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Kemi Ade © Prexa Shrestha
Black History Month, MusicFebruary 25, 2021<February 25, 2021

Kemi Ade’s 9 UK Black R&B Artists You Need to Hear

by Guest Writer
DWY © Khaleell Smith
Black History MonthFebruary 25, 2021<February 25, 2021

BLACK: A Poem by DWY

by Guest Writer
Breaking The Record 2020
Breaking the Record, MusicFebruary 25, 2021<February 25, 2021

Breaking the Record with Roan Yellowthorn, Part 51: Having Faith

by Guest Writer
Your Grandparents © The Orchard
Black History Month, MusicFebruary 24, 2021<February 24, 2021

Get to Know Your Grandparents: LA’s Hottest Genre-Bending Trio Share Fun Facts & Playlist Ahead of Debut Album

by Mitch Mosk
Bandits on the Run - Regina Strayhorn © Kai Ravelson
Black History MonthFebruary 24, 2021<February 24, 2021

“Group Projects Never End”: An Essay by Regina Strayhorn (of Bandits on the Run)

by Guest Writer
Shungudzo © Yazz Alali
Black History MonthFebruary 24, 2021<February 24, 2021

BLACK OUTSIDE: A Poem by Shungudzo

by Guest Writer
Marble © Arms Akimbo
Music, PremieresFebruary 24, 2021<February 24, 2021

Premiere: Arms Akimbo Come Together Over “Marble,” an Impassioned & Fitting End of an Era

by Mitch Mosk
Marcos Valles on stage with Noah Kahan at Emo’s in Austin, Tx. on Sept. 21, 2019. (Photo: Nolan Knight)
Features, Interviews, MusicFebruary 24, 2021<February 24, 2021

Feature: Without Gigs, One Touring Drummer Turns from Big Venues to Small Voices

by Guest Writer
TENI THE ENTERTAINER © 2021
Black History Month, Music, PlaylistsFebruary 24, 2021<February 24, 2021

Playlist: TENI THE ENTERTAINER Shares Black Icons Who Inspired Her Debut LP ‘WONDALAND’

by Guest Writer
Ben Wynter x Yaw Owusu
Black History Month, Features, InterviewsFebruary 24, 2021<February 24, 2021

Interview: Power Up’s Ben Wynter & Yaw Owusu Discuss PRS Foundation’s Powerful New Initiative for Black Creators & Professionals

by Mitch Mosk
Boslen © Cameron Corrado
Black History MonthFebruary 24, 2021<February 24, 2021

“Connecting with My Identity”: An Essay by Boslen

by Guest Writer
Interviews, MusicFebruary 24, 2021<February 24, 2021

A Tolkien-Inspired Finale: A Conversation With Cardioid

by Adrian Vargas
GirlzLuhDev © Mark Peaced
Black History MonthFebruary 24, 2021<February 24, 2021

“Dreams Are Not to Be Forgotten”: An Essay by GirlzLuhDev

by Guest Writer
Sanya N'Kanta x Tracy Chapman
Black History MonthFebruary 24, 2021<February 24, 2021

“Tracy Chapman: My Influential Artist Selection for Black History Month”: An Essay by Sanya N’Kanta

by Guest Writer
Music, Music Videos, PremieresFebruary 24, 2021<February 24, 2021

Video Premiere: Jess Nolan Spreads “A Little Light” Throughout Nashville

by Lowndes Commander
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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