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Final Act - Aquagie 10
Debut, Features, Interviews, Music, Our TakeApril 22, 2021<October 5, 2021

Interview: Boston’s Aquagie Soars on His Stunning, Stadium-Sized Apocalyptic Debut ‘Final Act’

by Mitch Mosk
Blonde Otter - Blonde Otter
Columns, Music, PremieresApril 22, 2021<April 22, 2021

Album Premiere: Indie Rockers Blonde Otter Mix Fun with Sadness on Self-Titled Debut

by Ethan James
purge the poison
Columns, Music, Today's SongApril 22, 2021<April 22, 2021

Today’s Song: MARINA’s “Purge the Poison” Is an Anthem We Should All Take to Heart

by Dimitra Gurduiala
Almost Sex © Trevor Brenden
Music, PremieresApril 22, 2021<April 22, 2021

Premiere: Almost Sex Reckon with Connection & Distance in “Eye to Eye”

by Mitch Mosk
Jauz & HALIENE
MusicApril 22, 2021<August 3, 2021

With “Oceans & Galaxies,” Jauz & HALIENE Are Celebrating Earth Day in High EDM Style

by Josh Weiner
W.L. - The Snuts
Debut, Features, Interviews, Music, Reviews, Track-by-TrackApril 22, 2021<April 21, 2021

Interview: The Snuts Are Giving the Indie Scene an Overhaul with Their No. 1 Record, ‘W.L.’

by Bethan Harper
No Hard Feelings EP - Pure Intruders
Debut, Features, Music, Reviews, Track-by-TrackApril 21, 2021<April 21, 2021

“Inviting, Confronting, & Rewarding”: Pure Intruders Weave a Warm & Tender Tapestry in Debut EP ‘No Hard Feelings’

by Mitch Mosk
Remember Sports © Sonia Kiran
Features, Interviews, MusicApril 21, 2021<April 21, 2021

Interview: Remember Sports Face “Super Daunting” Life Choices on ‘Like a Stone’

by James Crowley
Written & Directed
Features, Interviews, MusicApril 21, 2021<April 21, 2021

Interview: Black Honey Empower with Cinematic Sophomore Album ‘Written & Directed’

by Dimitra Gurduiala
Coma Culture © Kelly Victoria
Music, PremieresApril 21, 2021<April 21, 2021

Premiere: Coma Culture Soar with Buoyant Bliss on Sophomore Single “In Love”

by Mitch Mosk
Charm of Finches © Laura May Grogan
Music, PremieresApril 21, 2021<April 22, 2021

Premiere: Charm of Finches’ Wistful & Wondrous “Treading Water” Captures the Haunting Weight of Goodbye

by Mitch Mosk
lowloh © 2021
Music, PremieresApril 21, 2021<April 22, 2021

Premiere: lewloh Shines on His Heart-on-Sleeve Confessional “summer boy”

by Mitch Mosk
Columns, Music, Today's SongApril 21, 2021<April 21, 2021

Today’s Song: Yuki Dreams Again Chases Girls & Delivers the Cross-Genre Goods on Third Single “Cold World”

by Josh Weiner
Saint Raymond
Interviews, MusicApril 20, 2021<April 20, 2021

Interview: ‘We Forgot We Were Dreaming’ Is the Record That Taught Saint Raymond How to Trust Himself

by Bethan Harper
yey © 2021
Columns, Music, Today's SongApril 20, 2021<April 20, 2021

Today’s Song: yey Hypnotizes ‘Til the Break of “Dawn” on Her Expressive Third Single

by Dimitra Gurduiala
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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