of No One’

by Mitch Mosk
Hopefully Limitless by Ah-Mer-Ah-SuHopefully Limitless by Ah-Mer-Ah-Su
Features, Music, Reviews, Track-by-TrackAugust 17, 2021<August 19, 2021

“Crazy, Sexy, & Cool”: Ah-Mer-Ah-Su Shines on Radiant & Revelrous EP ‘Hopefully Limitless’

by Mitch Mosk
Twilight Driving ©️ Sam Shaw
Music, ReviewsAugust 17, 2021<August 17, 2021

Review: Twilight Driving Dwell on Life & Time in Radiant Anthem “Red Room”

by Mitch Mosk
Caroline Polachek © Aidan Zamiri
Columns, Music, Today's SongAugust 17, 2021<August 17, 2021

Today’s Song: Fasten Your Seatbelts, Caroline Polachek Returns with “Bunny Is a Rider”

by Nasim Elyasi
Violette © 2021
Features, Interviews, MusicAugust 17, 2021<August 16, 2021

Interview: Violette’s Mix of Escapism and Intimacy

by Lilly Eason
BUKVE © 2021
Columns, Music, Today's SongAugust 16, 2021<August 16, 2021

Today’s Song: BUKVE’s “Let me go Son” (ft. Firewoodisland) Is an Ethereal & Chilling Debut Single

by Mitch Mosk
Anderson East © Kat Irlin
Features, Interviews, MusicAugust 16, 2021<August 16, 2021

Songs for the End of the World: Searching for the Meaning of Life & Love with Anderson East

by Emily Frances Algar
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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