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Music, Music Videos, PremieresJuly 25, 2019<July 25, 2019

Premiere: Longing and Nostalgia in Kensington Moore’s “Slow”

by Ben Beamish
Terrible Sons © Stefan Roberts
Music, Premieres, ReviewsJuly 25, 2019<October 7, 2020

EP Premiere: The Honey & Salt of Terrible Sons’ ‘With Feathers’ Explores the Weight of the Soul

by Oliver Crook
Maggie Rogers 2019 © Olivia Bee
Columns, Music, Today's SongJuly 25, 2019<July 24, 2019

Today’s Song: Maggie Rogers Stuns with “Say It”

by Madison Vettorino
Harry Strange © Anna Lowry
Features, Interviews, MusicJuly 25, 2019<July 25, 2019

Interview: Crying at the Party with Harry Strange

by Luke Pettican
Music, VariationsJuly 24, 2019<July 24, 2019

Variations: Gustav Mahler’s Anguish and Ecstasy in “Adagietto”

by Coco Rich
Atwood Magazine Editor's Picks 18
Columns, Editor's Picks, Features, MusicJuly 24, 2019<August 22, 2019

Editor’s Picks: July 22, 2019

by Mitch Mosk
Chloe Tang © Eunice Beck
Music, PremieresJuly 24, 2019<July 24, 2019

Premiere: Chloe Tang Embraces the Honeymoon Phase in “Take Care“

by Mitch Mosk
Roddy - Djo
Debut, Music, This Just InJuly 24, 2019<July 24, 2019

This Just In: Post Animal’s Joe Keery Releases Solo Debut as Djo with “Roddy”

by Mariel Fechik
demo EP - secret girl
Debut, Music, ReviewsJuly 24, 2019<July 23, 2019

Review: The Grey World of Secret Girl’s ‘demo’ EP

by Danielle Chelosky
Big Society
Columns, Music, Today's SongJuly 24, 2019<July 24, 2019

Big Society Captures All Your Youthful Adventures on “Marine Club Party”

by Oliver Crook
Ruel © Michelle Grace Hunder (@michelleghunder)
Features, Interviews, MusicJuly 23, 2019<September 19, 2019

Ready to Ruel: A Conversation with Australia’s Soulful Pop Sensation

by Mitch Mosk
Keren Ilan © Ariel Pedatzur
Music, Music Videos, PremieresJuly 23, 2019<July 24, 2019

Premiere: Keren Ilan Channels Loss & Detachment in Raw Debut “This Morning, Yesterday”

by Mitch Mosk
Grand Canyon © Amanda Rowan
Music, PremieresJuly 23, 2019<July 23, 2019

Premiere: Grand Canyon Put a Spin on Classic Rock with “It Is What It Is”

by Alicia Bugallo
THE WLDLFE
Interviews, Music, PremieresJuly 23, 2019<July 23, 2019

Premiere: The WLDLFE’s Buoyant “Self-Lovin” Offers an Antidote to Exhaustion

by Luke Pettican
Tunes and Tumbler Dudes Ventura © Pedro Isaac Chairez
Music, Podcast, Tunes & TumblersJuly 23, 2019<April 30, 2023

Podcast: Tunes & Tumblers Takes a Ride up the Coast with Anderson .Paak’s ‘Ventura’

by Anthony Kozlowski
Posts pagination
1 … 503 504 505 506 507 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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