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Her Silo © GIGIL Photography
Debut, Music, PremieresFebruary 20, 2020<February 20, 2020

Premiere: Her Silo Digs for Hope in Darkness on “When Did I Give Up This Fight”

by Mitch Mosk
Spanish Love Songs
Music, ReviewsFebruary 20, 2020<February 20, 2020

Doom and Gloom: Spanish Love Songs Enlighten a Horrible World with ‘Brave Faces Everyone’

by James Crowley
Beulahbelle © Connor Ellmann
Columns, Debut, Music, Today's SongFebruary 20, 2020<February 20, 2020

Today’s Song: Beulahbelle Fade In and Out of Love in Debut “Raleigh”

by Nicole Almeida
Good Kids EP - HALIE
Music, PremieresFebruary 20, 2020<February 20, 2020

Premiere: Norway’s HALIE Stands Up for Love in Unapologetic Song “Starved”

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicFebruary 20, 2020<February 19, 2020

Breaking the Record with Roan Yellowthorn, Part 3: In the Studio

by Guest Writer
Temporary Love - April Ivy
Music, PremieresFebruary 20, 2020<February 19, 2020

Premiere: April Ivy’s Tender & Seductive Song “Temporary Love”

by Bethan Harper
Music, PremieresFebruary 20, 2020<February 20, 2020

Premiere: Theodore’s Love Song “The Lisper” Is a Breath of Innocence & Authenticity

by Mitch Mosk
Delta Rae © Shervin Lainez
Features, Interviews, MusicFebruary 19, 2020<February 28, 2020

Interview: Delta Rae’s Ian Hölljes on the Band’s Witchy Ways & New Album ‘The Light’

by Ilana Kalish
Glass Animals - Your Love © Pooneh Ghana
Features, Music, Reviews, This Just InFebruary 19, 2020<May 1, 2020

This Just In: Glass Animals Turn Up the Heat in “Your Love (Déjà Vu),” a Passionate Return

by Mitch Mosk
The Human Fly © Hayden Sitomer
Music, PremieresFebruary 19, 2020<February 19, 2020

Premiere: The Human Fly Dive into Identity & Legacy in Raw, Vulnerable EP ‘Indy500 (part1)’

by Mitch Mosk
AJJ music 2020
Columns, Music, Today's SongFebruary 19, 2020<February 19, 2020

Today’s Song: Finding Resolve & Strength Through AJJ’s “A Big Day for Grimley”

by Nick Matthopoulos
Marlin's Dreaming © Cam Hay
Music, Music Videos, PremieresFebruary 19, 2020<February 18, 2020

Premiere: NZ’s Marlin’s Dreaming Evolve in Sound with “Sink or Swim”

by Matthew Dunn
Ali Holder
Music, PremieresFebruary 18, 2020<February 18, 2020

Premiere: Ali Holder’s Assertive “Bruja” Redefines What It Means to Be a Witchy Woman

by Mitch Mosk
ialive 2020 music
Music, ReviewsFebruary 18, 2020<February 18, 2020

Review: Philly’s ialive Embraces Collaboration & Raw Energy on ‘I’ll Wait Forever’

by Ryan Feyre
Features, Interviews, MusicFebruary 18, 2020<February 18, 2020

On Intent and Isolation: A Conversation with Post Animal

by Ben Niesen
Posts pagination
1 … 432 433 434 435 436 … 711

Brand New

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’

:: discover something new ::

Recent Posts

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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