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Coconut Cream © Hudson Reed
Columns, Music, Today's SongJune 10, 2021<June 10, 2021

Today’s Song: Sydney’s Coconut Cream Dazzle & Charm in Their Dynamic Single “Your Drug on Computers”

by Mitch Mosk
Wy © Lamia Karic
Features, Music, Reviews, Track-by-TrackJune 10, 2021<June 10, 2021

“Raw & Vulnerable, Yet Confident”: Wy’s Irresistibly Intimate & Stirring Third Album ‘Marriage’

by Mitch Mosk
Seint Monet © Daniel Chaney & Kathryn Chaney
Music, PremieresJune 10, 2021<July 13, 2021

Seint Monet’s Irresistible “In Line & In Love” Is a Sweet, Sun-Soaked Seduction

by Mitch Mosk
Shakey Graves © Magen Buse
Features, Interviews, MusicJune 10, 2021<July 2, 2021

The Questing Beast: Ten Years of Shakey Graves & ‘Roll the Bones’

by Mariel Fechik
EXODUS 1:7 - DMX 7.5
Music, Our Take, ReviewsJune 10, 2021<June 10, 2021

Our Take: DMX Sounds His Final Bark on ‘EXODUS 1:7’

by Josh Weiner
Evan Greer - Spotify is Surveillance
Features, Interviews, MusicJune 10, 2021<June 10, 2021

Interview: Evan Greer Reimagines the World on ‘Spotify Is Surveillance’

by Oliver Crook
Kramies x Grant Wilson
MusicJune 9, 2021<June 9, 2021

Kramies & Grant Wilson Hunt Old Ghosts in New Songs “Oak and the Ivy” & “Goodbye Garden”

by Mitch Mosk
New Woman - lùisa
Features, Interviews, MusicJune 9, 2021<June 9, 2021

Grief, Grooves, & Growth: Lùisa Soars on Intimate & Empowering Third Album ‘New Woman’

by Mitch Mosk
Oceans - YAYME
Debut, Music, PremieresJune 9, 2021<June 9, 2021

Premiere: The Haunting Depths of YAYME’s Tranquilizing, Dreamy Debut Single “Oceans”

by Mitch Mosk
Columns, Music, Today's SongJune 9, 2021<June 9, 2021

Today’s Song: Vicu Brings Us Summer Love in “Focused On You”

by Joe Beer
Wrabel © Yazz Alali
Features, Interviews, MusicJune 9, 2021<June 9, 2021

Interview: Wrabel’s Star Shines on “good” & “nothing but the love”

by Mitch Mosk
Orla Gartland © Karina Barberis
Debut, Features, Interviews, MusicJune 9, 2021<June 9, 2021

Coming of Age As a “Woman on the Internet”: In Conversation with Orla Gartland

by Nina Schaarschmidt
The Bitter Truth - Evanescence 8.3
Music, Our Take, ReviewsJune 8, 2021<June 8, 2021

Our Take: Evanescence Dazzle Like the Seasoned Rock Veterans They Are on ‘The Bitter Truth’

by Josh Weiner
Interviews, MusicJune 8, 2021<June 8, 2021

The Pains & Triumphs of Sincerity: A Conversation with Babehoven

by Adrian Vargas
Charles Copley © Mimi Raver
Music, ReviewsJune 8, 2021<June 8, 2021

Review: Searching for Meaning in Charles Copley’s Haunting & Hopeful Song, “Cedars 6S66”

by Mitch Mosk
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Brand New

  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’

:: discover something new ::

Recent Posts

  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
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