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Columns, Music, Today's SongApril 9, 2021<April 9, 2021

Today’s Song: A Contrast of Cheer & Ignorance on Blood Cultures’ “Set It On Fire”

by Adrian Vargas
The Fratellis © 2021
Features, Interviews, MusicApril 9, 2021<April 8, 2021

In His Own Sweet Time: An Interview with The Fratellis’ Jon Fratelli

by Kelly Liu
Sarah Cicero
Debut, Music, Premieres, Track-by-TrackApril 8, 2021<April 8, 2021

“Raw, Emotive Yearning”: Sarah Cicero Spills Her Soul in Debut EP ‘Cold Immaculate Opposite’

by Mitch Mosk
Chemtrails over the Country Club - Lana Del Rey
Features, Music, Reviews, RoundtableApril 8, 2021<June 29, 2024

Roundtable Discussion: A Review of Lana Del Rey’s ‘Chemtrails over the Country Club’

by Atwood Magazine Staff
Billie Essco © 2021
Features, Interviews, MusicApril 8, 2021<April 8, 2021

Interview: Buffalo Rapper Billie Essco Is in a League of His Own

by Mitch Mosk
Jenny Owen Youngs © Tucker Leary
Features, Interviews, MusicApril 8, 2021<April 8, 2021

Interview: Jenny Owen Youngs Presents Her Touching EP, ‘Echo Mountain’

by Dimitra Gurduiala
Yungchen Lhamo © Ernie Paniccioli
Features, Interviews, MusicApril 8, 2021<April 27, 2021

Interview: Tibetan Artist Yungchen Lhamo Sings for a Better World

by Guest Writer
Gatlin © Hannah Hall
Artist to Watch, Music, Reviews, This Just InApril 8, 2021<April 8, 2021

This Just In: Gatlin’s “What If I Love You” Is a Bright & Buoyant Upheaval

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicApril 8, 2021<April 8, 2021

Breaking the Record with Roan Yellowthorn, Part 57: Recharging

by Guest Writer
Tusing © Cory Snelson
Music, ReviewsApril 8, 2021<April 7, 2021

Review: Dallas’ Tusing Floats Toward His Best Self on New Single “Wasted”

by Anthony Kozlowski
Baby Queen © David-J.-East
Artist to Watch, Columns, Music, Today's SongApril 8, 2021<April 7, 2021

Today’s Song: Anti-Pop Star Baby Queen Delivers a Candid Narrative About Breakups in “Raw Thoughts”

by Alicia Bugallo
la loye © Nikki van de Poel
Music, Music Videos, PremieresApril 7, 2021<April 7, 2021

Premiere: The Hague’s la loye Balances Grief, Fragility, Pain & Beauty on Breathtaking “i only hear you in my song”

by Mitch Mosk
Valley "Like 1999" promo
Interviews, Music, ReviewsApril 7, 2021<April 7, 2021

Interview: VALLEY Capture ’90s Nostalgia in Uplifting Pop Anthem “Like 1999”

by Mitch Mosk
new age soul
Music, Premieres, ReviewsApril 7, 2021<April 7, 2021

Premiere: Small Reactions Ready for a New Era With Freedom Hymn “New Age Soul”

by Dimitra Gurduiala
Clerel © Richard Bernardin
EssaysApril 7, 2021<April 7, 2021

“From Douala to Montreal: Following the Music” – An Essay by Clerel

by Guest Writer
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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