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Written & Directed
Features, Interviews, MusicApril 21, 2021<April 21, 2021

Interview: Black Honey Empower with Cinematic Sophomore Album ‘Written & Directed’

by Dimitra Gurduiala
Coma Culture © Kelly Victoria
Music, PremieresApril 21, 2021<April 21, 2021

Premiere: Coma Culture Soar with Buoyant Bliss on Sophomore Single “In Love”

by Mitch Mosk
Charm of Finches © Laura May Grogan
Music, PremieresApril 21, 2021<April 22, 2021

Premiere: Charm of Finches’ Wistful & Wondrous “Treading Water” Captures the Haunting Weight of Goodbye

by Mitch Mosk
lowloh © 2021
Music, PremieresApril 21, 2021<April 22, 2021

Premiere: lewloh Shines on His Heart-on-Sleeve Confessional “summer boy”

by Mitch Mosk
Columns, Music, Today's SongApril 21, 2021<April 21, 2021

Today’s Song: Yuki Dreams Again Chases Girls & Delivers the Cross-Genre Goods on Third Single “Cold World”

by Josh Weiner
Saint Raymond
Interviews, MusicApril 20, 2021<April 20, 2021

Interview: ‘We Forgot We Were Dreaming’ Is the Record That Taught Saint Raymond How to Trust Himself

by Bethan Harper
yey © 2021
Columns, Music, Today's SongApril 20, 2021<April 20, 2021

Today’s Song: yey Hypnotizes ‘Til the Break of “Dawn” on Her Expressive Third Single

by Dimitra Gurduiala
CANNXN © Julie Lopez-Acosta
Debut, Music, PremieresApril 20, 2021<April 20, 2021

Premiere: CANNXN Lights a Burning Fire in Debut EP ‘Will I Always Feel This Way?’

by Mitch Mosk
Slow Down - Gilligan Moss
Music, ReviewsApril 20, 2021<April 20, 2021

Brooklyn’s Gilligan Moss Shine with Feel-Good Grooves on Summery “Slow Down” & Self-Titled Debut

by Mitch Mosk
Cheer Captain - Charli Adams
Features, Interviews, MusicApril 19, 2021<October 5, 2021

“I’m a people pleaser, but I don’t want to be her”: Charli Adams Dives into Her Liberating Anthem “Cheer Captain”

by Mitch Mosk
Lucy Dacus © Marin Leong
Columns, Music, Today's SongApril 19, 2021<April 19, 2021

Today’s Song: “Thumbs” Is Lucy Dacus’ Ultimate Statement as a Storyteller

by Nicole Almeida
glimmers © Sophie Harris
Features, Interviews, MusicApril 19, 2021<April 27, 2021

Interview: Glimmers Make Cinematic Magic on Concept EP ‘Worlds Apart’

by Lowndes Commander
Features, Music, Weekly RoundupApril 16, 2021<March 25, 2022

Atwood Magazine’s Weekly Roundup: April 16, 2021

by Atwood Magazine Staff
Music, Reviews, Track-by-TrackApril 16, 2021<April 16, 2021

The Journey’s End: A Track-By-Track Review of Son Lux’s ‘Tomorrows III’

by Adrian Vargas
Interviews, MusicApril 16, 2021<April 16, 2021

Interview: Nisa’s Debut EP ‘Guilt Trip’ Finds Beauty in the Process of Self-Acceptance

by Lowndes Commander
Posts pagination
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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