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RAHKii © 2021
Black History Month, Debut, Music, Track-by-TrackFebruary 24, 2021<February 24, 2021

Track-by-Track: Chicago’s RAHKii Dives into the Inspiring Depths of Stunning Debut EP ‘Capes’

by Mitch Mosk
Greg Sover © Jeff Fasano Photography
Black History MonthFebruary 24, 2021<February 24, 2021

“Greg Sover’s Musical Journey”: An Essay by Greg Sover

by Guest Writer
Foo Fighters © Danny Clinch 8.3
Music, Our Take, ReviewsFebruary 24, 2021<June 2, 2023

Our Take: With ‘Medicine at Midnight’, Foo Fighters’ Album Total Cracks the Double Digits in Grand Style

by Josh Weiner
Frances Quinlan © Julia Khoroshilov
Music, ReviewsFebruary 24, 2021<March 20, 2022

Review: Looking Back on Frances Quinlan’s ‘Likewise’ a Year Later

by Sophie Prettyman-Beauchamp
Jensen McRae
Columns, Music, Today's SongFebruary 24, 2021<February 23, 2021

Today’s Song: Jensen McRae’s “Immune” is Much More than a Phoebe Bridgers Meme

by James Crowley
The Funklabb © Paulo Cesar Salazar
Black History Month, Debut, MusicFebruary 23, 2021<March 3, 2021

“How Black Music Has Influenced The FunkLabb”: An Essay by The FunkLabb

by Guest Writer
adoration - J.Scott
Black History Month, Music, Track-by-TrackFebruary 23, 2021<February 23, 2021

Track-by-Track: J.Scott Dives into Romance with Radiant Confidence on Sophomore EP ‘adoration’

by Guest Writer
Tori Ruffin © Phil Clarkin
Black History MonthFebruary 23, 2021<February 23, 2021

“Electric Purgatory”: An Essay by Tori Ruffin

by Guest Writer
Jeremy Zucker & Chelsea Cutler © Stefan Kohli
Features, Interviews, MusicFebruary 23, 2021<February 23, 2021

Interview: Jeremy Zucker on Teaming Up with Chelsea Cutler (Again) for Beautiful ‘brent ii’ EP

by Alicia Bugallo
Dayglow © Pooneh Ghana
Features, Interviews, MusicFebruary 23, 2021<February 23, 2021

Feature: Dayglow on Going Viral, Growth in a Digital Age, and What Comes Next

by Nasya Blackshear
Chris Pierce © Mathieu Bitton
Black History Month, Music, PremieresFebruary 23, 2021<February 23, 2021

“Chain Gang Fourth of July”: An Essay and Song by Chris Pierce

by Guest Writer
Rayvon Owen
Black History MonthFebruary 23, 2021<February 24, 2021

“Lift Ev’ry Voice: The Song Must Go On”: A Personal Statement by Rayvon Owen

by Guest Writer
Saint Bodhi © Darren Craig
Black History Month, Debut, Interviews, MusicFebruary 23, 2021<February 23, 2021

Interview: Saint Bodhi Dives into Her Debut Album ‘Mad World’ & Upcoming EP ‘Antisocial’

by Mitch Mosk
Tangina Stone & Lenny
Black History Month, MusicFebruary 23, 2021<February 24, 2021

Black. Queer. Here: Tangina Stone Interviews Her Neighbor Lenny for Black History Month

by Guest Writer
Pentatonix © Jabari Jacobs
Interviews, MusicFebruary 23, 2021<March 10, 2021

“Our Emotional Journey into Adulthood”: A Conversation with Pentatonix

by Nina Schaarschmidt
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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