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One With Shade
Interviews, MusicMay 27, 2021<January 24, 2023

Interview: One With Shade Gets Personal Talking Mental Health & Dealing with Those Difficult Emotions

by Chloe Robinson
Sharon Cho
Asian American and Pacific Islander Heritage Month, InterviewsMay 27, 2021<May 28, 2021

Interview: Duran Duran Co-Manager Sharon Cho Shares Her Story & Korean Culture for AAPI Heritage Month

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicMay 27, 2021<May 27, 2021

Breaking the Record with Roan Yellowthorn, Part 61: The End is Here

by Guest Writer
Dreamer Boy © Adam Alonzo
Features, Interviews, MusicMay 27, 2021<May 27, 2021

Interview with Dreamer Boy: Loved-Up and Under the Sun

by Kelly Liu
Tyler Shaw © Young Astronauts
Columns, Interviews, Music, Today's SongMay 27, 2021<May 26, 2021

Interview: With “Be Like You,” Tyler Shaw Takes on Love from a Fresh, Raw Perspective

by Mitch Mosk
TOLEDO © James Lynch
Features, Music, Reviews, Track-by-TrackMay 26, 2021<May 27, 2021

“Quick and Dirty”: TOLEDO’s Stirring ‘Jockeys of Love’ EP Is a Wondrous Indie Folk Daydream

by Mitch Mosk
JJ JJ Wilde © Sandra Lee © Sandra Lee
Features, Music, Reviews, Track-by-TrackMay 26, 2021<May 26, 2021

“Honest, Expressive, & Personal”: JJ Wilde Ignites on Radiant & Feverish ‘Wilde’ EP

by Mitch Mosk
Wink - CHAI
Music, ReviewsMay 26, 2021<May 27, 2021

Review: CHAI Embark on Adventures Close to Home on ‘WINK’

by Sophie Prettyman-Beauchamp
Columns, Music, Today's SongMay 26, 2021<May 26, 2021

Today’s Song: Incomparable Grooves & Hypnotic Melodies on Luna Luna’s “Golden”

by Adrian Vargas
Royal Canoe © 2021
Music, PremieresMay 26, 2021<May 26, 2021

Premiere: Royal Canoe & NNAMDÏ Come Alive in Captivating Jazz-Tinged “Scratching Static”

by Mitch Mosk
Beharie © Isak Jenssen
Music, PremieresMay 26, 2021<May 26, 2021

Premiere: Vulnerability & Self-Discovery Shine in Beharie’s “Don’t Wanna Know” Music Video

by Mitch Mosk
Atwood Magazine Celebrates AAPI Heritage Month V
Asian American and Pacific Islander Heritage Month, Features, MusicMay 26, 2021<October 1, 2021

Atwood Magazine Celebrates AAPI Heritage Month 2021, Pt. V

by Atwood Magazine Staff
Nancy Lu © Nate Cover
Asian American and Pacific Islander Heritage Month, InterviewsMay 26, 2021<May 27, 2021

Interview: Fancy PR Owner Nancy Lu Shares Her Story & Chinese Culture for AAPI Heritage Month

by Mitch Mosk
Nic Howell © 2021
Music, ReviewsMay 25, 2021<May 25, 2021

Review: Nic Howell’s Summery “Morning” Dazzles with a Buoyant & (Bitter)sweet Radiance

by Mitch Mosk
Maeve © Leanda Heler
Music, ReviewsMay 25, 2021<May 25, 2021

Song Review: Maeve Indulges in the Dark Side on Feverish Anti-Pop Anthem “Sick”

by Mitch Mosk
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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