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XYLØ © Nikko LaMere
Debut, Features, Interviews, MusicMarch 4, 2019<March 4, 2019

Sad Glamour: A ‘Pretty Sad’ Interview with XYLØ

by Caitlin Ison
Dear Seattle © Pat O'Hara
Columns, Music, Today's SongMarch 4, 2019<March 4, 2019

Today’s Song: Australia’s Dear Seattle Bring Modern Sensibility to Old School Pop Punk with “Homegrown”

by James Crowley
Music, Reviews, This Just InMarch 1, 2019<March 8, 2019

This Just In: Tank and The Bangas’ New Banger, “Ants”

by Mariel Fechik
Atwood Magazine's Weekly Roundup 3-01-2019 art
Columns, Features, Music, Weekly RoundupMarch 1, 2019<March 20, 2019

Atwood Magazine’s Weekly Roundup: March 1, 2019

by Atwood Magazine Staff
The Japanese House Lilo
Features, Interviews, MusicMarch 1, 2019<March 20, 2019

Feature: Falling for The Japanese House

by Nicole Almeida
Deep Water - Cape Francis
Music, Premieres, ReviewsMarch 1, 2019<March 2, 2019

Album Premiere: Cape Francis’ ‘Deep Water’ Is Raw Alternative Bliss

by Mitch Mosk
Maria Neckam © Danielle Quintanilla
Music, Music Videos, PremieresMarch 1, 2019<February 28, 2019

Premiere: Maria Neckam is Unafraid of Change in “Familiar”

by Caitlin Ison
Cat Clyde © 2019
Music, Today's SongMarch 1, 2019<February 28, 2019

Today’s Song: Cat Clyde Provides a Dark & Meditative Voyage with “All the Black”

by Adrian Vargas
Quelle Rox © Kelli McGuire
Music Videos, PremieresMarch 1, 2019<February 28, 2019

Premiere: Quelle Rox’s “Tired” Turns Fatigue into a Lusciously Hypnotic Celebration

by Frankie Rose
Donovan Woods © Matt Barnes
Features, Interviews, MusicFebruary 28, 2019<March 20, 2019

The Anxious, Liminal Life on the Road: An Interview with Donovan Woods

by Mitch Mosk
James Blake 2019 © Nicole Almeida
Concerts, Music, ReviewsFebruary 28, 2019<February 28, 2019

Live: James Blake’s Ravishing Minimalism Captivates Philadelphia

by Nicole Almeida
The Next Great American Novelist © Shervin Lainez
Music, Music Videos, PremieresFebruary 28, 2019<February 28, 2019

Premiere: The Next Great American Novelist Return with Infectiously Alternative “Blackberry”

by Mitch Mosk
Head for the Hills © Cynthia Wilson
Music, PremieresFebruary 28, 2019<February 28, 2019

Premiere: Head for the Hills Chase the Daylight on “Darkness Meets the Day”

by Anthony Kozlowski
Calan Mai music
Music, PremieresFebruary 28, 2019<February 28, 2019

Premiere: Calan Mai’s Catchy “Friend of a Friend,” a Tender Love Song to an Ex

by Mitch Mosk
I'm Set by Baby Boys
Debut, Music, ReviewsFebruary 28, 2019<February 28, 2019

EP Review: Baby Boys Reinvent the Creative Process on Debut EP ‘I’m Set’

by Meredith Nardino
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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