Music, PremieresFebruary 22, 2022<February 22, 2022 Premiere: Singer/Songwriter Erisy Watt’s “Big Sky” Relishes the Warm Bliss of Freedom by Mitch Mosk
Music, PremieresFebruary 22, 2022<April 13, 2022 Premiere: Pink Honey Moan’s Dynamic “Make Believe” Is a Song of Truth, Layers, & Understanding by Mitch Mosk
Columns, Debut, Music, Today's SongFebruary 21, 2022<February 17, 2022 Today’s Song: Davey Harris’ Moody & Introspective Debut Single “Self Saboteur” by Chloe Robinson
Features, Music, Reviews, Track-by-TrackFebruary 18, 2022<February 18, 2022 “Chaotic, Apathetic, & Melodic”: Weatherstate Take Us Through the Fervor of New Album ‘Never Better’ by Mitch Mosk
Features, Interviews, MusicFebruary 18, 2022<February 18, 2022 Feature: Joywave Wash, Rinse, and Start Fresh on New Album ‘Cleanse’ by Anthony Kozlowski
Music, PremieresFebruary 18, 2022<February 18, 2022 Premiere: B-Drop Worldwide Showcases LA’s Not From England by Mitch Mosk
Columns, Features, Music, Weekly RoundupFebruary 18, 2022<February 18, 2022 Atwood Magazine’s Weekly Roundup: Black History Month 2022 by Atwood Magazine Staff
Debut, Features, Interviews, MusicFebruary 18, 2022<February 17, 2022 Interview: Samm Henshaw’s ‘Untidy Soul’ Is a Timeless Classic with a Modern Touch by Mitch Mosk
Columns, Music, Today's SongFebruary 18, 2022<February 18, 2022 Today’s Song: JEVERSON Embraces Life’s Good Times on Beachy, Sun-Soaked “Somethin’ in the Water” by Mitch Mosk
Interviews, Music, ReviewsFebruary 17, 2022<February 21, 2022 “Raw, Otherworldly, & Surprising”: South Africa’s BLK JKS Roar on ‘Abantu / Before Humans’, a Singular Second Album by Mitch Mosk
Features, Music, Reviews, Track-by-TrackFebruary 17, 2022<February 17, 2022 “Dream Away from Daily Life”: Inside Plàsi’s Sweetly Stirring Sophomore Album ‘Foreign Sea’ by Mitch Mosk
Columns, Music, Today's SongFebruary 17, 2022<February 17, 2022 Today’s Song: BADBADNOTGOOD Remind Us Why We Love Them on “Beside April” by Adam Davidson
Features, Music, Reviews, Track-by-TrackFebruary 16, 2022<February 16, 2022 “Eclectic, but Relatable”: Inside Manuel the Band’s Sun-Kissed Sophomore LP ‘Things That Can’t Be Seen’ by Mitch Mosk
Columns, Debut, Music, Today's SongFebruary 16, 2022<February 16, 2022 Coventry’s The Last Broadcast Debut with Stirring “Daisy,” a Beautifully Vulnerable Song of Trauma, Forgiveness, & Hope by Mitch Mosk
Debut, Features, Interviews, MusicFebruary 16, 2022<February 16, 2022 Interview: The Moving Stills Open Up in Glistening Debut Album ‘Sunshine Corner’ by Joe Beer
For the Love of Music
For the Love of Music
