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KTJ & CARLY © Joseph Lee
Columns, Music, Today's SongMarch 16, 2023<April 30, 2023

KTJ & CARLY Remind Us to Stop Stressing Over “Shitty People” in Lush, Haunting New Single

by Chloe Robinson
Bertie Newman © Anna Lowry
Columns, Music, Today's SongMarch 15, 2023<April 30, 2023

London’s Bertie Newman Spills His Worried Mind in “Wasted on Me,” an Achingly Intimate Indie Folk Confessional

by Mitch Mosk
Tonia © 2023
Debut, Features, Interviews, Music, Track-by-TrackMarch 15, 2023<April 30, 2023

“Dreamy, Cathartic, & Truthful”: Liverpool’s Tonia Stuns & Stirs on Soul-Soaked Debut EP ‘Afloat’

by Mitch Mosk
Bedroom © Alex Berger
Music, PremieresMarch 15, 2023<April 30, 2023

Premiere: Bedroom Finds a Beautiful Home in “Better Friends,” His Brutally Honest & Achingly Raw New Single

by Mitch Mosk
A Different Kitchen © Felix Jordan
Debut, Music, PremieresMarch 15, 2023<April 30, 2023

Premiere: A Different Kitchen Serve Up Alternative Catharsis on Seismic Debut Single “I’m Fine I’m Fine”

by Mitch Mosk
Two Trains Left © Alexis Fontaine
Music, Music Videos, PremieresMarch 15, 2023<April 30, 2023

Premiere: Two Trains Left Ruminate on the Pursuit of Peace and Quietude in “Lack of Sleep”

by Isabella Le
Tunes & Tumblers x Quarters of Change 2023
Music, Podcast, Tunes & TumblersMarch 14, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features Quarters of Change and a Tortured Heart

by Atwood Magazine Staff
Scott Matthews © Adam Bulley
Music, PremieresMarch 14, 2023<April 30, 2023

Premiere: The Fragile, Breathtaking Raw Beauty of Scott Matthews’ “My Selfless Moon” (Acoustic)

by Mitch Mosk
SUPERGLUE - Ella Vos
Features, Interviews, MusicMarch 14, 2023<April 30, 2023

Interview: Ella Vos Shines with Feminine Reclamation in Third Album, ‘SUPERGLUE’

by Rachel Leong
Beach Fossils © Sinna Nasseri
Columns, Music, Today's SongMarch 14, 2023<April 30, 2023

Today’s Song: Beach Fossils Return From Hiatus with Surf Rock Track, “Don’t Fade Away”

by Minna Abdel-Gawad
Royel Otis © Alex Wall
Columns, Music, Today's SongMarch 13, 2023<April 30, 2023

Today’s Song: “Sofa Kings” Is Royel Otis’ Gorgeous, Euphoric & Sunny Ode to Couch Royalty

by Mitch Mosk
Tommy Ashby © Matthew Bowen
Debut, Features, Interviews, Music, Track-by-TrackMarch 13, 2023<April 30, 2023

“Music Connects People”: Indie Folk Artist Tommy Ashby Shines on ‘Lamplighter,’ His Breathtaking Debut Album

by Mitch Mosk
Sophia Marie © Panav Gududuri
Editorials, Music, Women's History MonthMarch 13, 2023<January 21, 2024

“Solo Travel Abroad, the Catalyst for a Music Career”: An Essay by Sophia Marie

by Guest Writer
Pax Cultura © Stéfan, The Photographer
Debut, Music, Music Videos, PremieresMarch 13, 2023<April 30, 2023

Premiere: South London’s Pax Cultura Debut with “Heavy Machinery,” a Cinematic & Emotionally Charged Indie Rock Eruption

by Mitch Mosk
Alaska Reid © Audrey Hall
Columns, Music, Today's SongMarch 11, 2023<April 30, 2023

Alaska Reid’s Dreamy “Back to This” Proves an Enchanting First Look at Debut Album, ‘Disenchanter’

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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