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Harrison Whitford © Zack Whitford
Features, Music, Reviews, Track-by-TrackDecember 9, 2021<August 3, 2022

‘Afraid of Nothing’: Inside Harrison Whitford’s Achingly Intimate & Radiantly Raw Sophomore LP

by Mitch Mosk
Mumble Tide
Debut, Features, Music, Reviews, Track-by-TrackDecember 9, 2021<December 10, 2021

Finding Beauty in ‘Everything Ugly’: Inside Mumble Tide’s “Scrappy, Honest, & Frustrated” Mini-Album

by Mitch Mosk
Alex Lahey © Nick Mckk
Columns, Music, Today's SongDecember 9, 2021<December 9, 2021

Today’s Song: Alex Lahey’s Searing, Stunning “Spike the Punch” Hits Hard and Leaves a Mark

by Mitch Mosk
Rén with the Mane
Interviews, Music, Music Videos, PremieresDecember 9, 2021<December 9, 2021

Interview: Brooklyn’s Rén with the Mane on Her Alluring “Short Skirts” Video & Passionate New EP

by Mitch Mosk
Ok Cowgirl © Rita Iovine
Artist to Watch, Debut, Features, Music, Reviews, Track-by-TrackDecember 8, 2021<February 26, 2022

“Dream-Rock, Baby”: Brooklyn’s Ok Cowgirl Put Feelings First on Stunning Debut EP ‘Not My First Rodeo’

by Mitch Mosk
Raekwon © Erick Sasso
Books, Music, ReviewsDecember 8, 2021<December 8, 2021

Book Review: Raekwon Gives Us a Powerful Snapshot of ’90s Hip-Hop and NY Life in ‘Raekwon: From Staircase to Stage’

by Oliver Crook
Row Me Away - Leo Sawikin
Debut, Features, Music, Reviews, Track-by-TrackDecember 8, 2021<December 8, 2021

“Bittersweet, Pre-Dystopian, Longing”: Inside Leo Sawikin’s Dramatic Solo Debut, ‘Row Me Away’

by Mitch Mosk
LAIKIPIA © 2021
Features, Music, Reviews, Track-by-TrackDecember 8, 2021<December 8, 2021

A Place Like No Other: A Track-by-Track Review of LAIKIPIA’s ‘All Hail Hyperion’

by Joe Beer
Emily Blue © Kirsten Barnett
Artist to Watch, Columns, Music, Today's SongDecember 8, 2021<December 8, 2021

Artist to Watch: Emily Blue’s “The Afterlove” Is a Radiant Kiss of Intimate Brooding & Pop Magic

by Mitch Mosk
Features, Interviews, MusicDecember 7, 2021<October 18, 2023

Interview: Laura Dreyfuss Talks Vulnerability, Life Lessons & Development of Sound

by Chloe Robinson
Dom Dolla & Mansionair © Jesse Lirola
Columns, Music, Today's SongDecember 6, 2021<December 6, 2021

Today’s Song: Dom Dolla and Mansionair Showcase the Finest of Australian EDM on “Strangers.”

by Josh Weiner
talker © Sean Berger
Columns, Music, Today's SongDecember 3, 2021<December 1, 2021

Today’s Song: talker Haunt with Sunshine on “Summerlin”

by James Crowley
La Luz © Pooneh Ghana
Features, Interviews, MusicDecember 3, 2021<December 9, 2022

“Super True Surf-Guitar-Doo-Wop Sound”: A Conversation with La Luz’s Shana Cleveland

by Ben Niesen
Kelefa Sanneh © Jason Nocito
Books, Columns, MusicDecember 2, 2021<December 2, 2021

Book Review: Kelefa Sanneh Spans Seven Genres, Fifty Years, & Countless Gems in ‘Major Labels’

by Oliver Crook
Zach Kleisinger © Stephanie Lynch
Music, ReviewsDecember 2, 2021<December 2, 2021

The Intimate Beauty of Singer/Songwriter Zach Kleisinger’s “Dance for a While” & Debut Album ‘Their Symposium’

by Mitch Mosk
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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