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Abby Holliday
Music, PremieresMay 19, 2021<May 19, 2021

Artist to Watch: Abby Holliday Soars in Stunning Second Single “8 Hours”

by Mitch Mosk
Laica © Cooper Leith
Music, ReviewsMay 18, 2021<May 18, 2021

Review: LA’s Laica Soars with Radiantly Seductive Songs “Childish” & “Sanctuary”

by Mitch Mosk
Jak Lvr © Milly Hutchcraft
Music, PlaylistsMay 18, 2021<May 18, 2021

Playlist: Teesside’s jak lvr Celebrates North East England’s Indie Scene

by Guest Writer
Atwood Magazine Celebrates AAPI Heritage Month II
Asian American and Pacific Islander Heritage Month, Features, MusicMay 18, 2021<May 27, 2021

Atwood Magazine Celebrates AAPI Heritage Month 2021, Pt. II

by Atwood Magazine Staff
B[1] - Maya B
Debut, Features, Music, Reviews, Track-by-TrackMay 18, 2021<May 18, 2021

“No. Bull. Sh*t.”: Maya B Goes Track-by-Track Through Her Multidimensional Debut EP, ‘B[1]’

by Mitch Mosk
Jake Manzi © Taylor Thompson 9.3
Debut, Features, Music, Our Take, Reviews, Track-by-TrackMay 18, 2021<May 18, 2021

Singer/Songwriter Jake Manzi Spellbinds on Classic Debut Album ‘Whatever My Heart Allows’

by Mitch Mosk
Columns, Music, Today's SongMay 18, 2021<May 18, 2021

Today’s Song: I’m Invokes Nostalgia and Grooves With “Back Seat Memory”

by Nick Matthopoulos
GoldenOak © Elizabeth Leclair
Music, PremieresMay 18, 2021<May 18, 2021

Premiere: GoldenOak’s “These Old Shoes” Confronts the Climate Crisis with Wondrous Folk

by Mitch Mosk
The Trusted © 2021
Music, ReviewsMay 17, 2021<May 17, 2021

The Trusted’s “Rebel Song” Is a Spirited & Anthemic Uproar

by Mitch Mosk
Charity Children © Caroline Mackintosh
Music, ReviewsMay 17, 2021<May 17, 2021

Charity Children’s Beautifully Bittersweet “We Loved” Celebrates Love Come & Gone

by Mitch Mosk
Dodie © Parri Thomas
Debut, Features, Interviews, MusicMay 17, 2021<May 20, 2021

Feature: ‘Build a Problem’ Introduces a New Side of dodie: The Real One

by Nasya Blackshear
"Love Is..." - Saint Joshua
Columns, Music, Today's SongMay 17, 2021<May 17, 2021

Today’s Song: London’s Saint Joshua Captures the Magic of Intimacy in “Love Is…”

by Mitch Mosk
Evalyn © 2021
Interviews, MusicMay 17, 2021<May 17, 2021

Interview: Evalyn Shares How Mental Health and Mindfulness Manifest In ‘I Love You, Keep Going Pt. 1’

by Guest Writer
Krantz © 2021
Music, PremieresMay 17, 2021<May 17, 2021

Premiere: KRANTZ Takes Us to the “Beach” in Summery Single

by Mitch Mosk
Pattern Pusher © 2021
Music, PremieresMay 17, 2021<May 17, 2021

Premiere: “Come Along” with Pattern Pusher’s Funky, Feel-Good Summer Soundtrack

by Mitch Mosk
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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