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Tyne-James Organ
Debut, Features, Music, Reviews, Track-by-TrackMay 21, 2021<May 21, 2021

“Emotional, Real, & Raw”: Tyne-James Organ Dives into Debut Album ‘Necessary Evil’

by Mitch Mosk
Mannequin Pussy © Phobymo
Features, Interviews, MusicMay 21, 2021<May 21, 2021

“We Want to Be a Band for the Future”: A Conversation with Mannequin Pussy’s Marisa Dabice

by Sophie Prettyman-Beauchamp
slenderbodies
Features, Interviews, MusicMay 21, 2021<May 21, 2021

Interview: On ‘are we?’, slenderbodies Push Their Boundaries to Explore Who (and What) They Are

by Jason Brillon
Livingmore © Joseph Cultice
Music, Reviews, Track-by-TrackMay 21, 2021<May 21, 2021

Track-by-Track: Dance Your Problems Away with Livingmore’s Sophomore LP ‘Take Me’

by Mitch Mosk
Litany © 2021
Artist to Watch, Music, ReviewsMay 20, 2021<May 20, 2021

Litany Tackles Love & Depression in Breathtakingly Bittersweet Song “Cream”

by Mitch Mosk
Still Broke - Samm Henshaw
Artist to Watch, Music, ReviewsMay 20, 2021<May 20, 2021

Artist to Watch: Samm Henshaw Radiates with Rich Sounds in “Still Broke” ft. Keyon Harrold

by Mitch Mosk
Tuvaband
Music, Music Videos, PremieresMay 20, 2021<May 20, 2021

Video Premiere: Tuvaband Stirs Consciences with Powerful Piece “Irreversible”

by Dimitra Gurduiala
RVRSIDE
Music, Premieres, Track-by-TrackMay 20, 2021<May 20, 2021

“Bold, Quirky, & Dark”: RVRSIDE Channel the Spirit of the ’90s in ‘Bullet with Butterfly Clips’ EP

by Mitch Mosk
varley
Columns, Music, Today's SongMay 20, 2021<May 20, 2021

Today’s Song: Varley Answer with Irony to Unsolicited Advice with “Push Pull”

by Dimitra Gurduiala
Atwood Magazine Celebrates AAPI Heritage Month III
Asian American and Pacific Islander Heritage Month, Features, MusicMay 20, 2021<May 27, 2021

Atwood Magazine Celebrates AAPI Heritage Month 2021, Pt. III

by Atwood Magazine Staff
MAUMAUMAU © Lucila Muriel
Debut, Features, Music, Premieres, Reviews, Track-by-TrackMay 20, 2021<May 20, 2021

“Fun, Vulnerable, & Left-of-Center”: MAUMAUMAU Dives into Soaring Debut EP ‘Meow Meow Meow’

by Mitch Mosk
SYCCO © Brianna Da Silva
Music, PremieresMay 20, 2021<May 20, 2021

Premiere: Brisbane’s Sycco Exudes Glittering Confidence in “Time’s Up”

by Maggie McHale
Holly Humberstone © Jordan Curtis-Hughes
Artist to Watch, Music, ReviewsMay 19, 2021<December 30, 2021

Holly Humberstone’s Radiant “The Walls Are Way Too Thin” Reckons with Turmoil & Disarray

by Mitch Mosk
Joy Oladokun © Nolan Knight
Artist to Watch, Features, Interviews, MusicMay 19, 2021<October 1, 2021

Bridging the Spiritual and the Physical: A Conversation with Joy Oladokun

by Mitch Mosk
Grace Aimi © ARISAK
Columns, Music, Today's SongMay 19, 2021<May 19, 2021

Today’s Song: Grace Aimi Paints a Colorful Confessional in “Rainbow” Off Debut EP ‘PICNIC’

by Mitch Mosk
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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