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Ongoing Dispute - Yung 8
Features, Music, Our Take, Reviews, Track-by-TrackFebruary 8, 2021<February 8, 2021

‘Ongoing Dispute’: Aarhus Indie Rockers Yung Dive into Their Outstanding Sophomore Album

by Mitch Mosk
9.4
Music, Our Take, ReviewsFebruary 8, 2021<February 8, 2021

Our Take: Waxahatchee’s ‘Saint Cloud’ Is a Glimmer of Goodness and Light

by Lowndes Commander
Alexander Biggs © Courtesy of Artist
Debut, Features, Interviews, MusicFebruary 8, 2021<February 8, 2021

‘Hit or Miss,’ Always Swinging: A Conversation with Alexander Biggs

by Lowndes Commander
Planet Giza © Igal Perets
Columns, Music, Today's SongFebruary 8, 2021<February 11, 2021

Today’s Song: Planet Giza Get Things Going with “When the Moving Stops”

by Josh Weiner
Ray BLK's Inspirations
Black History Month, Music, PlaylistsFebruary 8, 2021<February 9, 2021

Ray BLK’s BHM Playlist: Black Women Who Inspire Me

by Guest Writer
im sad lol - lil old man
Columns, Music, Today's SongFebruary 7, 2021<February 5, 2021

Today’s Song: lil old man Feels Reflective & Introspective on “i’m sad lol”

by Nick Matthopoulos
Mother's Cake © Manu Chó
Columns, Music, Today's SongFebruary 6, 2021<February 5, 2021

Mother’s Cake’s “The Operator” Is a Furious Lashing Out Through Pounding Psychedelic Rock

by Danny Vagnoni
'Under My Influence' Bonus Tracks - The Aces
Music, Reviews, This Just InFebruary 5, 2021<February 5, 2021

This Just In: The Aces Keep Shining with Buoyant New Songs “Sleepy Eyes” & “Aren’t You”

by Mitch Mosk
emawk © 2021
Columns, Music, Today's SongFebruary 5, 2021<February 5, 2021

Today’s Song: emawk Takes the “HIGHROAD” in Spellbinding New Single

by Mitch Mosk
Puma Blue © Netti Hurley
Interviews, MusicFebruary 5, 2021<February 5, 2021

Interview: Puma Blue and the Poignant Poetry of Debut Album ‘In Praise of Shadows’

by Dimitra Gurduiala
Jeremy Zucker & Chelsea Cutler © Stefan Kohli
Music, ReviewsFebruary 5, 2021<February 5, 2021

Review: Jeremy Zucker & Chelsea Cutler Team Up Again in Latest EP ‘brent ii’

by Alicia Bugallo
7.7
Music, Our Take, ReviewsFebruary 5, 2021<February 5, 2021

Our Take: Peace Chord’s Self-Titled Ethereal Debut Is One to Be Lauded

by Adrian Vargas
Atwood Magazine Weekly Roundup: Black History Month 2021
Columns, Music, Weekly RoundupFebruary 5, 2021<February 7, 2021

Atwood Magazine’s Weekly Roundup: Black History Month 2021

by Atwood Magazine Staff
Jessy © 2021
Music, Music Videos, PremieresFebruary 5, 2021<February 3, 2021

Video Premiere: Burying the Past with Jessy’s “Lie”

by Kelly McCafferty Dorogy
Jordan Mackampa © 2021
Black History MonthFebruary 5, 2021<February 10, 2021

“Black Music, Black Artistry, Black Expression” by Jordan Mackampa

by Guest Writer
Posts pagination
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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