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Katie Boeck © Josh Kranich
Music, PremieresFebruary 8, 2023<February 8, 2023

Premiere: Nashville’s Katie Boeck Makes Peace with the Past in Smoldering Song, “Over Again”

by Mitch Mosk
Vagabon - "Carpenter" © Ace Amir & Alexa Viscius
Columns, Music, Today's SongFebruary 8, 2023<February 8, 2023

Today’s Song: Vagabon’s “Carpenter” Captures the Beauty of Growth, Learning, and Complete Understanding

by Lauren Turner
Tunes & Tumblers x Stacey Ryan, 2023-02-07
Music, Podcast, Tunes & TumblersFebruary 7, 2023<April 30, 2023

Podcast: Tunes & Tumblers Features Stacey Ryan and a Love Life Story

by Atwood Magazine Staff
Virginia Sweet © Andrew Kuykendall
Debut, Features, Interviews, Music, Track-by-TrackFebruary 7, 2023<February 7, 2023

Feature: Virginia Sweet’s Debut EP ‘The Revival’ Soars with Feverish, Smoldering Southern Rock Charm

by Mitch Mosk
Personal Trainer © 2022
Features, Interviews, Music, Track-by-TrackFebruary 7, 2023<February 7, 2023

Feature: Indie Pop Duo Personal Trainer Shine on Cinematic, Evocative, & Cathartic ‘Reflex’ EP

by Mitch Mosk
janney - JANNEY
Debut, Features, Interviews, Music, Track-by-TrackFebruary 7, 2023<February 7, 2023

Track-by-Track: JANNEY Dives into His Smoldering & Cinematic Self-Titled Debut Album

by Mitch Mosk
Billie Marten © Katie Silvester
Columns, Music, Today's SongFebruary 7, 2023<February 7, 2023

Today’s Song: Billie Marten Creates a Peaceful Safe Haven in “This Is How We Move”

by Minna Abdel-Gawad
Patrick James © 2022
Features, Interviews, Music, Track-by-TrackFebruary 6, 2023<February 6, 2023

Feature: Patrick James Embraces Self-Reliance on Nostalgic, Autobiographical, & Heartfelt Sophomore LP ‘I’ll Take Care of Myself, If You Take Care of Yourself’

by Mitch Mosk
What Kind Of Music Do You Like To Listen To? - Coconut Cream
Features, Music, Track-by-TrackFebruary 6, 2023<February 6, 2023

Feature: Sydney’s Coconut Cream Shine on Dreamy & Golden EP, ‘What Kind of Music Do You Like to Listen To?’

by Mitch Mosk
SYML © Sarah Cass
Features, Interviews, Music, Track-by-TrackFebruary 3, 2023<February 4, 2023

“Cozy, Honest, Imperfect”: SYML Dives into the Raw Depths of ‘The Day My Father Died,’ an Album of Grief & Love

by Mitch Mosk
Somebody's Child © Nicholas O'Donnell
Debut, Features, Interviews, Music, Track-by-TrackFebruary 3, 2023<February 3, 2023

Feature: Somebody’s Child Soars Triumphant on Urgent, Brutal, & Honest Self-Titled Debut

by Mitch Mosk
Atwood Magazine's Weekly Roundup | February 3, 2023
Columns, Features, Music, Weekly RoundupFebruary 3, 2023<May 15, 2023

Atwood Magazine’s Weekly Roundup: February 3, 2023

by Atwood Magazine Staff
Cal in Red © 2023
Columns, Music, Today's SongFebruary 3, 2023<February 2, 2023

Today’s Song: Cal in Red Shift into Gear with “Corvette” Off New EP, ‘On the Dance Floor’

by Beau Hayhoe
Human - Signe Vange
Interviews, Music, Track-by-TrackFebruary 2, 2023<February 2, 2023

Track-by-Track: Signe Vange’s Softly Stirring, Achingly Raw, & Beautifully ‘Human’ EP

by Mitch Mosk
Cristóvam © Timothy Lima
Music, Reviews, Track-by-TrackFebruary 2, 2023<February 2, 2023

Track-by-Track: Cristóvam Delves into Emotive Catharsis & an Ever-Evolving Narrative with ‘Songs on a Wire’

by Joe Beer
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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