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Photographic Memory © Tracy Nguyen
Music, ReviewsFebruary 12, 2021<February 12, 2021

Review: Photographic Memory’s “Twirl Back” (ft. Rat Tally) Is an Angsty, Raw Emo Song for the 2020s

by Mitch Mosk
Claud © Angela Ricciardi
Debut, Features, Interviews, MusicFebruary 12, 2021<March 14, 2021

Interview: Falling in Love with Claud, the “Bedroom Pop” Super Monster

by Jason Brillon
Features, Music, Weekly RoundupFebruary 12, 2021<February 19, 2025

Atwood Magazine’s Weekly Roundup: Valentine’s Day 2021!

by Atwood Magazine Staff
DE'WAYNE © Joe Mischo
Columns, Music, Today's SongFebruary 12, 2021<February 12, 2021

Today’s Song: DE’WAYNE Explodes with Passionate, Feverish Genre-Bending Upheaval “I Know Something”

by Mitch Mosk
Tayo Sound © 2021
Black History Month, Music, Track-by-TrackFebruary 12, 2021<February 22, 2021

Track-by-Track: Tayo Sound Dives into his Dreamy & Woozy Debut EP ‘Runaway’

by Mitch Mosk
Fantastic Negrito © Willem Wouterse
Black History Month, MusicFebruary 12, 2021<February 12, 2021

“Storefront Records”: An Essay by Xavier Dphrepaulezz (Fantastic Negrito)

by Guest Writer
Rebecca Black © Jade DeRose
Features, Interviews, MusicFebruary 12, 2021<February 12, 2021

Interview: Rebecca Black on a Decade of “Fridays” and Her New Single “Girlfriend”

by James Crowley
Present Company © Kennedy Kasperek
Music, PremieresFebruary 11, 2021<February 11, 2021

Premiere: MN’s Present Company Inject Energy & Anxiety into Dynamic New Single “It’s Not Looking Good”

by Mitch Mosk
YNW BSlime © Josh Aronson
Columns, Music, Today's SongFebruary 11, 2021<February 11, 2021

Today’s Song: YNW BSlime Is on the Way to Greatness with Sweet Single “OTW”

by Mitch Mosk
BeyondSonny © Alexsa Tolentino
Black History Month, Features, Interviews, MusicFebruary 11, 2021<February 11, 2021

Interview: Brooklyn Rapper BeyondSonny Discusses Stunning Single “Black Friends,” Black History Month, & More

by Mitch Mosk
Artist to Watch, Interviews, MusicFebruary 11, 2021<February 11, 2021

Interview: Micky James’ New Show “Live At The Met – The Philadelphia Special” Bursts with Raw Passion & Amped-Up Energy

by Chloe Robinson
Judith Hill © Jeremy Jackson
Black History Month, MusicFebruary 11, 2021<February 11, 2021

“The Sound of Culture”: An Essay by Judith Hill

by Guest Writer
Jacob Banks © Grace Rivera
Music, Reviews, This Just InFebruary 11, 2021<February 11, 2021

This Just In: Jacob Banks’ New Single “Parade” Is a Marching Song

by Bethan Harper
Watch This Liquid Pour Itself - Okay Kaya
MusicFebruary 11, 2021<February 10, 2021

Review: Okay Kaya Redefines Bedroom Pop on ‘Watch This Liquid Pour Itself’

by Sophie Prettyman-Beauchamp
Breaking The Record 2020
Breaking the Record, Columns, MusicFebruary 11, 2021<February 10, 2021

Breaking the Record with Roan Yellowthorn, Part 50: Little Love

by Guest Writer
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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