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3OH!3 © 2020
Columns, Music, Today's SongDecember 29, 2020<December 28, 2020

Today’s Song: 3OH!3 Have Brought Beef Back to 2020 in “LONELY MACHINES”

by James Crowley
Sufjan Stevens © 2020
Music, ReviewsDecember 29, 2020<December 28, 2020

Review: Seeking Guidance with Sufjan Stevens’ ‘The Ascension’

by Frankie Rose
cehryl © Jonny Ho
Columns, Music, Today's SongDecember 24, 2020<December 24, 2020

Today’s Song: cehryl’s Intimate Song “angels (emily)” Is a Visceral Indie Pop Upheaval

by Mitch Mosk
Atwood Magazine's 2020 Albums of the Year
Features, Lists, MusicDecember 23, 2020<February 5, 2021

Atwood Magazine’s 2020 Albums of the Year

by Atwood Magazine Staff
Columns, Music, Today's SongDecember 23, 2020<December 23, 2020

Today’s Song: Nebraska Rapper JVCKJ Spins Heartbreak into Moving Music on “You Lie”

by Josh Weiner
Songhoy Blues © Kiss Diouara
Interviews, MusicDecember 22, 2020<December 22, 2020

Interview: Songhoy Blues’ ‘Optimisme’ Provides the Hope & Groove We Need Right Now

by Oliver Crook
Atwood Magazine's Mistletones: Best New Holiday Music 2020
Features, Interviews, Lists, Mistletones, MusicDecember 22, 2020<February 5, 2021

Atwood Magazine Presents Mistletones: 2020’s Best New Holiday Songs

by Atwood Magazine Staff
Columns, Music, Today's SongDecember 22, 2020<December 22, 2020

Today’s Song: How Keesh Immortalizes Love in “Ode to Fred”

by Dimitra Gurduiala
On My Own - Lera Lynn © Alysse Gafkjen 8
Music, Our Take, ReviewsDecember 22, 2020<December 21, 2020

Our Take: Lera Lynn Settles into Herself in ‘On My Own’ & Finds Forgiveness In-Between the Bars

by Emily Frances Algar
Nothing But Thieves © Jack Bridgland
MusicDecember 22, 2020<December 21, 2020

Interview: Conor Mason on How He & Nothing But Thieves Wrote One of the Most Prescient Albums of 2020

by Adam Davidson
Atwood Magazine's Artist Discoveries of 2020
Features, Lists, MusicDecember 21, 2020<February 5, 2021

Atwood Magazine’s Top Artist Discoveries of 2020

by Atwood Magazine Staff
The Old North © 2020
Debut, Music, ReviewsDecember 21, 2020<December 21, 2020

Review: The Old North’s Self-Titled Debut EP Should Make Bostonians Proud

by Ethan James
9
Music, Our Take, ReviewsDecember 21, 2020<December 21, 2020

Our Take: The Avalanches Start a New Chapter with ‘We Will Always Love You’

by Leo Culp
Cries Real Tears! - Issy Wood
Music, Reviews, Track-by-TrackDecember 21, 2020<December 21, 2020

Track-by-Track: UK Artist Issy Wood’s Eccentric, Enthralling, & Experimental ‘Cries Real Tears!’ EP

by Mitch Mosk
La Femme © JF Julian
Features, Interviews, MusicDecember 21, 2020<May 14, 2023

Travel, Experimentation, & Collaboration: A Conversation with La Femme

by Frankie Rose
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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