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Features, Interviews, MusicSeptember 20, 2021<October 27, 2021

A Way to Harmonize: Becca Stevens & The Secret Trio on Fate and Expanding Tradition

by Mariel Fechik
Atwood Magazine's Weekly Roundup | September 17, 2021
Columns, Features, Music, Weekly RoundupSeptember 17, 2021<September 17, 2021

Atwood Magazine’s Weekly Roundup: September 17, 2021

by Atwood Magazine Staff
carwash © Athena Merry
Debut, Features, Music, Reviews, Track-by-TrackSeptember 17, 2021<September 17, 2021

“Friendship, Empathy, & Youth”: carwash’s Radiant Debut EP ‘soap water’ Captures the Wonder of Connection & Intimacy

by Mitch Mosk
Noah Kahan © Aysia Marotta
Features, Music, Reviews, Track-by-TrackSeptember 17, 2021<October 5, 2021

A Beautiful Inner Reckoning: Noah Kahan’s Stirring ‘I Was / I Am’ Plunges into the Deepest Depths of Self

by Mitch Mosk
Overcoats © Aysia Marotta
Features, Interviews, MusicSeptember 17, 2021<September 16, 2021

Not Scared Anymore: A Conversation with Overcoats

by Coco Rich
José González © Peter Toggeth / Mikel Cee Karlsson
Features, Interviews, MusicSeptember 16, 2021<September 29, 2022

Interview: José González Is Confident in Who He Is on Dynamic New Album ‘Local Valley’

by Kosiso Ugwueze
Timothy Edward Carpenter © Samuel Greenhill
Artist to Watch, Debut, Music, PremieresSeptember 16, 2021<September 16, 2021

Artist to Watch: Timothy Edward Carpenter’s Debut EP ‘the boy from ohio’ Is an Intimate & Beautifully Raw Upheaval

by Mitch Mosk
Art School Girlfriend © Jake Green
Debut, Features, Music, Reviews, Track-by-TrackSeptember 16, 2021<September 16, 2021

“Dark, Light, & Bloomy”: Art School Girlfriend’s Debut Album ‘Is It Light Where You Are’ and the Breathtaking Weight of Loss

by Mitch Mosk
Columns, Music, ReviewsSeptember 16, 2021<March 2, 2025

Album Review: Tyler, The Creator Opens Up His World & Reflects on Lost Love in ‘CALL ME IF YOU GET LOST’

by Adam Davidson
Hayden Calnin © Al Parkinson 9.4
Features, Music, Our Take, Reviews, Track-by-TrackSeptember 16, 2021<September 16, 2021

‘What It Means to Be Human’: Hayden Calnin Dives into the Beautiful Depths of His Cinematic & Stunning Third LP

by Mitch Mosk
Treefort Music Fest 2018 © Glenn Landberg
Features, Festival, Music, PreviewsSeptember 16, 2021<November 10, 2021

(Y)Our Guide to Treefort Music Fest 2021!

by Atwood Magazine Staff
Young Rising Sons © 2021
Music, Music Videos, PremieresSeptember 15, 2021<September 15, 2021

Premiere: Young Rising Sons Revel in Past Highs on Nostalgic Anthem “Good Days”

by Mitch Mosk
Haley Johnsen © 2021
Music, PremieresSeptember 15, 2021<September 15, 2021

Premiere: Haley Johnsen Returns with Intimate & Enchanting “Goner,” a Song of Loss, Longing, & Hope

by Mitch Mosk
Casey Dubie © 2021
Music, PremieresSeptember 15, 2021<September 15, 2021

Premiere: Casey Dubie’s Sweet “Limbo” Paints a World of Wonder & Suspense

by Mitch Mosk
Tertia May
Columns, Music, Today's SongSeptember 15, 2021<September 15, 2021

Today’s Song: London’s Tertia May Lights “The Fire” with Smoldering Hot & Soulful Passion

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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