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Pett Level © Barney Dick
Music, Reviews, This Just InFebruary 17, 2021<February 17, 2021

This Just In: UK’s Pett Level Debut with Groovy Single “Red Hot”

by Dimitra Gurduiala
anxioushum x Molly O'Malley
Music, PremieresFebruary 17, 2021<February 17, 2021

Premiere: anxioushum & Molly O’Malley Present Two Intimate Upheavals on ‘split’ Single “wore” & “hollow”

by Mitch Mosk
Lost in Translation - Emma Negrete
Columns, Music, Today's SongFebruary 17, 2021<February 17, 2021

Today’s Song: “Lost in Translation” Is Emma Negrete’s Journey into Self-Acceptance and Self-Love

by Emily Frances Algar
Night Flight © Sequoia Ziff
Artist to Watch, Music, PremieresFebruary 17, 2021<February 17, 2021

Premiere: Night Flight’s New Single “Canada” Is a Warm Wash of Nostalgic Rapture

by Mitch Mosk
Emily Blue "7 Minutes" © Greg Stephen Reigh, Matt Bordman
Interviews, Music, ReviewsFebruary 16, 2021<December 8, 2021

Interview: Emily Blue’s Euphoric “7 Minutes” Is an Irresistible Outpouring of Love, Intimacy, & Perfect Pop

by Mitch Mosk
Serena Isioma © 2021
Columns, Music, Today's SongFebruary 16, 2021<February 16, 2021

Today’s Song: Serena Isioma’s Empowering “King” Is a Stunning Assertion of Identity & Self-Worth

by Mitch Mosk
ISLAND © Christian Cargill
Interviews, Music, Reviews, This Just InFebruary 16, 2021<February 17, 2021

This Just In: London’s ISLAND Return with Fresh, Snappy, & Seductive New Song “Octopus”

by Mitch Mosk
Haviah Mighty © Yung Yemi
Black History Month, MusicFebruary 16, 2021<February 16, 2021

“Obeah”: Haviah Mighty Dives into Her Visceral Song of Strength, Trust, and the Occult

by Guest Writer
Wyn Starks © 2021
Black History Month, Interviews, MusicFebruary 16, 2021<February 16, 2021

“Sparrow”: Wyn Starks Dives into His Breathtakingly Beautiful George Floyd-Inspired Ballad

by Guest Writer
Emanuel "Black Woman" © Matt Barnes
Black History Month, MusicFebruary 16, 2021<February 16, 2021

“A Great Realization”: An Essay by Emanuel

by Guest Writer
KILLTONY EP - Tony Njoku
Black History Month, Music, Reviews, Track-by-TrackFebruary 15, 2021<February 15, 2021

Track-by-Track: Tony Njoku Dives into his Dark, Cinematic, & Experimental ‘KILLTONY’ EP

by Mitch Mosk
STNFXCE's Black History Month Playlist
Black History Month, Music, PlaylistsFebruary 15, 2021<February 18, 2021

STNFXCE’s Black History Month Playlist

by Guest Writer
Lyncs © 2021
Music, PremieresFebruary 15, 2021<February 15, 2021

Premiere: Lyncs’ Earnest “i shouldn’t say it” Rewinds and Looks Back

by Kelly Liu
Columns, Music, Today's SongFebruary 15, 2021<February 15, 2021

Today’s Song: Al-Doms Wants to Run His Numbers Up on “Slang!”

by Ryan Feyre
Julien Baker © Alysse Gafkjen
Columns, Music, Today's SongFebruary 14, 2021<February 14, 2021

Today’s Song: Julien Baker Haunts the Pop World with New Single “Favor”

by Ethan James
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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