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Tommy 2019
Features, Interviews, MusicFebruary 28, 2019<February 28, 2019

Interview: Tommy Tackles Desolate Desperation with “Pyre”

by Luke Pettican
Vesper Wood © Imani Givertz
Music, Music Videos, PremieresFebruary 28, 2019<February 28, 2019

Premiere: The Hauntingly Intimate Empowerment of Vesper Wood’s “The Wall”

by Mitch Mosk
Girls Like Me
Music, Music Videos, PremieresFebruary 28, 2019<February 28, 2019

The Importance of Expressing Our Vulnerable Side with Fiona Grey’s “Girls Like Me”

by Frankie Rose
Matthew Pinder
Music, PremieresFebruary 27, 2019<February 27, 2019

Premiere: The Tender Ache of Matthew Pinder’s “Break My Heart and Let Me Go” ft. Molly Bush

by Mitch Mosk
Sticky Fingers - Yours to Keep Album Art
ReviewsFebruary 27, 2019<February 28, 2019

Review: Sticky Fingers Pull Back the Veil in ‘Yours to Keep’

by James Meadows
The Desert Bitterness still
Music, Music Videos, PremieresFebruary 27, 2019<February 27, 2019

Premiere: The Desert Find Strength in Sadness with “Bitterness”

by Luke Pettican
Travis Hayes 2019
Music, PremieresFebruary 27, 2019<February 27, 2019

Premiere: The Stirring Nostalgia of Travis Hayes’ Rich “Empty Orchestra”

by Mitch Mosk
Tiny Hueman © 2019
Columns, Music, Today's SongFebruary 27, 2019<February 27, 2019

Creative Democracy: A Conversation with Tiny Hueman

by Danny Vagnoni
Meadowlark © Felix Russel Shaw
Columns, Music, Today's SongFebruary 27, 2019<February 26, 2019

Today’s Song: Meadowlark Embark on an Introspective Journey with “H.I.T.H.”

by Alicia Bugallo
As It Is © Ian Coulson
Features, Interviews, MusicFebruary 26, 2019<July 19, 2021

Emotionally Intelligent Songs: A Conversation with Patty Walters of As It Is

by James Crowley
Paper Jackets © 2019
Interviews, Music, Music Videos, PremieresFebruary 26, 2019<February 26, 2019

Video Premiere: Paper Jackets Set Off in Impassioned Anthem “Trigger”

by Mitch Mosk
Lost Leaders 2019
Music, Music Videos, PremieresFebruary 26, 2019<February 26, 2019

Premiere: Satisfy Yourself with Lost Leaders’ Catchy Critique, “People Like Us”

by Mitch Mosk
Gold Connections 2019
Music, PremieresFebruary 26, 2019<February 26, 2019

Premiere: Gold Connections’ “Locust Days” Is a Pace Through the Whirlwind of Life

by Frankie Rose
Melody's Echo Chamber © Diane Sagnier
Music, ReviewsFebruary 26, 2019<February 26, 2019

Review: Melody’s Echo Chamber’s ‘Bon Voyage’, a Psychedelic Journey of Human Struggle & Self Reflection

by Hermione Kellow
Editor's Picks 02-25-2019
Columns, Editor's Picks, Features, MusicFebruary 25, 2019<March 20, 2019

Editor’s Picks: February 25, 2019

by Mitch Mosk
Posts pagination
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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  • New Music Releases
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