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Beans on Toast © Aaron Parsons
Features, Interviews, MusicNovember 27, 2020<November 27, 2020

Interview with Beans on Toast: Children’s Songs, Artificial Intelligence, & the End of the World

by Diego Morales
Emanuel "Black Woman" © Matt Barnes
Columns, Music, Today's SongNovember 27, 2020<November 27, 2020

Today’s Song: Emanuel’s Beautiful “Black Woman” Is a Moving Love Letter of Strength & Celebration

by Mitch Mosk
Billie Eilish © 2020
Columns, Music, Today's SongNovember 26, 2020<November 25, 2020

Today’s Song: Billie Eilish’s Flippant New Single “Therefore I Am”

by Mariel Fechik
Cam © Dennis Leupold
Essays, Features, MusicNovember 25, 2020<November 24, 2020

On Her Side: How Cam’s “Diane” Changes Dolly Parton’s “Jolene,” and Fosters Feminist Solidarity

by Erica Danielle Garcia
real life - banzai florist
Columns, Music, Today's SongNovember 25, 2020<November 24, 2020

Today’s Song: banzai florist’s “Real Life” Takes Us Out of This World

by Kelly Liu
Kathleen © 2020
Features, Music, Reviews, Track-by-TrackNovember 24, 2020<December 1, 2020

Track-by-Track: Kathleen’s Intimate, Serene, & Cinematic ‘Kathleen II’ EP

by Mitch Mosk
Spillage Village © Alex Grizz Loucas
Features, Interviews, MusicNovember 24, 2020<November 24, 2020

Spillage Village & Quarantined Collaboration: A Conversation with Benji.

by Ryan Feyre
Laure Briard © Andre Peniche
Features, Interviews, MusicNovember 24, 2020<November 24, 2020

Interview: The Brazilian Warmth and Playful Escapism of Laure Briard’s “Eu Voo”

by Frankie Rose
Alexander Wren © Landon Edwards
Columns, Music, Today's SongNovember 24, 2020<November 24, 2020

Today’s Song: Alexander Wren’s Spellbinding “The Earth Is Flat” Is a Requiem for Love

by Mitch Mosk
Tensnake
Music, Music Videos, PremieresNovember 24, 2020<November 24, 2020

Premiere: Tensnake’s “Strange Without You (ft. Daramola)” Music Video Is a Poignant Pt. II in an L.A. Love Story

by Ben Beamish
I Left a Party for You - Pilar Victoria
Columns, Music, Today's SongNovember 23, 2020<November 23, 2020

Today’s Song: Houston’s Pilar Victoria Captures Starry-Eyed Connection in Dazzling “I Left a Party for You”

by Mitch Mosk
Musti © Fabian Framdal Fjelvik & Mariam Rosenborg
Debut, Features, Music, Reviews, Track-by-TrackNovember 23, 2020<November 23, 2020

Track-by-Track: Musti’s Debut ‘Qoyskayga’ Is an Energized Exploration of Identity

by Frankie Rose
Music, ReviewsNovember 23, 2020<November 23, 2020

Review: The Millennial Club Find Themselves in Riveting & Reflective EP ‘Summer Nights’

by Erica Danielle Garcia
Ginger Root © Cameron Lew
Features, Interviews, MusicNovember 23, 2020<November 23, 2020

Interview: Time Marches on with Ginger Root’s Third Album, ‘Rikki’

by Jesse Herb
Debut, Music, ReviewsNovember 23, 2020<November 23, 2020

Review: BK Pepper Creates Sprawling Musical Landscapes with Debut ‘Territories’

by Adrian Vargas
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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