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Music, ReviewsAugust 16, 2021<August 16, 2021

Review: Black Sands Mourns the Loss of His Sister in ‘Afterglow’

by Joe Beer
Bendigo Fletcher © Richie Wireman
Debut, Features, Music, Reviews, Track-by-TrackAugust 13, 2021<August 13, 2021

“Attention. Deficit. Disorder.”: Bendigo Fletcher Enjoy ‘Fits of Laughter’ on Dazzling Debut Album

by Mitch Mosk
Atwood Magazine's Weekly Roundup | August 13, 2021
Columns, Features, Music, Weekly RoundupAugust 13, 2021<August 13, 2021

Atwood Magazine’s Weekly Roundup: August 13, 2021

by Atwood Magazine Staff
Music, ReviewsAugust 13, 2021<August 13, 2021

Review: Kississippi Will Show You Every Color Of The ‘Mood Ring’

by James Crowley
M.A.G.S.
Features, Music, Reviews, Track-by-TrackAugust 13, 2021<August 13, 2021

“A F*cking Classic”: M.A.G.S. Dives into His Fearless & Unapologetic Sophomore Album ‘Say Things That Matter’

by Mitch Mosk
Bean on Toast
Books, Music, ReviewsAugust 13, 2021<August 17, 2021

Book Review: Beans on Toast Brings Trademark Humility and Humour to the Page on Foolhardy Folk Tales

by Oliver Crook
Luke Hemmings © Davis Bates
Debut, Features, Interviews, MusicAugust 13, 2021<October 5, 2021

“Quite a drama”: 5SOS’s Luke Hemmings Shines on Intimate & Breathtaking Solo Album ‘When Facing the Things We Turn Away From’

by Mitch Mosk
KEANA
Columns, Music, Today's SongAugust 13, 2021<August 13, 2021

Today’s Song: KEANA Finds Comfort in Her Vision of a World of Relaxation with “Lilac”

by Chloe Robinson
Arlie © 2021
Music, ReviewsAugust 12, 2021<August 12, 2021

Review: Arlie’s “poppin” New Single Is a Buoyant & Poignant Embrace of Vulnerability

by Mitch Mosk
The Crystal Casino Band © 2021
Features, Music, Reviews, Track-by-TrackAugust 12, 2021<March 2, 2025

“Catchy, Relatable, & Polished”: The Crystal Casino Band (form. The Colonies) Light Up with Radiant LP, ‘Not About You’

by Mitch Mosk
Hippo Campus © Brit O'Brien
Features, Interviews, Music, Track-by-TrackAugust 12, 2021<October 5, 2021

Interview with Hippo Campus: “It’s Okay to Laugh with Your Demons”

by Kelly Liu
The Bots
Columns, Music, Today's SongAugust 12, 2021<August 12, 2021

Today’s Song: The Bots’ “Girl Problems” Is a Bright, Buoyant Burst of Indie Rock

by Mitch Mosk
Saint Sister © Ellius Grace
Features, Interviews, MusicAugust 12, 2021<August 12, 2021

Interview: Ireland’s Saint Sister on Their Radiant, Reflective Sophomore Album ‘Where I Should End’

by Mitch Mosk
girlhouse © 2021
Music, ReviewsAugust 11, 2021<August 11, 2021

Review: girlhouse Channels Dark, Intimate & Intense Emotions into New Single “happy now”

by Mitch Mosk
Anthonie Tonnon
Features, Music, Reviews, Track-by-TrackAugust 11, 2021<August 11, 2021

“Subtropical Post-Industrial Urbanism”: Anthonie Tonnon Dives into Vast, New LP, ‘Leave Love Out of This’

by Mitch Mosk
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Brand New

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard”
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

:: discover something new ::

Recent Posts

  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
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