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Des Gray © 2021
Black History MonthFebruary 27, 2021<March 3, 2021

Director Des Gray Shares Her Favorite Black-Lead Movies for Black History Month

by Guest Writer
Trans Trenderz
Black History Month, MusicFebruary 27, 2021<March 1, 2021

Trans Trenderz Artists Share Their Top Musical Influences for Black History Month

by Guest Writer
Tone Stith
Black History MonthFebruary 27, 2021<March 2, 2021

Tone Stith Shares His Top 5 Musical Influences for Black History Month

by Guest Writer
Ryan
Black History Month, MusicFebruary 27, 2021<March 4, 2021

Ryan Shares His Top 5 Musical Influences for Black History Month

by Guest Writer
Leon Waldo © 2021
Music, Reviews, Track-by-TrackFebruary 26, 2021<February 26, 2021

Track-by-Track: Leon Waldo Dives into His Smoldering & Stunning Sophomore LP ‘Secrets of the Melanin Monk.’

by Mitch Mosk
India Shawn © Rob Julin
Black History Month, Interviews, MusicFebruary 26, 2021<March 2, 2021

Interview: India Shawn Dives into Her Intimate & Empowering Single “Too Sweet” ft. Unknown Mortal Orchestra

by Mitch Mosk
pineappleCITI © Thomas Falcone
Black History Month, MusicFebruary 26, 2021<March 2, 2021

New Jersey Rapper pineappleCITI Shares Her Top 5 Musical Influences for Black History Month

by Guest Writer
Boys Lie - BAYLI
Black History Month, MusicFebruary 26, 2021<February 26, 2021

16: A Poem by BAYLI for Black History Month

by Guest Writer
Samson Ashe
Black History Month, MusicFebruary 26, 2021<February 26, 2021

London’s Samson Ashe Shares His Top Musical Influences for Black History Month

by Mitch Mosk
Brittney Spencer © KT Sura
Music, Our Take, ReviewsFebruary 26, 2021<February 26, 2021

Three Chords and the Truth: Country Artist Brittney Spencer Sings Her Truth on Her New EP ‘Compassion’

by Emily Frances Algar
A New Child - Jackson Wooten 9.9
Debut, Features, Interviews, Music, Reviews, Track-by-TrackFebruary 26, 2021<February 26, 2021

“Moving, Ethereal, & Intimate”: Jackson Wooten Dives into his Breathtaking Debut Album ‘A New Child’

by Mitch Mosk
The American Negro - Adrian Younge
Black History Month, Features, Interviews, MusicFebruary 26, 2021<October 5, 2021

Interview: Adrian Younge Dives into His Powerful ‘The American Negro’ Project for Black History Month

by Mitch Mosk
Music, Music Videos, PremieresFebruary 26, 2021<February 26, 2021

Video Premiere: Brother Moses’ Cover of Simon and Garfunkel’s “Only Living Boy” Is a Sentimental Reflection on 2020

by Lowndes Commander
Maisie Peters © Lillie Eiger
Music, Reviews, This Just InFebruary 26, 2021<February 26, 2021

Maisie Peters Stuns with Delightfully Real Pop-Bop “John Hughes Movie”

by Kelly McCafferty Dorogy
AMA © Ciesay
Features, Interviews, MusicFebruary 26, 2021<February 26, 2021

Is It Living If You Ain’t Dreaming?: A Conversation with AMA

by Nicole Almeida
Posts pagination
1 … 349 350 351 352 353 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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