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Ritt Momney © James Kowalski
Debut, Music, ReviewsAugust 2, 2019<August 2, 2019

Album Review: Ritt Momney’s Triumphant Debut ‘Her and All of My Friends’

by Harper Beattie
Field Mouse © Katie Krulock
Music, PremieresAugust 2, 2019<August 2, 2019

Premiere: Field Mouse Get Apocalyptic in Intimate New Song “Black Hole, Son”

by Mitch Mosk
Time For T © Anna Becerra
Music, PremieresAugust 2, 2019<August 2, 2019

Premiere: The Dreamy Folk-Rock Flow of Time for T’s “Screenshot”

by Mitch Mosk
Columns, Music, Today's SongAugust 2, 2019<August 2, 2019

Today’s Song: Goth Babe Preserves DIY Elements of the Alternative Music Scene with “Imaginationcy”

by Harper Beattie
whywhywhy - MisterWives
Music, Reviews, This Just InAugust 1, 2019<August 1, 2019

MisterWives’ Unapologetic “whywhywhy” Is a Dynamic Post-Breakup Reckoning

by Mitch Mosk
JP Saxe © Josh Separzadeh / Deema Alansari
Features, Interviews, MusicAugust 1, 2019<August 1, 2019

Heartache & Hope in the Same Room: An Interview with JP Saxe

by Luke Pettican
Atwood Magazine Editor's Picks 2019 July 29
Columns, Editor's Picks, Features, MusicAugust 1, 2019<November 14, 2023

Editor’s Picks: July 29, 2019

by Mitch Mosk
Lily Kershaw © Shervin Lainez
Interviews, Music, PremieresAugust 1, 2019<August 1, 2019

Premiere: Lily Kershaw Grapples with Past & Present in Her Latest Single “Now & Then”

by Madison Vettorino
Opeongo © 2019
Music, PremieresAugust 1, 2019<October 22, 2019

Premiere: Opeongo’s Expansive Single “Less of Me” Gives Us More

by Ilana Kalish
Rosier © Anne Sophie Coiteux
Music, PremieresAugust 1, 2019<August 1, 2019

Premiere: Rosier Reveal Their New Identity in “Vie Pénible”

by Ditta Demeter
Rhys Lewis © Daniel Alexander Harris
Columns, Music, Today's SongAugust 1, 2019<August 1, 2019

Today’s Song: The Reflective Rumination of Rhys Lewis’ “What If”

by Luke Pettican
Kew the Music 2019
Festival, Music, ReviewsAugust 1, 2019<July 31, 2019

Review: Kew the Music Festival 2019

by Hermione Kellow
Music, Our Take, ReviewsJuly 31, 2019<December 15, 2020

Review: Ian Ferguson’s ‘State of Gold’ Is Your New Summer Road Tunes Record

by Oliver Crook
So Sensitive © Ashlyn Hubenak, edited by Cam Perkins
Debut, Music, Premieres, ReviewsJuly 31, 2019<July 31, 2019

Album Premiere: Female Energy Fuels So Sensitive’s Alluring Debut ‘Bedroom Drama’

by Mitch Mosk
Carriers © Michael Wilson
Music, PremieresJuly 31, 2019<July 31, 2019

Premiere: Memory, Love, & Hope Permeate Carriers’ Heart-Rending “Heaven’s People”

by Mitch Mosk
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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  • New Music Releases
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