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Raine Hamilton © Megan Steen
Music, PremieresJune 17, 2021<June 17, 2021

Premiere: Raine Hamilton Shows Up & Shines in “Love Has Come for Me,” an Anthem of Radical Self-Love

by Mitch Mosk
Night Beats © Hamilton Boyce
Interviews, MusicJune 17, 2021<June 17, 2021

Interview: One-Man Band Night Beats Tests the Waters of ‘Outlaw R&B’ on Fifth LP

by Josh Weiner
Durand Jones & The Indications "Love Will Work It Out" © Weird Life
Music, ReviewsJune 16, 2021<June 16, 2021

Durand Jones & The Indications Inject Passion, Faith & Soul into Smoldering Song “Love Will Work It Out”

by Mitch Mosk
Mumble Tide © 2021
Music, ReviewsJune 16, 2021<June 16, 2021

“A Big Noisy Casserole”: Bristol’s Mumble Tide Are Unleashed in “Sucker”

by Mitch Mosk
Charles on TV © Anable Simotas
Interviews, MusicJune 16, 2021<June 16, 2021

Interview: Charles on TV Floats Wild Metaphors on New Single “Golden Alligator”

by Ethan James
Lucy Kruger © Laura Carbone
Music, Music Videos, PremieresJune 16, 2021<June 16, 2021

Premiere: In “Warm II,” Lucy Kruger & The Lost Boys Finds Magic in the Madness of Love

by Mitch Mosk
Kate Vargas
Essays, MusicJune 16, 2021<June 16, 2021

“Self-Help Is an Oxymoron”: An Essay by Kate Vargas

by Guest Writer
Ellie Dixon © Kosha Karnad
Columns, Music, Reviews, Today's SongJune 16, 2021<October 7, 2022

Review: Ellie Dixon’s “Green Grass” Is a Playful, Irresistibly Sweet Take on Existential Crisis

by Mitch Mosk
Andy Cortes
Debut, Music, ReviewsJune 15, 2021<June 15, 2021

Surrey Singer/Songwriter Andy Cortes Radiates Love in Debut Single “Vaporised”

by Mitch Mosk
Interviews, MusicJune 15, 2021<June 15, 2021

Interview: Mat Zo Reflects on a Near-Decade of Transatlantic Electronica Production

by Josh Weiner
Scott Helman © 2021
Music, ReviewsJune 15, 2021<June 15, 2021

Review: Scott Helman’s Anthemic “Old Friends” Explodes with Passion & Reckless Abandon

by Mitch Mosk
AUGUST 08 © 2021
Features, Interviews, MusicJune 15, 2021<June 15, 2021

“I’m forever open”: AUGUST 08 Dives into the Stunning Depths of His Intimate & Vulnerable ‘EMOTIONAL CUH’

by Mitch Mosk
Wilby © Bennett Littlejohn
Artist to Watch, Debut, Music, PremieresJune 15, 2021<June 15, 2021

Artist to Watch: Wilby’s Debut EP ‘Translucent Beauty’ Embraces Vulnerability & Catchy, Intimate Indie Pop

by Mitch Mosk
Columns, Music, Today's SongJune 15, 2021<June 15, 2021

Today’s Song: How Jessie Paege Encourages Healing with “History Will Not Repeat”

by Dimitra Gurduiala
Alfa Mist © Johny Pitts
Music, ReviewsJune 15, 2021<August 16, 2024

Review: Alfa Mist Finds Feet & Faces Fears of Failure on Fourth LP ‘Bring Backs’

by Adam Davidson
Posts pagination
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Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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