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Gabríel Ólafs © Vidar Logi
Music, PremieresApril 28, 2022<April 28, 2022

Premiere: Icelandic Composer Gabríel Ólafs Stirs the Soul with Achingly Beautiful “The Drifter”

by Mitch Mosk
artemis orion "marooned on the moon" © Ronnie Loyd
Music, PremieresApril 28, 2022<April 28, 2022

Watching from Above: artemis orion Offers a Life Raft in Stirring New Song “marooned on the moon”

by Emily Frances Algar
Atwood Magazine Editor's Picks 61
Columns, Editor's Picks, Features, MusicApril 27, 2022<September 29, 2022

Editor’s Picks 61: Jemima Coulter, Been Stellar, Rosie Carney, Carmody, She Her Her Hers, & dayaway!

by Mitch Mosk
Casey Dubie © 2022
Features, Interviews, Music, Track-by-TrackApril 27, 2022<April 27, 2022

Feature: Casey Dubie Shines Bright on Sophomore LP ‘Half-Hearted’, an Honest & Reflective Stream of Consciousness

by Mitch Mosk
Sweet Company - Vicky Farewell
Debut, Features, Interviews, Music, Track-by-TrackApril 27, 2022<April 27, 2022

“Sincere, Refreshing, & Effortless”: Vicky Farewell’s Debut Album Is Sun-Soaked ‘Sweet Company’

by Mitch Mosk
Dent May on film © Sophie Prettyman-Beauchamp
Festival, Music, PhotographyApril 26, 2022<April 26, 2022

Gallery: Bands on Film at Treefort 10

by Sophie Prettyman-Beauchamp
Sophia Bel © Will Arcand
Debut, Features, Interviews, Music, Track-by-TrackApril 26, 2022<September 29, 2022

Feature: Sophia Bel Opens Up on Her Stunningly Vulnerable, Transparent & Playful Debut ‘Anxious Avoidant’

by Mitch Mosk
Deer Scout © Felix Walworth
Debut, Features, Interviews, Music, Track-by-TrackApril 26, 2022<May 15, 2022

“Small, Close, & Sentimental”: Inside Deer Scout’s Comforting Debut Album ‘Woodpecker’

by Mitch Mosk
Rosalia © Greg Swales
Music, ReviewsApril 25, 2022<April 25, 2022

Rosalía at the Margins: A Review of ‘Motomami’

by David Buyze
Matchess © Marzena Abrahamik
Music, ReviewsApril 25, 2022<April 25, 2022

Album Review: Matchess’ ‘Sonescent’ Is an Amalgam of Sounds, Space, & Reflection

by Nick Matthopoulos
Atwood Magazine Editor's Picks 60
Columns, Editor's Picks, Features, MusicApril 22, 2022<September 29, 2022

Editor’s Picks 60: Lo, Jo Schornikow, Lisa Remar, Moreton, Katy J Pearson, & néomí

by Mitch Mosk
Atwood Magazine's Weekly Roundup | April 22, 2022
Columns, Features, Music, Weekly RoundupApril 22, 2022<April 22, 2022

Atwood Magazine’s Weekly Roundup: April 22, 2022

by Atwood Magazine Staff
Osees © Sophie Prettyman-Beauchamp
Festival, MusicApril 22, 2022<April 22, 2022

Gallery: Highlights of Treefort 10

by Atwood Magazine Staff
Features, Interviews, MusicApril 21, 2022<May 12, 2023

Interview: Lizzy McAlpine Cuts Deep with Stunning Sophomore LP ‘five seconds flat’

by Nasim Elyasi
Sandman Sleeps © Parisa Farbakhsh
Debut, Features, Interviews, Music, Track-by-TrackApril 21, 2022<April 21, 2022

Track-by-Track: Inside Sandman Sleeps’ Stirring, Honest, & Climatic Debut Album, ‘Crisis Actor’

by Mitch Mosk
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Brand New

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe”
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

:: discover something new ::

Recent Posts

  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
  • “All You Need Is Community, Food, Nature, Music”: Hannah Cohen Is Finding Her Way Forward June 2, 2026
  • “Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning June 2, 2026
  • ‘Overnight Delivery’: How the New Delicate Steve EP Is Reviving the Role of Guitarist June 2, 2026
  • “I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release June 2, 2026
  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
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