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Boslen © Cameron Corrado
Black History MonthFebruary 24, 2021<February 24, 2021

“Connecting with My Identity”: An Essay by Boslen

by Guest Writer
Interviews, MusicFebruary 24, 2021<February 24, 2021

A Tolkien-Inspired Finale: A Conversation With Cardioid

by Adrian Vargas
GirlzLuhDev © Mark Peaced
Black History MonthFebruary 24, 2021<February 24, 2021

“Dreams Are Not to Be Forgotten”: An Essay by GirlzLuhDev

by Guest Writer
Sanya N'Kanta x Tracy Chapman
Black History MonthFebruary 24, 2021<February 24, 2021

“Tracy Chapman: My Influential Artist Selection for Black History Month”: An Essay by Sanya N’Kanta

by Guest Writer
Music, Music Videos, PremieresFebruary 24, 2021<February 24, 2021

Video Premiere: Jess Nolan Spreads “A Little Light” Throughout Nashville

by Lowndes Commander
RAHKii © 2021
Black History Month, Debut, Music, Track-by-TrackFebruary 24, 2021<February 24, 2021

Track-by-Track: Chicago’s RAHKii Dives into the Inspiring Depths of Stunning Debut EP ‘Capes’

by Mitch Mosk
Greg Sover © Jeff Fasano Photography
Black History MonthFebruary 24, 2021<February 24, 2021

“Greg Sover’s Musical Journey”: An Essay by Greg Sover

by Guest Writer
Foo Fighters © Danny Clinch 8.3
Music, Our Take, ReviewsFebruary 24, 2021<June 2, 2023

Our Take: With ‘Medicine at Midnight’, Foo Fighters’ Album Total Cracks the Double Digits in Grand Style

by Josh Weiner
Frances Quinlan © Julia Khoroshilov
Music, ReviewsFebruary 24, 2021<March 20, 2022

Review: Looking Back on Frances Quinlan’s ‘Likewise’ a Year Later

by Sophie Prettyman-Beauchamp
Jensen McRae
Columns, Music, Today's SongFebruary 24, 2021<February 23, 2021

Today’s Song: Jensen McRae’s “Immune” is Much More than a Phoebe Bridgers Meme

by James Crowley
The Funklabb © Paulo Cesar Salazar
Black History Month, Debut, MusicFebruary 23, 2021<March 3, 2021

“How Black Music Has Influenced The FunkLabb”: An Essay by The FunkLabb

by Guest Writer
adoration - J.Scott
Black History Month, Music, Track-by-TrackFebruary 23, 2021<February 23, 2021

Track-by-Track: J.Scott Dives into Romance with Radiant Confidence on Sophomore EP ‘adoration’

by Guest Writer
Tori Ruffin © Phil Clarkin
Black History MonthFebruary 23, 2021<February 23, 2021

“Electric Purgatory”: An Essay by Tori Ruffin

by Guest Writer
Jeremy Zucker & Chelsea Cutler © Stefan Kohli
Features, Interviews, MusicFebruary 23, 2021<February 23, 2021

Interview: Jeremy Zucker on Teaming Up with Chelsea Cutler (Again) for Beautiful ‘brent ii’ EP

by Alicia Bugallo
Dayglow © Pooneh Ghana
Features, Interviews, MusicFebruary 23, 2021<February 23, 2021

Feature: Dayglow on Going Viral, Growth in a Digital Age, and What Comes Next

by Nasya Blackshear
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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