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evermore - Taylor Swift
Features, Music, Reviews, RoundtableDecember 21, 2020<June 29, 2024

Roundtable Discussion: A Review of Taylor Swift’s ‘evermore’

by Atwood Magazine Staff
Matt Maltese
Columns, Music, Today's SongDecember 21, 2020<December 21, 2020

Today’s Song: Matt Maltese’s Exquisite Pop Ballad ‘hi’ is Pure Adoration

by Kelly Liu
2020 Songs of the Year Atwood Magazine
Features, Lists, MusicDecember 18, 2020<February 5, 2021

Atwood Magazine’s 2020 Songs of the Year

by Atwood Magazine Staff
Debut, Music, ReviewsDecember 18, 2020<December 18, 2020

Review: B.Miles Navigates Nostalgia on Debut ‘In Order of Appearance’

by Maggie McHale
Metamorphosed - Osees
Interviews, MusicDecember 18, 2020<December 18, 2020

Interview: Osees’ John Dwyer on ‘Metamorphosed’ and Life without Touring in 2020

by Adam Davidson
Flamingosis © Dani Brandwein
Columns, Music, Music Videos, Today's SongDecember 18, 2020<December 18, 2020

Today’s Song: Flamingosis Creates a Space of Sunshine With “Daymaker”

by Adrian Vargas
Mimi Gilbert © 2020 8.6
Debut, Interviews, Music, Our Take, Reviews, Track-by-TrackDecember 17, 2020<December 17, 2020

“Warm Traveled Forgiveness”: Mimi Gilbert Lights a Visceral Folk Fire in Debut ‘Grew Inside the Water’

by Mitch Mosk
Tems © Jerusa Nyakundi
Features, Interviews, MusicDecember 17, 2020<December 18, 2020

Music for Hard Hearts That Are About to Turn into Stone: A Conversation with Tems

by Nicole Almeida
Man on the Moon III: The Chosen - Kid Cudi 7.9
Music, Our Take, ReviewsDecember 17, 2020<December 17, 2020

Our Take: Kid Cudi Crafts a Fitting Final Chapter to His Trilogy with ‘Man on the Moon III: The Chosen’

by Josh Weiner
The Baby - Samia
Debut, Features, Interviews, MusicDecember 17, 2020<December 17, 2020

Interview: Folk Rock Up-And-Comer Samia on Her Stunning & Intimate Debut ‘The Baby’ & ‘The Baby Reimagined’

by Lowndes Commander
De Joie © 2020
Music, PremieresDecember 17, 2020<September 20, 2021

Premiere: The Ethereal Ebb & Flow of De Joie’s Poignant “Oslo (Holly’s Song)”

by Mitch Mosk
Columns, Music, Today's SongDecember 17, 2020<December 17, 2020

Today’s Song: Apollo Flowerchild’s “Bloody Hands” Is a Grief-Stricken, Placating Ode to Past Selves & New Tomorrows

by Jesse Herb
Breaking The Record 2020
Breaking the Record, Columns, MusicDecember 17, 2020<May 18, 2023

Breaking the Record with Roan Yellowthorn, Part 44: Moving Along

by Guest Writer
Orlando - Seafarers 9.4
Features, Interviews, Music, Our Take, Reviews, Track-by-TrackDecember 17, 2020<December 16, 2020

“Hopeful, Liberated, & Futile”: London’s Seafarers on Their Stirring, Standout Debut ‘Orlando’

by Mitch Mosk
Shie Rozow © Shani Barel // 'Shawn Mendez: In Wonder' promotional poster
Essays, MusicDecember 16, 2020<December 16, 2020

Essay: Shie Rozow on Music Editing for Shawn Mendes, Danny Elfman, & More

by Guest Writer
Posts pagination
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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