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daysormay © Eli Garlick
Columns, Today's SongJune 24, 2021<June 24, 2021

Today’s Song: daysormay’s “Ego” Explores the Human Mind in a Fascinating, Catchy Way

by Dimitra Gurduiala
Gracie and Rachel
Music, PremieresJune 24, 2021<April 25, 2023

EP Premiere: Gracie and Rachel’s Hushed & Hauntingly Intimate ‘a whisper becomes a shout’ EP

by Mitch Mosk
JORDI - Maroon 5 7
Music, Our Take, ReviewsJune 24, 2021<June 23, 2021

Our Take: Maroon 5 Return with a Mostly Stellar Seventh Record on ‘JORDI’

by Josh Weiner
The Roots © Dominic Digiorgio
Features, Music, ReviewsJune 24, 2021<October 5, 2021

Back for More: The Roots’ ‘Do You Want More?!!!??!’ Will Last Forever

by Oliver Crook
Tadhg Daly
Music, ReviewsJune 23, 2021<June 23, 2021

Trauma & Passion Radiate in Tadhg Daly’s Intimate Outpouring “Your Heart’s Not In It”

by Mitch Mosk
Pixie's Parasol - Smith & Thell
Features, Music, Reviews, Track-by-TrackJune 23, 2021<June 23, 2021

“Lost in space”: Smith & Thell Stun, Stir, & Soar in Sophomore LP ‘Pixie’s Parasol’

by Mitch Mosk
Features, Interviews, Music, ReviewsJune 23, 2021<February 7, 2022

Borrowed Time Machine: Fousheé on Time Travel, Genre Bending, & Debut Project ‘time machine’

by Mariel Fechik
Declan Welsh & The Decadent West © Sedona May
Music, ReviewsJune 23, 2021<June 23, 2021

Declan Welsh & The Decadent West’s Raw, Wry, & Roaring Anthem “Parisian Friends”

by Mitch Mosk
Tim Atlas © Maya Fuhr
Music, ReviewsJune 23, 2021<June 23, 2021

Review: Tim Atlas’ Love-Soaked “Courtside” Is an Enchanting Sonic Daydream

by Mitch Mosk
Deafheaven © George Clarke
Columns, Music, Today's SongJune 23, 2021<June 21, 2021

Today’s Song: Deafheaven Turn a New Leaf with ‘Great Mass of Color’

by James Crowley
Porlolo © Irvin Coffee
Features, Music, Reviews, Track-by-TrackJune 22, 2021<June 22, 2021

“Melodic, Authentic, Relatable”: Denver’s Porlolo Shines on Radiant ‘No Praise, No Blame’ EP

by Mitch Mosk
MISSIO © 2021
Features, Interviews, MusicJune 22, 2021<July 15, 2021

Interview: MISSIO’s ‘Skeletons: Part 3’ Takes You From a Whisper, to a Cackle, to a Scream

by Ilana Kalish
Blue - Joni Mitchell
Columns, Essays, Music, Nostalgia TracksJune 22, 2021<June 22, 2021

Nostalgia Tracks: Celebrating 50 Years of Joni Mitchell’s ‘Blue’

by Nasim Elyasi
DEWAYNE © Jordan Knight
Debut, Features, Music, Reviews, Track-by-TrackJune 22, 2021<June 22, 2021

“Liberation, Raw, Urgent”: DE’WAYNE Goes Track-by-Track Through Unapologetic, Explosive Debut ‘STAINS’

by Mitch Mosk
Sons Of The East © Pat O’Hara
Music, PremieresJune 22, 2021<June 22, 2021

Premiere: Sydney’s Sons of the East Soar in “Fool Me,” a Sweet & Jangling Singalong

by Mitch Mosk
Posts pagination
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Brand New

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning

:: discover something new ::

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
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