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Interviews, MusicApril 16, 2020<April 16, 2020

Interview: Raye Zaragoza Breaks Gender Barriers with Single “Fight Like a Girl”

by Chloe Robinson
Supernormal - Leo Lauren
Debut, Music, PremieresApril 16, 2020<April 16, 2020

Premiere: Leo Lauren Debuts with Synth-Pop Respite “Supernormal”

by Mariel Fechik
Fiona Grey © Ali Roberto
Music, PremieresApril 16, 2020<April 16, 2020

Premiere: Fiona Grey Douses Her F*cked Up World in “Kerosene”

by Anthony Kozlowski
Saachi Sen © Bradley Bull
Music, PremieresApril 16, 2020<April 15, 2020

Premiere: Saachi Sen’s “Flaunt” Turns Love into a Spring Day Walk in the Park

by Frankie Rose
Rebekah Pahl © Andrea Behrends
Music, PremieresApril 16, 2020<April 16, 2020

Premiere: Rebekah Pahl Leans into Living Open-Handedly on “Falling Off the Map”

by Lowndes Commander
Last Vacation © Kristin Otharsson
Music, PremieresApril 16, 2020<April 16, 2020

Premiere: Last Vacation Inject Feeling & Energy into “How Could You Hurt Somebody You Love?”

by Lowndes Commander
Caroline Romano
Columns, Music, Today's SongApril 16, 2020<April 16, 2020

Today’s Song: Caroline Romano Makes Us Feel Less Alone with “Stream of Consciousness”

by Kelly McCafferty Dorogy
Victoria Reed © Andres Navarro
Music, PremieresApril 16, 2020<April 17, 2020

Premiere: Victoria Reed’s Empathic “Heal Your Pain” Inspires Inner Strength & Vulnerability

by Mitch Mosk
Soda Blonde
Features, Interviews, MusicApril 16, 2020<May 15, 2020

Interview: Artist-to-Watch Soda Blonde Soar in Stunning Debut EP ‘Terrible Hands’

by Mitch Mosk
Mundy's Bay ©
Columns, Debut, Music, Music You Should Know, ReviewsApril 15, 2020<April 15, 2020

Music You Should Know: Mundy’s Bay’s Debut ‘Lonesome Valley’ Is Must-Hear Material for Dream Pop Fans

by Ben Niesen
Slow Down - GRAE
Music, Reviews, This Just InApril 15, 2020<April 15, 2020

Review: “Slow Down” with GRAE in the Heat of the Moment on Her Seductive, Sultry Song

by Mitch Mosk
Flora Cash © Daniel C. Shippey
Features, Interviews, MusicApril 15, 2020<April 14, 2020

Baby, It’s Okay: An Interview with Indie Pop Couple Flora Cash

by Mitch Mosk
Firewoodisland - Firewoodisland
Interviews, Music, Reviews, Track-by-TrackApril 15, 2020<May 3, 2023

Feature: Inside Firewoodisland’s Hopeful & Hauntingly Beautiful Self-Titled Album

by Mitch Mosk
Columns, Music, Today's SongApril 15, 2020<April 15, 2020

Today’s Song: Audri Asks for Shelter and Security on “Harbor Me”

by Tim Horwood
Edward and Jane © Brooke Hamilton
Music, PremieresApril 15, 2020<May 29, 2020

Premiere: Edward and Jane’s Cinematic New Song “The Knife” Glows with Heartaching Beauty

by Mitch Mosk
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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