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wojtek the bear © Kris Boyle
Music, Music Videos, PremieresFebruary 23, 2021<February 23, 2021

Premiere: wojtek the bear’s “ferme la bouche” Tells a Tragic, Yet All Too Relevant Story

by Dimitra Gurduiala
Falana © Savannah Baker
Black History Month, MusicFebruary 22, 2021<February 22, 2021

“Joy”: Falana Shines with Optimism & Hope in Her Radiant New Song

by Guest Writer
Angelica Bess © Brandon Thomas Brown
Black History MonthFebruary 22, 2021<February 24, 2021

ARE WE THERE YET?: A Poem by Angelica Bess (of Body Language)

by Guest Writer
TEE © 2021
Black History Month, Debut, Features, Interviews, Music, PremieresFebruary 22, 2021<December 8, 2023

“Emotive. Vulnerable. Honest.”: TEE Dives into His Stirring Debut EP ‘A DOZEN ROSES // A Love Story’

by Mitch Mosk
Bad Bad News - Tai Verdes
Black History Month, Interviews, MusicFebruary 22, 2021<February 22, 2021

Interview: Tai Verdes Soars with Vulnerability & Honest Songwriting on First Singles “BAD BAD News,” “DRUGS” & “Stuck in the Middle”

by Mitch Mosk
Abisha © Ed Cooke
Black History Month, Music, PlaylistsFebruary 22, 2021<February 22, 2021

ABISHA’s BHM Playlist: Black Artists in Pop Music and Beyond

by Guest Writer
Columns, Music, Today's SongFebruary 22, 2021<February 22, 2021

Today’s Song: Huron John’s “Arthur” Beams with a Glowing Warmth

by Ryan Feyre
Rome & Duddy
Features, Interviews, MusicFebruary 22, 2021<February 21, 2021

Interview with Rome & Duddy: Two Friends & Seasoned Performers Try Their Luck As a Feel-Good Duo

by Josh Weiner
HEALTH © 2021
Columns, Music, Today's SongFebruary 21, 2021<February 21, 2021

Today’s Song: HEALTH Contend with Hopelessness & Despair in Dystopian “FEEL NOTHING”

by Danny Vagnoni
Wallows © Nina Ljeti
Columns, Music, Today's SongFebruary 20, 2021<February 19, 2021

Today’s Song: Cole Preston Carries Wallows into 2021 with New Single “Quarterback”

by Jason Brillon
Atwood Magazine's Weekly Roundup 02/19/2021
Music, Weekly RoundupFebruary 19, 2021<February 19, 2021

Atwood Magazine’s Weekly Roundup: February 19, 2021

by Atwood Magazine Staff
"Creatures in Their Heads" Run River North playlist
Music, PlaylistsFebruary 19, 2021<February 19, 2021

‘Creatures in Their Heads’: Run River North Share the Influences Behind Their Cinematic Third Album

by Mitch Mosk
Joy Denalane © Bennie Julian Gay
Black History MonthFebruary 19, 2021<February 19, 2021

“Becoming a Soul Artist”: An Essay by Joy Denalane

by Guest Writer
Pell © Tyler Roi Conde
Black History Month, Features, Music, Reviews, Track-by-TrackFebruary 19, 2021<February 19, 2021

Track-by-Track: Pell Embraces NOLA on Spirited, Ambitious Album ‘glbl wrmng, vol. 1’

by Mitch Mosk
Psymon Spine © Rachel Cabitt
Artist to Watch, Features, Interviews, Music, Reviews, Track-by-TrackFebruary 19, 2021<February 19, 2021

“A Really Tall Sandwich”: Psymon Spine Dive into the Curious Depths of 2nd LP ‘Charismatic Megafauna’

by Mitch Mosk
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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