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Interviews, MusicMay 4, 2021<May 4, 2021

The Balance of Solitude & Loneliness: A Conversation with Luwten

by Adrian Vargas
Junaco © Nicole Mason
Asian American and Pacific Islander Heritage Month, EditorialsMay 4, 2021<May 4, 2021

“Imaginary Lines”: An Essay by Junaco’s Shahana Jaffer

by Guest Writer
Echo Bloom © Lissyelle Laricchia
Music, PremieresMay 4, 2021<May 4, 2021

Brooklyn’s Echo Bloom Reckon with the American Dream in “Don’t You Want to Be Loved”

by Mitch Mosk
Debut, Music, ReviewsMay 4, 2021<January 30, 2024

Review: Baby Boys Kick Down the Doors with Debut Album ‘Threesome’

by Nasim Elyasi
Columns, Music, Today's SongMay 4, 2021<May 4, 2021

Today’s Song: Los Angeles’ SLUGS Are Colorful and Wild in New Single “I Could Do Better”

by Joe Beer
White Water - Alex Lleo © Marc MacNab-Jack
Artist to Watch, Music, PremieresMay 4, 2021<May 4, 2021

Alex Lleo’s Breathtaking Song “White Water” Flows with Stormy, Stirring Serenity

by Mitch Mosk
Bellman © Line Loholt
Music, ReviewsMay 3, 2021<May 3, 2021

Bellman Shines a Light on the Darker Side of Life in “Let Somebody In (369)”

by Mitch Mosk
Rosegold - Ashley Monroe
Features, Interviews, MusicMay 3, 2021<May 15, 2021

Interview: What Happens When Freedom & Joy Collide? Ashley Monroe on Her Genreless Album ‘Rosegold’ and Embracing Her Sensual Side

by Emily Frances Algar
Yola © Joseph Ross Smith
Columns, Music, Today's SongMay 3, 2021<May 3, 2021

Yola’s Anthemic “Diamond Studded Shoes” Is an Energizing & Charged Call to Action

by Mitch Mosk
Greta Van Fleet © Matthew Daniel Siskin (L-R: Danny Wagner, Jake Kiszka, Josh Kiszka, Sam Kiszka)
Features, Interviews, MusicMay 3, 2021<October 5, 2021

Interview: Josh Kiszka on Greta Van Fleet, ‘The Battle at Garden’s Gate’, and the Infosonicosm

by Lilly Eason
Rosie Tucker © May Daniels
Features, Interviews, MusicMay 3, 2021<May 3, 2021

Interview: Rosie Tucker Welcomes Us into Coming-of-Age Album ‘Sucker Supreme’

by Dimitra Gurduiala
girl in red © Jonathan Kise
Debut, Features, Interviews, MusicApril 30, 2021<October 5, 2021

Guard’s Down, Heart’s Out: A Conversation with girl in red

by Nicole Almeida
Surprise, Surprise - Savannah Conley
Features, Interviews, Music, Reviews, Track-by-TrackApril 30, 2021<June 13, 2023

“Surprise, Surprise”: Savannah Conley Shines with Stirring Strength & Stunning Depth on New EP

by Mitch Mosk
Blake Layman © Alex Gore
Music, Music Videos, PremieresApril 30, 2021<April 30, 2021

Premiere: Charlottesville’s Blake Layman Stuns with Quietly Charming “Unhistoric Acts”

by Mitch Mosk
Jesse Beaman © Kate Meyer
Features, Interviews, MusicApril 30, 2021<April 30, 2021

Jesse Beaman’s New Album ‘Mira’ Is a Sonic Monument to Being Patient & Trusting the Process

by Diego Morales
Posts pagination
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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