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Atwood Magazine's Albums of the Decade: 2015
Albums of the Decade, Columns, Features, MusicNovember 15, 2019<December 5, 2019

Our Favorite Albums of the Decade: 2015

by Atwood Magazine Staff
Mokita
Music, ReviewsNovember 15, 2019<November 14, 2019

Mokita Tackles Depression Head-On in Haunting Song “colorblind”

by Mitch Mosk
Mt. Joy © Andrew Keyser
Interviews, Mistletones, MusicNovember 15, 2019<November 15, 2019

Interview: Mt. Joy Talk Tour, New Music, and Their Blue Christmas Song “Every Holiday”

by Mitch Mosk
Lil Tjay © Daniel Prakopcyk
Columns, Music, Today's SongNovember 15, 2019<November 13, 2019

Today’s Song: Lil Tjay Sings His Heart Out on “Hold On”

by Ryan Feyre
Tunes & Tumblers Banner © Pedro Isaac Chairez
Music, Podcast, Tunes & TumblersNovember 15, 2019<April 30, 2023

Podcast: Tunes & Tumblers Leave the Box Behind with Bradford Reed’s “What’s Good for the Goose Is Good”

by Anthony Kozlowski
Julia Jonas
Music, PremieresNovember 14, 2019<November 14, 2019

Premiere: Julia Jonas Will “Lift You High” in Soaring New Song

by Mitch Mosk
LITTLE DUME © Tynan Daniels
Music, PremieresNovember 14, 2019<November 13, 2019

Premiere: Little Dume Glow Like the Northern Lights in “As Always”

by Mitch Mosk
Clairo © Nicole Almeida
Concerts, Music, ReviewsNovember 14, 2019<November 14, 2019

Live Review: Clairo is a Force to Reckon With at Philadelphia’s Union Transfer

by Nicole Almeida
Modern Vampires of the City - Vampire Weekend
Columns, Music, Nostalgia Tracks, ReviewsNovember 14, 2019<December 17, 2020

Nostalgia Tracks: Vampire Weekend’s Pilgrimage on “Hannah Hunt”

by Dalia
Micky James © Bamby
Columns, Music, Today's SongNovember 14, 2019<November 14, 2019

Today’s Song: Micky James Unravels the Drama of Unhealthy Relationships in “Crybaby”

by Chloe Robinson
Neon Trees © Grace Pickering
Features, Interviews, MusicNovember 14, 2019<January 30, 2020

Interview: Neon Trees Return with Electrifying Anthem “Used to Like”

by Mitch Mosk
Novemberism - Oliver Spalding
Debut, Interviews, Music, PremieresNovember 13, 2019<November 14, 2019

Album Premiere: Oliver Spalding Mesmerizes on Ethereal Debut ‘Novemberism’

by Adrian Vargas
Interviews, Music, Music Videos, PremieresNovember 13, 2019<November 14, 2019

Video Premiere: KaiL Baxley Evokes Grit and Beauty on “Beneath the Bones”

by Adrian Vargas
Frank Ocean 2019
Music, ReviewsNovember 13, 2019<November 21, 2019

Review: So, Did Frank Ocean Just ‘Save’ 2019 with Three New Songs?

by Urooj Ali Rizvi
Caravan Palace © Florent Drillon
Features, Interviews, MusicNovember 13, 2019<November 13, 2019

Retro-Futurism, Phenomenology, and Scatting Gibberish: A Conversation with Caravan Palace

by Danny Vagnoni
Posts pagination
1 … 475 476 477 478 479 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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