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Bon Iver © Graham Tolbert And Crystal Quinn
Columns, Music, Today's SongJune 11, 2019<June 25, 2019

Today’s Song: Bon Iver Build a Storm and Shelter with “Hey, Ma”

by James Crowley
All Points East Logo
Festival, Music, ReviewsJune 11, 2019<June 21, 2019

Highlights from All Points East Festival

by Hermione Kellow
Christian French © Christian Sarkine
Features, Interviews, MusicJune 10, 2019<June 10, 2019

A Dream Becoming a Reality: A Conversation with Christian French

by Kelsey Fitzgerald
Ritt Momney © James Kowalski
Columns, Music, Today's SongJune 10, 2019<June 10, 2019

Today’s Song: Ritt Momney’s Witty, Indie Masterpiece “On Love (An Alternative Response to Almitra’s Request)”

by Nicole Almeida
Features, Music, Weekly RoundupJune 7, 2019<June 7, 2019

Atwood’s Weekly Roundup: June 7, 2019

by Atwood Magazine Staff
Titanic Rising - Weyes Blood
Music, Our Take, ReviewsJune 7, 2019<June 7, 2019

Our Take: The Cinematic Pull of Weyes Blood’s ‘Titanic Rising’

by Frankie Rose
Editor's-Picks-06-07-2019
Columns, Editor's Picks, Features, MusicJune 7, 2019<July 3, 2019

Editor’s Picks: June 7, 2019

by Mitch Mosk
Tunes & Tumblers Banner © Pedro Isaac Chairez
Music, Podcast, Tunes & TumblersJune 7, 2019<April 30, 2023

Podcast: Tunes & Tumblers Introduces Your New Drinking Buddies

by Anthony Kozlowski
Maude Latour © Angela Platt
Columns, Music, Today's SongJune 7, 2019<June 7, 2019

A Different Kind of Love Song: Maude Latour Enchants with Latest Single “Plans”

by Adrian Vargas
John Paul White © Alysse Gafken
Features, Interviews, MusicJune 6, 2019<June 6, 2019

Interview: Reviving Countrypolitan Music with John Paul White’s ‘The Hurting Kind’

by Frankie Rose
WESLEE © Sergio Necoechea
Interviews, Music, PremieresJune 6, 2019<June 6, 2019

Premiere: Indulgent As Ever, WESLEE Return with Irresistible “London Love”

by Mitch Mosk
Music, PremieresJune 6, 2019<June 6, 2019

Premiere: Alec Shaw Astonishes on Soul-Filled Single “Alone In My Bed”

by Adrian Vargas
Sylvan Esso © Kendall Bailey
Columns, Music, Today's SongJune 6, 2019<June 6, 2019

Today’s Song: Sylvan Esso’s Quiet Reprieve “Slack Jaw”

by Coco Rich
Deanna Petcoff © Sabrina Carrizo-Sztainbok
Interviews, MusicJune 5, 2019<June 5, 2019

Interview: Deanna Petcoff Channels Angst & Insecurity into Third Single “Stage Lights”

by Mitch Mosk
Podge © 2019
Debut, Music, PremieresJune 5, 2019<June 5, 2019

Premiere: Podge Dreams Up Something New in Sun-Kissed Debut “Yuka-Peno”

by Mitch Mosk
Posts pagination
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Brand New

  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers

:: discover something new ::

Recent Posts

  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
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© Atwood Magazine 2024 For the Love of Music
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