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Jason Isbell © Eric Ryan Anderson
Essays, MusicMay 11, 2020<May 11, 2020

Every Chorus Brings Us Closer: Appreciation & Aspiration from a Middle-Aged Fanboy

by Guest Writer
Gracie Abrams © Vince M. Aung
Columns, Music, Today's SongMay 11, 2020<May 11, 2020

Today’s Song: Gracie Abrams Commits to Moving Forward on “21”

by Madison Vettorino
Features, Music, Weekly RoundupMay 8, 2020<May 15, 2020

Atwood Magazine’s Weekly Roundup: May 8, 2020

by Atwood Magazine Staff
Roger O’Donnell © Elisabet Davidsdottir
Features, Interviews, MusicMay 8, 2020<May 11, 2020

Interview: The Cure’s Roger O’Donnell Discusses His Latest Beauty, ‘2 Ravens’

by Ilana Kalish
Yuki © Oli Spencer
Debut, Interviews, Music, ReviewsMay 8, 2020<May 8, 2020

Interview: Multi-Talented New Zealand Producer Yuki Talks Debut Album ‘Be Free’

by Ryan Feyre
W.O.T.W - Andrew
Music, ReviewsMay 8, 2020<May 8, 2020

Review: Andrew Morphs Blues Rock with Classic Boom-Bap on ‘WOTW’

by Ryan Feyre
LOVA © Beata Cervin
Features, Interviews, MusicMay 8, 2020<May 8, 2020

Interview: Sweden’s LOVA Gets Candid & Personal in New Single “Own Worst Enemy”

by Chloe Robinson
Chelsea Peretti © Taili Song Roth
Columns, Debut, Music, Music You Should Know, ReviewsMay 8, 2020<May 8, 2020

Music You Should Know: Chelsea Peretti’s ‘Foam and Flotsam’ Is Pure Comedic Gold

by Lexi Lane
Overindulgence - Oddnesse
Debut, Music, Reviews, Track-by-TrackMay 7, 2020<May 12, 2020

Feature: Oddnesse’s Unapologetic & Uncompromising Debut EP ‘Overindulgence’

by Mitch Mosk
Die 4 Ur Love - Tei Shi
Music, Reviews, This Just InMay 7, 2020<May 7, 2020

This Just In: Tei Shi Dances Her Way Past Desire & Devotion in “Die 4 Ur Love”

by Baylee Less
X © Kristy Benjamin
Features, Interviews, MusicMay 7, 2020<August 23, 2020

Interview: X’s Exene Cervenka on LA Punk Legends’ Return & New Album ‘ALPHABETLAND’

by Mariel Fechik
inadiquit - Bomethius 8.3
Music, Our Take, ReviewsMay 7, 2020<December 15, 2020

Our Take: Bomethius’ Ambitiously Crafted ‘inadiquit’ is More than Adequate

by Anthony Kozlowski
Let It Leave - Deau Eyes
Features, Music, Reviews, Track-by-TrackMay 7, 2020<May 7, 2020

Feature: Deau Eyes’ Dazzling Debut ‘Let It Leave’ Is Honest & Raw Indie Rock Passion

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicMay 7, 2020<May 6, 2020

Breaking the Record with Roan Yellowthorn, Part 14: What Matters

by Guest Writer
Columns, Music, Today's SongMay 7, 2020<May 7, 2020

Today’s Song: Noah Chenfeld Contemplates a World of Indifference on the Absorbing “Stop The Bus”

by Josh Weiner
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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