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Giulia © Victoria Munoz
Music, PremieresApril 13, 2021<April 13, 2021

Premiere: Giulia.’s Sweet “Lucky Ones” Is an Ode to Finding Beauty in Darkness

by Mitch Mosk
Markéta Irglová
Columns, Music, Today's SongApril 13, 2021<April 9, 2021

Today’s Song: Markéta Irglová Holds Death in Her Embrace with “Among the Living”

by Nasim Elyasi
Flyte © Jan Philipzen
Features, Interviews, MusicApril 13, 2021<August 25, 2023

“Written in a Dark Cave, Recorded in the Sunshine”: Flyte Sink & Soar on ‘This Is Really Going to Hurt’

by Mitch Mosk
Caoilfhionn Rose © Emily Dennison
Features, Music, Reviews, Track-by-TrackApril 12, 2021<April 14, 2021

“Hopeful, Vibrant, & Vivid”: Caoilfhionn Rose Blossoms on Tender & Smoldering Sophomore LP ‘Truly’

by Mitch Mosk
Cattle in the Sky - Hounds 9.6
Features, Music, Our Take, Reviews, Track-by-TrackApril 12, 2021<April 13, 2021

Feature: St. Louis’ Hounds Seize the Day on Sophomore LP ‘Cattle in the Sky’

by Mitch Mosk
The Lighthouse and the Whaler
Features, Interviews, MusicApril 12, 2021<April 9, 2021

Interview: The Lighthouse and the Whaler Are Back with Cheerful, Nostalgic Single “When We Meet”

by Dimitra Gurduiala
Satomimagae © Mana Hirak
Columns, Music, Today's SongApril 12, 2021<April 9, 2021

Today’s Song: Satomimagae Combines Dark Folk & Ambient Atmospheres in “Houkou”

by Diego Morales
The Dirty Nil © Sam Tomlinson
Music, Reviews, Today's SongApril 10, 2021<April 9, 2021

Today’s Song: The Dirty Nil End the Night with “One More and the Bill”

by James Crowley
NYIKO © Niles Gregory 8
Debut, Music, Our Take, ReviewsApril 9, 2021<April 9, 2021

Our Take: Love Is Creation on NYIKO’s Debut Album ‘Honesty’

by Anthony Kozlowski
Sociopath - Olivia O'Brien
Interviews, MusicApril 9, 2021<May 7, 2021

“Sociopath”: Olivia O’Brien Goes Behind the Scenes of Her Thrilling New Song & Horror Film

by Mitch Mosk
Atwood Magazine's Weekly Roundup April 9, 2021
Features, Music, Weekly RoundupApril 9, 2021<April 9, 2021

Atwood Magazine’s Weekly Roundup: April 9, 2021

by Atwood Magazine Staff
Interviews, Music, ReviewsApril 9, 2021<April 9, 2021

The Power of Vulnerability: A Conversation With Marie Naffah

by Adrian Vargas
Music, ReviewsApril 9, 2021<April 9, 2021

Review: Spirit of the Beehive Become One with the Ether on ‘ENTERTAINMENT, DEATH’

by Sophie Prettyman-Beauchamp
Cujo Moon © Rae Mercedes
Music, Reviews, Track-by-TrackApril 9, 2021<April 9, 2021

“Reflecting. Accepting. Healing.”: Cujo Moon Weaves Worlds of Wonder in ‘Bridges II’ EP

by Mitch Mosk
Stealth
Debut, Music, Reviews, Track-by-TrackApril 9, 2021<April 9, 2021

“Soul Blues Goodness”: Stealth Soars in His Smoldering Debut Album ‘Bury Me’

by Mitch Mosk
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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