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Good Air - Nap League
Music, Music Videos, PremieresFebruary 25, 2019<February 25, 2019

Premiere: Good Air’s Hazy, Intimate “Nap League” Embraces the Beauty in Simplicity

by Mitch Mosk
J.S. Ondara © Josh Cheuse
Debut, Music, ReviewsFebruary 25, 2019<February 25, 2019

Review: J.S. Ondara Understands America Way Better Than We Do on Debut ‘Tales of America’

by Oliver Crook
Broken Social Scene 2019 1
Columns, Music, Today's SongFebruary 25, 2019<August 1, 2023

Today’s Song: Broken Social Scene Are Enchantingly Chaotic with Lovelorn Jam “Boyfriends”

by Abby Jones
Ariana Grande - thank u, next
Features, Music, Reviews, RoundtableFebruary 22, 2019<June 29, 2024

Roundtable Discussion: A Review of Ariana Grande’s ‘thank u, next’

by Atwood Magazine Staff
Atwood Magazine's Weekly Roundup 2-22-2019
Columns, Features, Music, Weekly RoundupFebruary 22, 2019<March 1, 2019

Atwood Magazine’s Weekly Roundup: February 22, 2019

by Atwood Magazine Staff
Swindle 2019
Columns, Music, Today's SongFebruary 22, 2019<February 22, 2019

Swindle & Kojey Radical’s “Coming Home” Is a Euphoric Triumph (and it Sounds Like One, Too)

by Matthew Dunn
Josie Dunne © Bree Marie Fish
Music, Music Videos, PremieresFebruary 22, 2019<March 1, 2019

Premiere: Get It on with Josie Dunne’s Catchy Make Out Anthem “Mute”

by Mitch Mosk
Crushing by Julia Jacklin
Music, Our Take, ReviewsFebruary 22, 2019<February 22, 2019

Our Take: Julia Jacklin’s ‘Crushing’ Is an Outstanding Example of Personal and Musical Growth

by Adrian Vargas
Change of Scenery - Buddie
Debut, Music, ReviewsFebruary 21, 2019<February 21, 2019

EP Review: The Raw Rock Punch of Buddie’s Debut ‘Change of Scenery’

by Mitch Mosk
RKCB - Shores EP artwork
Music, ReviewsFebruary 21, 2019<February 21, 2019

EP Review: The Dreamy, Dazzling Beauty of RKCB’s Intimate ‘Shores’

by Mitch Mosk
Manatee Commune © Allen Daniel
Music, PremieresFebruary 21, 2019<February 21, 2019

Premiere: The Joy and Trappings of Being “Famous” with Manatee Commune

by Alex Killian
The Last Internationale © 2019
Columns, Music, Tunes & TumblersFebruary 21, 2019<December 29, 2024

Tunes & Tumblers: Knock Back a Rusty Nail with The Last Internationale

by Anthony Kozlowski
Marina City © 2019
Music, PremieresFebruary 21, 2019<February 21, 2019

Premiere: Marina City’s Seductively Sweet “Addicted”

by Mitch Mosk
2012–2017 Against All Logic
Columns, Music, Music You Should KnowFebruary 21, 2019<February 21, 2019

Music You Should Know: Against All Logic, a Jaar by Another Name is Ever More Sweet

by Ben Niesen
Julia Michaels © Clare Gillen
Columns, Music, Today's SongFebruary 21, 2019<February 20, 2019

Today’s Song: Julia Michaels & Selena Gomez Open Up a Conversation About Mental Health with “Anxiety”

by Alicia Bugallo
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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