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Columns, Music, Today's SongSeptember 1, 2021<September 1, 2021

Today’s Song: Young & Sick Manifests Gleeful Charm on Latest Single “CICADAS”

by Adrian Vargas
Alternate Endings - Snowy Band
Track-by-TrackAugust 31, 2021<August 31, 2021

“Equal parts functional and abstract”: Melbourne’s Snowy Band Embraces Space & Sound on Sophomore LP ‘Alternate Endings’

by Mitch Mosk
Scott Sharrard © Danny Clinch
Features, Interviews, MusicAugust 31, 2021<September 21, 2021

Interview: Scott Sharrard Takes Flight with Soulful New Album, ‘Rustbelt’

by Guest Writer
Ty Segall © Denee Segall 8.7
Music, Our Take, ReviewsAugust 31, 2021<August 31, 2021

A String Through Spacetime: Notes on Ty Segall’s ‘Harmonizer’

by Ben Niesen
The Go Rounds © 2021
Columns, Interviews, Music, Today's SongAugust 31, 2021<August 31, 2021

Today’s Song: The Go Rounds’ “Harpees,” a Flawless Chill Indie Single on Their Journey to Fulfillment

by Diego Morales
Pressure Machine - The Killers 9.7
Music, Our Take, ReviewsAugust 31, 2021<February 7, 2022

Our Take: The Killers’ Devastatingly Beautiful, Bittersweet & Breathtaking ‘Pressure Machine’

by Mitch Mosk
Hiss Golden Messenger's M.C. Taylor © Chris Frisina
Features, Interviews, MusicAugust 30, 2021<September 3, 2021

Interview: Hiss Golden Messenger’s Intimate ‘Quietly Blowing It’ Finds Beauty in Fracture, Redemption, Turmoil, & Strength

by Mitch Mosk
MusicAugust 30, 2021<August 30, 2021

Review: Confident Roars & Energized Melodies Uplift Suzanne Santo’s ‘Yard Sale’

by Adrian Vargas
Soft Focus - Hotel Fiction
Debut, Features, Music, Reviews, Track-by-TrackAugust 30, 2021<August 31, 2021

“Nostalgic, Hopeful, Dynamic”: Hotel Fiction Revel & Reflect in Dazzling Debut Album ‘Soft Focus’

by Mitch Mosk
Features, Interviews, MusicAugust 30, 2021<September 7, 2021

Welcome Back: Brasstracks On Departure from Label, New Era, and New Directions

by Mariel Fechik
Boy! Racer © Joshua Fletcher
Music, ReviewsAugust 30, 2021<August 30, 2021

Today’s Song: Boy! Racer Is Nostalgic & Refreshing on “Don’t Know What You’re Missing”

by Bethan Harper
In My Mind - Lyn Lapid
Columns, Music, Today's SongAugust 27, 2021<August 27, 2021

Today’s Song: Lyn Lapid’s Quiet Girl Anthem “In My Mind”

by Kelly McCafferty Dorogy
Atwood Magazine's Weekly Roundup | August 27, 2021
Columns, Features, Music, Weekly RoundupAugust 27, 2021<August 27, 2021

Atwood Magazine’s Weekly Roundup: August 27, 2021

by Atwood Magazine Staff
Jango Flash © Adam Thirtle
Music, ReviewsAugust 26, 2021<August 26, 2021

Jango Flash’s “My Mercedes” Is Loud, Feverish, & Raw Indie Rock

by Mitch Mosk
Anika © Sven Gutjahr
Music, ReviewsAugust 26, 2021<August 26, 2021

A Casual Ramble: Optimism, Absurdism, ‘Change’ and Anika

by Ben Niesen
Posts pagination
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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